All About Lily Chou-Chou


2h 26m 2001

Brief Synopsis

Life isn't easy for a group of high school kids growing up in Japan's pervasive pop/cyber culture. As they negotiate teen badlands- school bullies, parents from another planet, lurid snapshots of sex and death- these everyday rebels without a cause seek sanctuary, even salvation, through pop star sa

Film Details

Also Known As
Lily Chou-Chou no subete, Riri Shushu no subete
MPAA Rating
Genre
Adaptation
Drama
Foreign
Thriller
Release Date
2001
Production Company
Cowboy Pictures; Fortissimo Films; Fortissimo Films; Imagica; Jvc Entertainment Inc; Livewire Studios; Sony Electronics, Inc.
Distribution Company
Cowboy Pictures; Cowboy Pictures
Location
Japan

Technical Specs

Duration
2h 26m

Synopsis

Life isn't easy for a group of high school kids growing up in Japan's pervasive pop/cyber culture. As they negotiate teen badlands- school bullies, parents from another planet, lurid snapshots of sex and death- these everyday rebels without a cause seek sanctuary, even salvation, through pop star savior Lily Chou-Chou, embracing her sad, dreamy songs and sharing their fears and secrets in Lilyholic chat rooms. Immersed in the speed of everyday troubles, their lives inevitably climax in a fatal collision between real and virtual identities, a final logging-off from innocence.

Crew

Kunoteru Akutsu

Production Assistant (Okinawa Unit)

Kazuaki Anri

Production Assistant (Okinawa Unit)

Yuko Arai

Hair (Okinawa Unit)

Yuko Arai

Hair (Okinawa Unit)

Fumiko Araki

Concert Hall Supporting Crew

Ivy Chen

Still Photos

Ado Coker

Piano Instruction

Claude Debussy

Music

Yasuo Fujimoto

Making Video

Ryo Fukunishi

Concert Hall Supporting Crew

Bon Furukawa

Production Manager (Okinawa Unit)

Kazue Furuyama

Concert Hall Supporting Crew

Sayuri Hamaki

Wardrobe

Kyoto Hara

Production Assistant (Okinawa Unit)

Masahiro Hara

Concert Hall Supporting Crew

Masatoshi Hasegawa

Concert Hall Supporting Crew

Kojiro Hashimoto

Concert Hall Supporting Crew

Naoki Hashimoto

Producer

Naoki Hashimoto

Line Producer

Hideya

Local Production Manager

Shinichi Higashida

Production Assistant

Shintaro Horikawa

Concert Hall Supporting Crew

Youo Hoshino

Sound Assistant

Akiko Ichikawa

Concert Hall Supporting Crew

Kuniharu Iiha

Production Manager (Okinawa Unit)

Masao Imai

Grip Assistant

Motoki Ishida

Concert Hall Supporting Crew

Noboru Ishida

Art Director

Mayumi Iso

Wardrobe

Tatsuhiko Itabisashi

Concert Hall Supporting Crew

Hiroko Ito

Other

Mizuki Ito

Sound Effects Assistant

Yuki Ito

Concert Hall Supporting Crew

Shunji Iwai

Editor

Shunji Iwai

Screenwriter

Trevor Jolly

Supervising Sound Editor

Sengi Kanbe

Camera Assistant

Nanahei Kawamoto

Sound Assistant

Eisaku Kikuchi

Local Production Manager

Takunori Kitamura

Concert Hall Supporting Crew

Takeshi Kobayashi

Music

Kenichi Kojima

Still Photos

Atsuko Kubota

Local Production Manager

Masahiro Kubota

Local Production Manager

Masako Kuseki

Concert Hall Supporting Crew

Koko Maeda

Associate Producer

Hiroshi Matsuda

Special Effects

Hiroaki Matsuno

Concert Hall Supporting Crew

Naofumi Matsuzaki

Chorus Instruction

Gentaro Misawa

Grip

Yuji Morisaki

Production Manager

Yu Murata

Local Production Manager

Yoshiaki Muto

Local Production Manager

Tsuyoshi Nabeshima

Concert Hall Supporting Crew

Kotoe Nagata

Production Manager

Yoshiharu Nakagami

Hd Inferno Edit

Motoki Nakamura

Concert Hall Supporting Crew

Natsuyo Nakamura

Camera Assistant

Kenichi Nakayama

Local Production Manager

Yasuko Nakayama

Local Production Manager

Susumu Nakazawa

Concert Hall Supporting Crew

Shinji Ogawa

Concert Hall Supporting Crew

Takao Oinuma

Local Production Manager

Sachiko Okada

Decoration Assistant

Mariko Oki

Concert Hall Supporting Crew

Miho Omasu

Yaeyama Folk Music

Isamu Osada

Water Camera

Akira Osaki

Concert Hall Supporting Crew

Natsuki Osawa

Production Assistant

Akiko Rikuno

Production Accountant

Shinichiro Sakaguchi

Production Manager

Osamu Sakai

Special Effects

Yasuyuki Sanehara

Special Effects

Manabu Sato

Video Engineer

Shinichi Sato

Special Effects

Shoko Sato

Production Assistant (Okinawa Unit)

