The Last Castle


2h 2001
The Last Castle

Brief Synopsis

When a powerful Army General is imprisoned in the country's only maximum-security stockade, he systematically garners loyalty among the men and raises an army to take over the prison.

Film Details

Also Known As
Last Castle, dernier château
MPAA Rating
Genre
Action
Drama
Thriller
Release Date
2001
Production Company
Christopher S P Jones
Distribution Company
AMBLIN PARTNERS
Location
Tennessee State Penitentiary, Tennessee, USA; Nashville, Tennessee, USA

Technical Specs

Duration
2h

Synopsis

The Castle is an unlikely last stop in the brilliant career of three-star General Irwin. Court-martialed and stripped of his rank, Irwin has been sentenced to the maximum security military prison, which is run with an iron fist by its warden, Colonel Winter. Winter can't help but respect the once-legendary general, but it isn't long before that respect turns to resentment and then open hostility as Irwin continually confronts the warden on his methods. Setting out to break Irwin by whatever means necessary, the colonel's tactics only fuel Irwin's defiance and cause the other prisoners to rally behind the general in his new mission: to seize control of the prison and remove Winter from his command. The men imprisoned in The Castle have been told that they are no longer soldiers... but they are about to prove that they can still fight a war.

Crew

Erik Aadahl

Foley Editor

Kenny Alexander

Stunts

Edward R. Alvarado

Production

Charlene Amateau

Costume Supervisor

Missy Anderson

Transportation

Maureen Anstey

Makeup Artist

Deborah Aquila

Casting

Ty Arnold

Assistant Director

Roberto Arredondo

Grip

Michael Babcock

Sound

Michael Babcock

Sound Effects Editor

Robert J Babin

Key Grip

Johann Sebastian Bach

Music

Hector Balcacer

Visual Effects

Gregory J Barnett

Stunts

David Beadle

Dialogue Editor

Gloria Belz

Makeup Artist

John Benson

Adr Supervisor

Robert A. Blackburn

Construction Coordinator

Beth Blanks

Casting Associate

Stacy D Blaylock

Costumes

David Bleiler

Foreman

Marie R Blevins

Other

Scotty L Blevins

Other

Tom Bognar

Apprentice

Barbara Boguski

Adr Editor

Bruce Botnick

Sound Mixer

Eddie Braun

Stunts

Danny Brazen

Best Boy Grip

Kathleen Brennan

Song

T Vickery Briggs

Editorial Production Assistant

Scott Browner

Camera Operator

Tony Brubaker

Stunts

Dave Bumpstead

Song

Gary Burritt

Negative Cutting

Rodney Byrd

Special Effects Foreman

Dave Campbel

Rerecording

Kevin Campbell

Sound Mixer

Robert Elvis Carillon

Electrician

Joseph Cassell

Costumes

Clete Cetrone

Props

Jacob Chambers

Stunts

Steve Chambers

Stunts

Joy Chapman

Production Assistant

Terry P Chapman

Special Effects

Albert Cho

Assistant Director

Joseph Cicio

Other

Joseph Cicio

Camera

Mark S Constance

Assistant Director

Loren Corl

Key Grip

Thomas W Corsello

Other

W Ty Crawford

Production Assistant

Steve Cremin

Special Effects Foreman

Ken Dakermann

Visual Effects

Burt Dalton

Special Effects Supervisor

Michael David

Production Assistant

Sergeant Major Mihael L Davis

Advisor

Sandy De Crescent

Music Contractor

Curtis Decker

Special Effects

Paul Deely

Special Effects

Dave Deever

Video Assist/Playback

Albert Delgado

Special Effects

Lou Demarco

Assistant Camera Operator

Maria Devane

Post-Production Accountant

Don Devine

Camera Operator

Eddy Donno

Stunts

Roger Dorney

Visual Effects Supervisor

Jo Doster

Casting

Ronald L Dowdy

Advisor

Ken Dufa

Foley Artist

David Duren

Electrician

Doug Durose

Assistant Property Master

Marcia Eden

Costumes

John Thurston Edwards

Auditor

Andrew Ellerd

Sound Effects Editor

Charles Willie Ellis

Transportation Co-Captain

William M Elvin

Assistant Director

Kenny Endoso

Stunts

Dale Ettema

