For a Few Dollars More


2h 10m 1967
For a Few Dollars More

Brief Synopsis

Two bounty hunters join forces to bring an outlaw to justice.

Film Details

Also Known As
La muerte tenia un precio, Per qualche dollaro in più
Genre
Western
Action
Drama
Release Date
Jan 1967
Premiere Information
Boston opening: 10 May 1967
Production Company
Arturo Gonzales; Constantin Film; P. E. A.
Distribution Company
United Artists
Country
Italy
Location
Spain

Technical Specs

Duration
2h 10m
Sound
Mono
Color
Color (Technicolor)
Theatrical Aspect Ratio
2.35 : 1

Synopsis

In the post-Civil War Southwest, two bounty hunters set out after a sadistic outlaw, Indio, for whom a $10,000 reward is offered. One of the hunters is a stranger known only as "the man with no name"; the other, Col. Douglas Mortimer, is a former Confederate Army officer whose sister committed suicide after being raped by Indio. The two men first encounter each other in El Paso and prepare for a showdown, but instead they decide to join forces in tracking down Indio and splitting the reward. To win favor with Indio, the stranger organizes a jailbreak and frees the outlaw's best friend. After joining Indio's gang, the stranger double-crosses Mortimer by persuading Indio to ride in a direction other than the one expected by Mortimer. The colonel, however, has anticipated the stranger's strategy and waits for Indio and his gang at their destination. Mortimer then proceeds to ingratiate himself with the gang leader by opening a safe stolen from the El Paso Bank. After patching up their differences, the two bounty hunters prepare to make off with the contents of the safe. But Indio captures them, and after failing to find out where they have hidden the money, he conceives a plan for eliminating both the bounty hunters and his own henchmen, thereby securing all the money for himself. He sets free Mortimer and the stranger and orders his gang to kill them. When the bloody gun battle is over, only Mortimer and the stranger are still alive. Mortimer, aided by the stranger, avenges his sister's death by killing the cowering Indio. His mission completed, Mortimer rides off, leaving the stranger to deliver all the dead bodies and collect the bounty money.

Photo Collections

For a Few Dollars More - Itailian Movie Posters
For a Few Dollars More - Itailian Movie Posters

Videos

Movie Clip

For A Few Dollars More (1965) -- (Movie Clip) He's Tall The "man with no name" (Clint Eastwood) arrives in El Paso and meets the kid Fernando (Antonito Ruiz) then "takes" a room at the inn, in the second film in Sergio Leone's trilogy, For A Few Dollars More, 1965.
For A Few Dollars More (1965) -- (Movie Clip) I Think You People Need A New Sheriff The "man with no name" (Clint Eastwood) finds "Baby" Cavanaugh (Jose Marco) for a poker game, in the second film in Sergio Leone's "Spaghetti Western" trilogy, For A Few Dollars More, 1965.
For A Few Dollars More (1965) -- (Movie Clip) This Train'll Stop At Tucumcari Lee Van Cleef as Mortimer carries the opening scene, identified already as a bounty hunter, Jesús Guzmán the “carpetbagger” on the train, Roberto Camardiel as the station master in Tucumcari (though the real Tucumcari wasn’t established until 1901), in the second film in Sergio Leone’s trilogy starring Clint Eastwood, For A Few Dollars More, 1965.
For A Few Dollars More (1965) -- (Movie Clip) Open, The Bounty Killers Appeared Austere but arresting and unmistakable, a single shot from director Sergio Leone, a single piece of action, Ennio Morricone’s score and the distinctive graphics, opening the second film in the famous Clint Eastwood “Spaghetti Western” trilogy, For A Few Dollars More, 1965 and 1967.
For A Few Dollars More (1965) -- (Movie Clip) Your Family Is Partly Mine Harrowing, famous scene exposing the character of El Indio (Gian Maria Volontè), broken out of prison and taking revenge on the informant Tomaso (Lorenzo Robledo, Diane Faenza his wife), not yet having encountered the two bounty hunters (Clint Eastwood and Lee Van Cleef), early in Sergio Leone’s For A Few Dollars More, 1965, the second feature in the “Man With No Name” trilogy.

