The Endless Summer


1h 35m 1966
The Endless Summer

Brief Synopsis

Two surfers travel around the world so they can ride the waves all year long.

Film Details

MPAA Rating
Genre
Documentary
Release Date
Jan 1966
Premiere Information
Wichita, Kansas, opening: 9 Feb 1966
Production Company
Bruce Brown Films
Distribution Company
Bruce Brown Films; Cinema V Distributing, Inc.
Country
United States
Location
Malibu, California, USA; Ghana; Hawaii, USA; Australia; New Zealand; Nigeria; Tahiti, French Polynesia

Technical Specs

Duration
1h 35m

Synopsis

Surfers Bruce Brown, Mike Hynson, and Robert August embark on a 3-month international adventure in search of "the perfect wave." The trio's odyssey extends from the wintry beach of Malibu to the warm waters of Ghana, and includes stops in Nigeria, Australia, New Zealand, Tahiti, and Hawaii.

Film Details

MPAA Rating
Genre
Documentary
Release Date
Jan 1966
Premiere Information
Wichita, Kansas, opening: 9 Feb 1966
Production Company
Bruce Brown Films
Distribution Company
Bruce Brown Films; Cinema V Distributing, Inc.
Country
United States
Location
Malibu, California, USA; Ghana; Hawaii, USA; Australia; New Zealand; Nigeria; Tahiti, French Polynesia

Technical Specs

Duration
1h 35m

Articles

The Endless Summer


The Endless Summer (1966) is a cinematic time capsule, a proudly unpolished cult picture that generates more nostalgia with each passing year. Director Bruce Brown follows clean-cut surfers Robert August and Mike Hynson as they extend their California summer into a year-round pursuit of the ultimate wave. Their laid-back journey eventually takes them to beaches in Malibu, West Africa, South Africa, Australia, and Hawaii. The people they meet during their trip - including short-boarding villagers in Ghana and Senegal, and a few attractive Australian beach bunnies - are every bit as enjoyable as the surfing footage.

A great deal of the film's charm is derived from its haphazard construction. Shot on 16-millimeter film, with post-synchronized sound, it's a glorified home movie that nevertheless captures a short-lived period in American popular culture. Brown also narrates the picture, in a relaxed, tongue-in-cheek style that perfectly suits his material. Though he had previously directed such low-budget surfing films as Slippery When Wet (1958) and Water-logged (1962), The Endless Summer made Brown's name, turning him into a figurehead for "tube" enthusiasts the world over.

This kind of passion borders on religion. Brown may have set a film-world record of sorts by making a sequel to The Endless Summer 28 years after it was originally released. To a degree, The Endless Summer II (1994) is a documentary about a documentary, as it incorporates unused footage from the first picture while re-visiting both August and Hynson. It's no surprise that they were still chasing waves when Brown found them again.

When The Endless Summer first opened theatrically in New York City, it was a huge commercial hit which was more surprising to the press than Bruce Brown. "For some reason," he said, "the real entrenched film critics seemed to like it, maybe because it was different from what they were used to seeing. We weren't one of them, so a lot of the media in New York were into helping us, not hurting us. If they did a review and wrote, "Brown did a sh#tty movie,' we'd have been dead. But nobody knew who I was, and maybe they felt it wasn't worth criticizing, so they pretty much gave us good reviews and helped us out."

Directed, edited and narrated by: Bruce Brown
Principal Cast: Robert August (principal surfer), Mike Hynson (principal surfer), Terence Bullen (South African guide).
C-88m.

By Paul Tatara
The Endless Summer

The Endless Summer

The Endless Summer (1966) is a cinematic time capsule, a proudly unpolished cult picture that generates more nostalgia with each passing year. Director Bruce Brown follows clean-cut surfers Robert August and Mike Hynson as they extend their California summer into a year-round pursuit of the ultimate wave. Their laid-back journey eventually takes them to beaches in Malibu, West Africa, South Africa, Australia, and Hawaii. The people they meet during their trip - including short-boarding villagers in Ghana and Senegal, and a few attractive Australian beach bunnies - are every bit as enjoyable as the surfing footage. A great deal of the film's charm is derived from its haphazard construction. Shot on 16-millimeter film, with post-synchronized sound, it's a glorified home movie that nevertheless captures a short-lived period in American popular culture. Brown also narrates the picture, in a relaxed, tongue-in-cheek style that perfectly suits his material. Though he had previously directed such low-budget surfing films as Slippery When Wet (1958) and Water-logged (1962), The Endless Summer made Brown's name, turning him into a figurehead for "tube" enthusiasts the world over. This kind of passion borders on religion. Brown may have set a film-world record of sorts by making a sequel to The Endless Summer 28 years after it was originally released. To a degree, The Endless Summer II (1994) is a documentary about a documentary, as it incorporates unused footage from the first picture while re-visiting both August and Hynson. It's no surprise that they were still chasing waves when Brown found them again. When The Endless Summer first opened theatrically in New York City, it was a huge commercial hit which was more surprising to the press than Bruce Brown. "For some reason," he said, "the real entrenched film critics seemed to like it, maybe because it was different from what they were used to seeing. We weren't one of them, so a lot of the media in New York were into helping us, not hurting us. If they did a review and wrote, "Brown did a sh#tty movie,' we'd have been dead. But nobody knew who I was, and maybe they felt it wasn't worth criticizing, so they pretty much gave us good reviews and helped us out." Directed, edited and narrated by: Bruce Brown Principal Cast: Robert August (principal surfer), Mike Hynson (principal surfer), Terence Bullen (South African guide). C-88m. By Paul Tatara