Special Effects

David Fein

Foley Artist

Matthew Feitshans

Assistant Director

Ed Fitzgerald

Swing Gang

Travis Flynn

Visual Effects

Ginger Forstman

Costumes

Shaun Foudy

Production Assistant

Scott Friedland

Grip

Oscar Garcia

Other

George Gervan

Visual Effects

Richard Gervan

Other

Tim Gilbert

Stunts

Brandon Keith Gill

Special Effects

Billy Gillespie

Transportation Captain

Larry Goeb

Dialogue Editor

Karen Golden

Script Supervisor

Jerry Goldsmith

Music

Brien Goodrich

3-D Animator

Jeffry Gordon

Electrician

Jeremy R Gould

Assistant Location Manager

Scott Graves

Rigging Gaffer

Joseph Gray

Foreman

Tad Griffith

Stunts

Gary Guercio

Stunts

Chad Habetz

Grip

Dean Hall

Song Performer

Dean Hall

Song

Ken Hall

Music Editor

John Hammond

Song Performer

David Hankins

Sound Supervisor

Nathan Hankins

Apprentice

Julie Hanks

Assistant

Jeani Harris

Assistant Director

Gene Hartline

Stunts

Ray Harvie

Visual Effects

Maureen Healy

Visual Effects

Sonya Henry

Dialogue Editor

Veronica Hernandez

Visual Effects

Mark Hitchler

Set Designer

Patrick Hogan

Adr Editor

Bill Hollaway

Technical Operations Manager

Todd Homme

Music Supervisor

S Beth Horton

Assistant

Chuck Hosack

Stunts

Stephan Howard

Props

Kanin J. Howell

Stunts

Heather Hoyland

Visual Effects

Lawrence Hubbs

Art Director

Mike Hubert

Production Coordinator

Charles H Hudson

Driver

Thomas J Huff

Stunts

Clay Humphrey

Production Assistant

Neil Hyman

Transportation Coordinator

Victor Iorillo

Sound

Michael Jablow

Editor

Kevin Lamont Jackson

Stunts

Michael Jacobson

Best Boy

Boysie Jereza

Accountant

David Jobe

Foley Mixer

Diana Johnson

Craft Service

Jeffrey Paul Johnson

Props Assistant

Shelly Johnson

Director Of Photography

Elizabeth E Joiner

Costumes

Christopher S P Jones

Cable Operator

Fred Judkins

Foley Editor

Donna Kail

Assistant

Glenn D Kaplan

Assistant Camera Operator

Rhonda Keaton

Costumes

Lisa Dennis Kennedy

Post-Production Supervisor

Tom Kerns

Other

Robert Kiefer

Props

Henry M. Kingi Jr.

Stunts

Jerry D Knight

Electrician

Steve Koster

Camera

Cheryl Kurk

Accountant

Kevin Larosa

Other

Kevin Larosa

Helicopter Pilot

Thomas Lauifi

Props

Jennifer Law-stump

Visual Effects

Robert Lawrence

Producer

John Leary

Grip

Ryan A Leath

Other

Gene Lebell

Stunts

James Leclaire

Other

Bil Leeman

3-D Animator

Barry Lehrman

Set Designer

Chris Leidholdt

Key Rigging Grip

Jim Leidholdt

Dolly Grip

Gary Liddiard

Makeup

Clay Lilley

Stunts

Pam Lisenby

Other

Anna M Little

Accounting Assistant

Brenda Lopez

Script Supervisor

Ernest Lopez

Other

Greg Lopez

Electrician

David Lujan

Best Boy

Sydney Lunn

Props

Kristian Lupo

Stunts

Kenji Luster

Steadicam Operator

Helen Lutrell

Dialogue Editor

Dave Maddux

Lighting Technician

Rick Maddux

Lighting

Garth Majors

Special Effects

Elliot Marks

Photography

Liza Marquez

Assistant Production Coordinator

Kindra Marra

Assistant Editor

Jerry L. Marshall

Dolly Grip

Greg Martin

Stunts

Michael Martino

Assistant Camera Operator

Dan May

Set Decorator

Joseph May

Production Assistant

Kristen Mccarron

Art Department Coordinator

Eugene Mccarthy

Property Master

D Blake Mcclure

Production Assistant

William M. Mcconnell

Assistant

Kimberly D Mccray

Extras Agent/Coordinator

Scott Mcgeo

Best Boy Grip

Mark Mckenzie

Original Music

Bobby Mclaughlin

Stunts

Susan Mcmahon

Location Manager

Peter Mcnulty

Assistant Editor

Jay Meagher

Sound Mixer

Film Details

Also Known As
Last Castle, dernier château
MPAA Rating
Genre
Action
Drama
Thriller
Release Date
2001
Production Company
Christopher S P Jones
Distribution Company
AMBLIN PARTNERS
Location
Tennessee State Penitentiary, Tennessee, USA; Nashville, Tennessee, USA