Trailer

Hosted Intro

Film Details

Also Known As
La muerte tenia un precio, Per qualche dollaro in più
Genre
Western
Action
Drama
Release Date
Jan 1967
Premiere Information
Boston opening: 10 May 1967
Production Company
Arturo Gonzales; Constantin Film; P. E. A.
Distribution Company
United Artists
Country
Italy
Location
Spain

Technical Specs

Duration
2h 10m
Sound
Mono
Color
Color (Technicolor)
Theatrical Aspect Ratio
2.35 : 1

Articles

For a Few Dollars More


Riding high from the European success of A Fistful of Dollars (1964), Clint Eastwood and director Sergio Leone quickly reteamed to make For a Few Dollars More (Per qualche dollaro in piu, 1965), arguably the best entry in the trilogy they made together.

Gary Cooper may have been tight-lipped in High Noon (1952) and James Stewart might have seemed ruthless in The Naked Spur (1953) but audiences could hardly have been prepared for the cold-hearted amorality personified by Eastwood in Leone's Italian Westerns.

Reprising his role as the nameless, virtually wordless, poncho-draped drifter, Eastwood finds himself competing against a Bible-toting walking arsenal named Colonel Mortimer (Lee Van Cleef), as they vie for the bounty on the head of the outlaw Indio (Gian Maria Volonte). The motivation of Eastwood's lone gunman (nicknamed "Monco," Italian for "monk") is stictly monetary, while Mortimer is driven by a lust for revenge. In spite of their differences, they form a brittle alliance to accomplish their shared goal, systematically outwitting and outgunning Indio's band of depraved desperados - including Klaus Kinski, upon whose hunched back Eastwood strikes a match in one moment of inspired black comedy.

Like the woolen serape and the weathered low-brimmed hat, the narrow toscani quickly became the Eastwood character's trademark. Leone (who died in 1989) once recalled that the actor pleaded with him to forego the Tuscan cigars in For a Few Dollars More. "We can't possibly leave the cigar behind," Leone responded, "It's playing the lead!" The same might be said of Ennio Morricone's score, which accentuates the film's barbarity with musical flourishes so stylized and grandiose they are almost comical, but which perfectly suit the exaggerated stylings of the Spaghetti Western.

Curiously, neither film would be released in the United States until 1967, by which time Leone and Eastwood had already completed their third collaboration, The Good, the Bad and the Ugly (1966). Eastwood's paycheck had increased from $15,000 for the first film to $50,000 for the second and would reach $250,000 (plus 10% of the grosses) for the third. Before the year was out, Italy could no longer afford the star it had created. Eastwood had graduated from character actor to big-screen sensation, a position he has carefully protected to this day.

Although For a Few Dollars More was two years old by the time it reached American screens, it was still a bit too "new" for many viewers. Numerous critics attacked the film's unique blend of graphic violence and morbid wit. The film was derided as "Western Grand Guignol" (Time), "a treat for necrophiles" (NBC's "Today Show"), and "constructed to endorse the exercise of murderers" (The New York Times). Little did they realize Leone and Eastwood's degenerate sagas helped revitalize the Western genre, even as they ushered in an era of heightened screen violence that would reach its peak with Sam Peckinpah's The Wild Bunch (1969). The morbid humor of For a Few Dollars More has likewise infected the American action film, and is clearly evident in the sarcastic benedictions muttered by stone-faced Stallones and Schwarzeneggers as they coldly dispatch their foes.

Producer: Arturo González, Alberto Grimaldi
Director: Sergio Leone
Screenplay: Sergio Donati (uncredited), Peter Fernandez (English dialogue), Sergio Leone, Fulvio Morsella (story), Luciano Vincenzoni
Production Design: Carlo Simi
Cinematography: Massimo Dallamano
Costume Design: Carlo Simi
Film Editing: Eugenio Alabiso, Adriana Novelli, Giorgio Serrallonga
Principal Cast: Clint Eastwood (The Man With No Name), Lee Van Cleef (Colonel Douglas Mortimer), Gian Maria Volonté (Indio), Joseph Egger (Old Prophet), Klaus Kinski (Hunchback), Mario Brega (Nino), Luigi Pistilli (Groggy), Benito Stefanelli (Luke).
C-132m. Letterboxed.