Mayumi Sawada

Production Assistant (Okinawa Unit)

Yuko Seki

Wardrobe

Kenji Shibazaki

Sound Effects

Noboru Shinoda

Director Of Photography

Hiromi Shintani

Costumes

Kuniko Sone

Concert Hall Supporting Crew

Makoto Sueyohsi

Camera Assistant

Kazuharu Tabuchi

Camera Assistant

Kengo Takasuga

Concert Hall Supporting Crew

Fumi Takeshita

Hair

Fumi Takeshita

Makeup

Ryuichi Takeuchi

Concert Hall Supporting Crew

Osamu Takizawa

Sound

Masayuki Tei

Production Assistant (Okinawa Unit)

Masatoshi Tojo

Concert Hall Supporting Crew

Yoshimasa Tokuda

Hair Assistant

Yoshimasa Tokuda

Makeup Assistant

Toshikatsu

Special Effects

Daisuke Udaka

Hd Edit

Hirokazu Uetake

Special Effects

Atushi Umino

Concert Hall Supporting Crew

Noriko Uno

Concert Hall Supporting Crew

Yujiro Yamamoto

Hd Edit

Hikaru Yasuda

Camera Assistant

Film Details

Also Known As
Lily Chou-Chou no subete, Riri Shushu no subete
MPAA Rating
Genre
Adaptation
Drama
Foreign
Thriller
Release Date
2001
Production Company
Cowboy Pictures; Fortissimo Films; Fortissimo Films; Imagica; Jvc Entertainment Inc; Livewire Studios; Sony Electronics, Inc.
Distribution Company
Cowboy Pictures; Cowboy Pictures
Location
Japan

Technical Specs

Duration
2h 26m

Articles

All About Lily Chou-Chou


Shot entirely on high-definition digital video, this remarkable and viewer-challenging experiment from director Shunji Iwai (best known for the stunning Swallowtail & Butterfly) revolves around the presence of a titular pop singer, a fictitious creation whose music drives the often fragmented events of the story. The central character, 14-year-old Yuichi (Ju-on 2's Hayato Ichihara), frequents an online board devoted to Lily where he and other devotees can savor the peaceful "Ether" created by her music. Unfortunately Yuichi's spiritual life is upset by the influence of his schoolmates who engage in bullying, vandalism, prostitution and dishonesty on a regular basis. He also has a crush on pretty Kuno (Ayumi Ito), an often victimized pianist with a fondness for Debussey. As time passes, the youngsters encounter increasing difficulty reconciling their longing for inner peace with the constant brutality of the outside world.

A meditative and beautifully shot experience, All About Lily Chou-Chou (originally titled Riri Shushu no subete) doesn't flinch from depicting the violence inflicted on its characters, though unprepared viewers may feel even more brutalized by the unorthodox structure which leaps around in time, often shuffling scenes deliberately out of order for dramatic effect. Much of the film is glued together by the haunting soundtrack, which deftly juggles classical selections with the haunting original pop compositions (including one particularly effective passage later repurposed to equally potent effect in Quentin Tartantino's Kill Bill Vol. 1).

The odd structure can mostly be attributed to its source, an Internet "novel" by Iwai whose serial structure was impacted by the feedback from various readers. Most films stumble in their treatment of the Internet by treating it as a flashy new gadget, but this is the rare exception; by using computerized communication as a means of emotional escape rather than a vehicle for visual or narrative pizzazz, the story finds a way to make itself relevant long after the specific technology has become outmoded. Not surprisingly, many Western viewers have found the combination of ethereal dreaminess and hard-edged kitchen sink reality unpalatable (Roger Ebert termed it "maddening" because it "conveys a simple message in a visual style that is willfully overwrought"), but thanks to the continually increasing fascination with Japanese cinema in the worldwide DVD market, its strengths will be appreciated by anyone who found value in films like After Life or 2046.

Barely released in American theaters, All About Lily Chou-Chou fares better with Home Vision's solid DVD release. The anamorphic transfer looks sharp and colorful enough - certainly better than the earlier UK and Hong Kong discs, though the much pricier Japanese Region 2 release reportedly edges it out a bit. The stereo audio admirably captures the delicate soundtrack with perfect clarity. (An isolated music track would've been a nice touch, but the soundtrack is out there for those with some loose change.)