Technical Specs

Duration
2h

Articles

The Last Castle (2001)


The castle of The Last Castle is a military prison, the sole location in a drama about a three-star General incarcerated after pleading guilty to insubordination and finds himself drawn into a new battle: protecting his fellow inmates from an abusive warden. It's the third film from Israeli-born journalist turned filmmaker Rod Lurie, an outspoken liberal whose first two features—Deterrence (1999), about a possible nuclear attack on America from Iraq, and The Contender (2000), about a political smear campaign targeting a female vice-presidential candidate—tackled politics head on with stories that turned out to be quite prescient. He was pondering his next film when DreamWorks offered him an original screenplay, then simply titled "The Castle," written by David Scarpa and Graham Yost.

Robert Redford was already interested in the script ("I liked that it analyzed the relationship between honor and leadership," he told biographer Micheal Feeney Callan) and met with the filmmaker during a break in production on Spy Game (2001). "[Lurie] was obviously smart and he was very ballsy," observed Redford, "and he also had in his hands a great script. I thought it would be good because he was a younger voice." With Redford in the leading role of Lieutenant General Eugene Irwin, they needed an actor with the strength to take him on as the film's nemesis, Colonel Winter.

James Gandolfini made his mark on the big screen in supporting roles in such films as Crimson Tide (1995) and True Romance (1993), but he became a star playing New Jersey mobster Tony Soprano in the acclaimed HBO series The Sopranos, which earned the actor three Emmy Awards. Gandolfini signed on as the manipulative prison warden for $5 million, his biggest payday for a feature film to date, and started shooting just a few weeks after the third season of The Sopranos wrapped production. In Lurie's own words, "Jim was critical because the story needed a huge character to stand up to Irwin." Redford was equally impressed with Gandolfini. "Great actors move you," he explained. "The Last Castle had moments of the great two-hander, moments when you looked at Jim and didn't know what was coming." 

The original screenplay featured no women characters. William Nicholson, who was brought in by Lurie as an uncredited script doctor, added a scene between Irwin and his estranged daughter, played by Robin Wright Penn. "I think it was the best-acted scene in the movie, maybe one of (Redford's) best-ever acting moments," reflected Lurie. Key supporting roles went to Mark Ruffalo, who had earned glowing reviews for Kenneth Lonergan's You Can Count on Me (2000), and Clifton Collins Jr., whose performance as a young Marine became the actor’s breakthrough role. 

The film takes place almost entirely within the walls of the military prison. Lurie and his production team found their castle in the decommissioned Tennessee State Prison, a massive Gothic structure built in the late 19th century. The prison, which was closed in 1992, had previously been used for Against the Wall (1994) and The Green Mile (1999) and the State of Tennessee gave the filmmakers free use of the facility. The production team refurbished the prison and constructed new buildings and walls where necessary, including two towers and a metal walkway. The interior cell blocks didn't serve Lurie's dramatic needs, so production designer Kirk Petruccelli built a separate set featuring prison cells that faced each other.

The film, since retitled The Last Castle to avoid confusion with the recently released Australian comedy, was slated for released in October 2001 with a poster featuring an American flag flying upside down, a sign of distress. The terrorist attack on the World Trade Center in September, however, changed the national attitude overnight. A film critical of the American military became far less appealing the autumn of 2001 and the film's ad campaign was shifted accordingly, but it wasn't enough to bring in audiences. The $72 million production made only a fraction of its budget back.

For his part, Redford was only slightly more circumspect in his promotional interviews. "When somebody raises a voice of any kind of dissent right now, they’re being accused of being unpatriotic," he cautioned while appearing on CNN. "That’s dangerous. That’s not healthy. The right to disagree is part of our democratic system – it’s what we fought for." 