The Endless Summer - The Cinematic Bible of Surf Movies - THE ENDLESS SUMMER on DVD


The Endless Summer (1966), now available on VHS and DVD from Image Entertainment, is a cinematic time capsule, a proudly unpolished cult picture that generates more nostalgia with each passing year. Director Bruce Brown follows clean-cut surfers Robert August and Mike Hynson as they extend their California summer into a year-round pursuit of the ultimate wave. Their laid-back journey eventually takes them to beaches in Malibu, West Africa, South Africa, Australia, and Hawaii. The people they meet during their trip - including short-boarding villagers in Ghana and Senegal, and a few attractive Australian beach bunnies - are every bit as enjoyable as the surfing footage.

A great deal of the film's charm is derived from its haphazard construction. Shot on 16-millimeter film, with post-synchronized sound, it's a glorified home movie that nevertheless captures a short-lived period in American popular culture. Brown also narrates the picture, in a relaxed, tongue-in-cheek style that perfectly suits his material. Though he had previously directed such low-budget surfing films as Slippery When Wet (1958) and Water-logged (1962), The Endless Summer made Brown's name, turning him into a figurehead for "tube" enthusiasts the world over.

This kind of passion borders on religion. Brown may have set a film-world record of sorts by making a sequel to The Endless Summer 28 years after it was originally released. To a degree, The Endless Summer II (1994) is a documentary about a documentary, as it incorporates unused footage from the first picture while re-visiting both August and Hynson. It's no surprise that they were still chasing waves when Brown found them again.

When The Endless Summer first opened theatrically in New York City, it was a huge commercial hit which was more surprising to the press than Bruce Brown. "For some reason," he said, "the real entrenched film critics seemed to like it, maybe because it was different from what they were used to seeing. We weren't one of them, so a lot of the media in New York were into helping us, not hurting us. If they did a review and wrote, "Brown did a sh#tty movie,' we'd have been dead. But nobody knew who I was, and maybe they felt it wasn't worth criticizing, so they pretty much gave us good reviews and helped us out."

The Image DVD of The Endless Summer (presented in the standard full screen ratio of 1:33:1) is the ideal way to revisit this surfing classic. Although there are no extras on the disk, the visual quality is first rate, capturing all the vivid colors and sounds of the original theatrical release.

For more information on The Endless Summer and other Bruce Brown films, visit Image Entertainment.To purchase a copy of The Endless Summer, visit Movies Unlimited.

By Paul Tatara

The Endless Summer - The Cinematic Bible of Surf Movies - THE ENDLESS SUMMER on DVD

The Endless Summer (1966), now available on VHS and DVD from Image Entertainment, is a cinematic time capsule, a proudly unpolished cult picture that generates more nostalgia with each passing year. Director Bruce Brown follows clean-cut surfers Robert August and Mike Hynson as they extend their California summer into a year-round pursuit of the ultimate wave. Their laid-back journey eventually takes them to beaches in Malibu, West Africa, South Africa, Australia, and Hawaii. The people they meet during their trip - including short-boarding villagers in Ghana and Senegal, and a few attractive Australian beach bunnies - are every bit as enjoyable as the surfing footage. A great deal of the film's charm is derived from its haphazard construction. Shot on 16-millimeter film, with post-synchronized sound, it's a glorified home movie that nevertheless captures a short-lived period in American popular culture. Brown also narrates the picture, in a relaxed, tongue-in-cheek style that perfectly suits his material. Though he had previously directed such low-budget surfing films as Slippery When Wet (1958) and Water-logged (1962), The Endless Summer made Brown's name, turning him into a figurehead for "tube" enthusiasts the world over. This kind of passion borders on religion. Brown may have set a film-world record of sorts by making a sequel to The Endless Summer 28 years after it was originally released. To a degree, The Endless Summer II (1994) is a documentary about a documentary, as it incorporates unused footage from the first picture while re-visiting both August and Hynson. It's no surprise that they were still chasing waves when Brown found them again. When The Endless Summer first opened theatrically in New York City, it was a huge commercial hit which was more surprising to the press than Bruce Brown. "For some reason," he said, "the real entrenched film critics seemed to like it, maybe because it was different from what they were used to seeing. We weren't one of them, so a lot of the media in New York were into helping us, not hurting us. If they did a review and wrote, "Brown did a sh#tty movie,' we'd have been dead. But nobody knew who I was, and maybe they felt it wasn't worth criticizing, so they pretty much gave us good reviews and helped us out." The Image DVD of The Endless Summer (presented in the standard full screen ratio of 1:33:1) is the ideal way to revisit this surfing classic. Although there are no extras on the disk, the visual quality is first rate, capturing all the vivid colors and sounds of the original theatrical release. For more information on The Endless Summer and other Bruce Brown films, visit Image Entertainment.To purchase a copy of The Endless Summer, visit Movies Unlimited. By Paul Tatara

Quotes

Trivia

Notes

The film was shot in 16mm. In December 2002, the Library of Congress included The Endless Summer in its annual list of twenty five films considered National Treasures.

Miscellaneous Notes

Limited re-release in United States July 23, 2014

Released in United States 1966

Released in United States 1966

Selected in 2002 for inclusion in the Library of Congress' National Film Registry.

Limited re-release in United States July 23, 2014 (Los Angeles)