The biggest extra is a 55-minute documentary, which covers the evolution of the story from a technological experiment to a narrative feature film. The production is covered with a heavy dose of behind the scenes footage and interviews, though the presentation is almost as nonlinear and challenging as the feature itself! Also included are a bio and filmography for the director, a music video for the song "Wings That Can't Fly," and two trailers, as well as an insert booklet with the director's introductory notes on the film.

For more information about All About Lily Chou-Chou, visit Home Vision Entertainment. To order All About Lily Chou-Chou, go to TCM Shopping.

by Nathaniel Thompson
All About Lily Chou-Chou

All About Lily Chou-Chou

Shot entirely on high-definition digital video, this remarkable and viewer-challenging experiment from director Shunji Iwai (best known for the stunning Swallowtail & Butterfly) revolves around the presence of a titular pop singer, a fictitious creation whose music drives the often fragmented events of the story. The central character, 14-year-old Yuichi (Ju-on 2's Hayato Ichihara), frequents an online board devoted to Lily where he and other devotees can savor the peaceful "Ether" created by her music. Unfortunately Yuichi's spiritual life is upset by the influence of his schoolmates who engage in bullying, vandalism, prostitution and dishonesty on a regular basis. He also has a crush on pretty Kuno (Ayumi Ito), an often victimized pianist with a fondness for Debussey. As time passes, the youngsters encounter increasing difficulty reconciling their longing for inner peace with the constant brutality of the outside world. A meditative and beautifully shot experience, All About Lily Chou-Chou (originally titled Riri Shushu no subete) doesn't flinch from depicting the violence inflicted on its characters, though unprepared viewers may feel even more brutalized by the unorthodox structure which leaps around in time, often shuffling scenes deliberately out of order for dramatic effect. Much of the film is glued together by the haunting soundtrack, which deftly juggles classical selections with the haunting original pop compositions (including one particularly effective passage later repurposed to equally potent effect in Quentin Tartantino's Kill Bill Vol. 1). The odd structure can mostly be attributed to its source, an Internet "novel" by Iwai whose serial structure was impacted by the feedback from various readers. Most films stumble in their treatment of the Internet by treating it as a flashy new gadget, but this is the rare exception; by using computerized communication as a means of emotional escape rather than a vehicle for visual or narrative pizzazz, the story finds a way to make itself relevant long after the specific technology has become outmoded. Not surprisingly, many Western viewers have found the combination of ethereal dreaminess and hard-edged kitchen sink reality unpalatable (Roger Ebert termed it "maddening" because it "conveys a simple message in a visual style that is willfully overwrought"), but thanks to the continually increasing fascination with Japanese cinema in the worldwide DVD market, its strengths will be appreciated by anyone who found value in films like After Life or 2046. Barely released in American theaters, All About Lily Chou-Chou fares better with Home Vision's solid DVD release. The anamorphic transfer looks sharp and colorful enough - certainly better than the earlier UK and Hong Kong discs, though the much pricier Japanese Region 2 release reportedly edges it out a bit. The stereo audio admirably captures the delicate soundtrack with perfect clarity. (An isolated music track would've been a nice touch, but the soundtrack is out there for those with some loose change.) The biggest extra is a 55-minute documentary, which covers the evolution of the story from a technological experiment to a narrative feature film. The production is covered with a heavy dose of behind the scenes footage and interviews, though the presentation is almost as nonlinear and challenging as the feature itself! Also included are a bio and filmography for the director, a music video for the song "Wings That Can't Fly," and two trailers, as well as an insert booklet with the director's introductory notes on the film. For more information about All About Lily Chou-Chou, visit Home Vision Entertainment. To order All About Lily Chou-Chou, go to TCM Shopping. by Nathaniel Thompson

Quotes

Trivia

Miscellaneous Notes

Released in United States 2001

Released in United States August 16, 2002

Released in United States February 2002

Released in United States November 2001

Released in United States on Video February 15, 2005

Released in United States September 2001

Released in United States Summer July 12, 2002

Shown at Berlin International Film Festival (Panorama) February 6-17, 2002.

Shown at New York Film Festival September 28 - October 14, 2001.

Shown at Pusan International Film Festival November 9-17, 2001.

Shown at Toronto International Film Festival (Contemporary World Cinema) September 6-15, 2001.

Released in United States 2001 (Shown at New York Film Festival September 28 - October 14, 2001.)

Released in United States February 2002 (Shown at Berlin International Film Festival (Panorama) February 6-17, 2002.)

Released in United States on Video February 15, 2005

Released in United States Summer July 12, 2002 (NY)

Released in United States August 16, 2002 (Los Angeles)

Released in United States September 2001 (Shown at Toronto International Film Festival (Contemporary World Cinema) September 6-15, 2001.)

Released in United States November 2001 (Shown at Pusan International Film Festival November 9-17, 2001.)