Sources:
James Gandolfini, Dan Bischoff. St. Martin's Press, 2014.
Robert Redford: The Biography, Micheal Feeney Callan. Alfred A. Knopf, 2011.
"Yonda Lies The Castle of Tony Soprano," Stax. IGN, January 8, 2001.
"The Castle Can Be Found in Tennessee," Stax. IGN, January 11, 2001.
DreamWorks Electronic Press Kit
IMDb

The Last Castle (2001)

The Last Castle (2001)

The castle of The Last Castle is a military prison, the sole location in a drama about a three-star General incarcerated after pleading guilty to insubordination and finds himself drawn into a new battle: protecting his fellow inmates from an abusive warden. It's the third film from Israeli-born journalist turned filmmaker Rod Lurie, an outspoken liberal whose first two features—Deterrence (1999), about a possible nuclear attack on America from Iraq, and The Contender (2000), about a political smear campaign targeting a female vice-presidential candidate—tackled politics head on with stories that turned out to be quite prescient. He was pondering his next film when DreamWorks offered him an original screenplay, then simply titled "The Castle," written by David Scarpa and Graham Yost.Robert Redford was already interested in the script ("I liked that it analyzed the relationship between honor and leadership," he told biographer Micheal Feeney Callan) and met with the filmmaker during a break in production on Spy Game (2001). "[Lurie] was obviously smart and he was very ballsy," observed Redford, "and he also had in his hands a great script. I thought it would be good because he was a younger voice." With Redford in the leading role of Lieutenant General Eugene Irwin, they needed an actor with the strength to take him on as the film's nemesis, Colonel Winter.James Gandolfini made his mark on the big screen in supporting roles in such films as Crimson Tide (1995) and True Romance (1993), but he became a star playing New Jersey mobster Tony Soprano in the acclaimed HBO series The Sopranos, which earned the actor three Emmy Awards. Gandolfini signed on as the manipulative prison warden for $5 million, his biggest payday for a feature film to date, and started shooting just a few weeks after the third season of The Sopranos wrapped production. In Lurie's own words, "Jim was critical because the story needed a huge character to stand up to Irwin." Redford was equally impressed with Gandolfini. "Great actors move you," he explained. "The Last Castle had moments of the great two-hander, moments when you looked at Jim and didn't know what was coming." The original screenplay featured no women characters. William Nicholson, who was brought in by Lurie as an uncredited script doctor, added a scene between Irwin and his estranged daughter, played by Robin Wright Penn. "I think it was the best-acted scene in the movie, maybe one of (Redford's) best-ever acting moments," reflected Lurie. Key supporting roles went to Mark Ruffalo, who had earned glowing reviews for Kenneth Lonergan's You Can Count on Me (2000), and Clifton Collins Jr., whose performance as a young Marine became the actor’s breakthrough role. The film takes place almost entirely within the walls of the military prison. Lurie and his production team found their castle in the decommissioned Tennessee State Prison, a massive Gothic structure built in the late 19th century. The prison, which was closed in 1992, had previously been used for Against the Wall (1994) and The Green Mile (1999) and the State of Tennessee gave the filmmakers free use of the facility. The production team refurbished the prison and constructed new buildings and walls where necessary, including two towers and a metal walkway. The interior cell blocks didn't serve Lurie's dramatic needs, so production designer Kirk Petruccelli built a separate set featuring prison cells that faced each other.The film, since retitled The Last Castle to avoid confusion with the recently released Australian comedy, was slated for released in October 2001 with a poster featuring an American flag flying upside down, a sign of distress. The terrorist attack on the World Trade Center in September, however, changed the national attitude overnight. A film critical of the American military became far less appealing the autumn of 2001 and the film's ad campaign was shifted accordingly, but it wasn't enough to bring in audiences. The $72 million production made only a fraction of its budget back.For his part, Redford was only slightly more circumspect in his promotional interviews. "When somebody raises a voice of any kind of dissent right now, they’re being accused of being unpatriotic," he cautioned while appearing on CNN. "That’s dangerous. That’s not healthy. The right to disagree is part of our democratic system – it’s what we fought for." Sources:James Gandolfini, Dan Bischoff. St. Martin's Press, 2014.Robert Redford: The Biography, Micheal Feeney Callan. Alfred A. Knopf, 2011."Yonda Lies The Castle of Tony Soprano," Stax. IGN, January 8, 2001."The Castle Can Be Found in Tennessee," Stax. IGN, January 11, 2001.DreamWorks Electronic Press KitIMDb

Quotes

Trivia

Miscellaneous Notes

Released in United States Fall October 19, 2001

Released in United States on Video March 5, 2002

Began shooting March 21, 2001.

Completed shooting June 20, 2001.

Released in United States on Video March 5, 2002

Released in United States Fall October 19, 2001