By Bret Wood

For A Few Dollars More

For a Few Dollars More

Riding high from the European success of A Fistful of Dollars (1964), Clint Eastwood and director Sergio Leone quickly reteamed to make For a Few Dollars More (Per qualche dollaro in piu, 1965), arguably the best entry in the trilogy they made together. Gary Cooper may have been tight-lipped in High Noon (1952) and James Stewart might have seemed ruthless in The Naked Spur (1953) but audiences could hardly have been prepared for the cold-hearted amorality personified by Eastwood in Leone's Italian Westerns. Reprising his role as the nameless, virtually wordless, poncho-draped drifter, Eastwood finds himself competing against a Bible-toting walking arsenal named Colonel Mortimer (Lee Van Cleef), as they vie for the bounty on the head of the outlaw Indio (Gian Maria Volonte). The motivation of Eastwood's lone gunman (nicknamed "Monco," Italian for "monk") is stictly monetary, while Mortimer is driven by a lust for revenge. In spite of their differences, they form a brittle alliance to accomplish their shared goal, systematically outwitting and outgunning Indio's band of depraved desperados - including Klaus Kinski, upon whose hunched back Eastwood strikes a match in one moment of inspired black comedy. Like the woolen serape and the weathered low-brimmed hat, the narrow toscani quickly became the Eastwood character's trademark. Leone (who died in 1989) once recalled that the actor pleaded with him to forego the Tuscan cigars in For a Few Dollars More. "We can't possibly leave the cigar behind," Leone responded, "It's playing the lead!" The same might be said of Ennio Morricone's score, which accentuates the film's barbarity with musical flourishes so stylized and grandiose they are almost comical, but which perfectly suit the exaggerated stylings of the Spaghetti Western. Curiously, neither film would be released in the United States until 1967, by which time Leone and Eastwood had already completed their third collaboration, The Good, the Bad and the Ugly (1966). Eastwood's paycheck had increased from $15,000 for the first film to $50,000 for the second and would reach $250,000 (plus 10% of the grosses) for the third. Before the year was out, Italy could no longer afford the star it had created. Eastwood had graduated from character actor to big-screen sensation, a position he has carefully protected to this day. Although For a Few Dollars More was two years old by the time it reached American screens, it was still a bit too "new" for many viewers. Numerous critics attacked the film's unique blend of graphic violence and morbid wit. The film was derided as "Western Grand Guignol" (Time), "a treat for necrophiles" (NBC's "Today Show"), and "constructed to endorse the exercise of murderers" (The New York Times). Little did they realize Leone and Eastwood's degenerate sagas helped revitalize the Western genre, even as they ushered in an era of heightened screen violence that would reach its peak with Sam Peckinpah's The Wild Bunch (1969). The morbid humor of For a Few Dollars More has likewise infected the American action film, and is clearly evident in the sarcastic benedictions muttered by stone-faced Stallones and Schwarzeneggers as they coldly dispatch their foes. Producer: Arturo González, Alberto Grimaldi Director: Sergio Leone Screenplay: Sergio Donati (uncredited), Peter Fernandez (English dialogue), Sergio Leone, Fulvio Morsella (story), Luciano Vincenzoni Production Design: Carlo Simi Cinematography: Massimo Dallamano Costume Design: Carlo Simi Film Editing: Eugenio Alabiso, Adriana Novelli, Giorgio Serrallonga Principal Cast: Clint Eastwood (The Man With No Name), Lee Van Cleef (Colonel Douglas Mortimer), Gian Maria Volonté (Indio), Joseph Egger (Old Prophet), Klaus Kinski (Hunchback), Mario Brega (Nino), Luigi Pistilli (Groggy), Benito Stefanelli (Luke). C-132m. Letterboxed. By Bret Wood

The Man With No Name Trilogy - New 35mm Prints


Sergio Leone's "MAN WITH NO NAME" TRILOGY -A FISTFUL OF DOLLARS (1964), FOR A FEW DOLLARS MORE (1965), and THE GOOD, THE BAD AND THE UGL (1966)- plays Friday, November 28 through Thursday, December 4 (one week) at Film Forum in new 35mm prints. The trio of films that made Clint Eastwood an action star kicks off with a two-day engagement of A FISTFUL OF DOLLARS, followed by a marathon of all three on Sunday, November 30.

Clint Eastwood can take a joke, but unfortunately his mule can't, and mayhem ensues in A FISTFUL OF DOLLARS, the first of Sergio Leone's "Man with No Name" series, with the non-eponymous hero hiring himself out to each of the trigger-happy factions battling in the same desolate, seemingly unpopulated desert town. The beginning of the "spaghetti Western" cycle, and the star-making role for erstwhile Rawhide second lead Eastwood. The producers of Kurosawa's Yojimbo sued for plagiarism, though, as Leone pointed out, the story was essentially Goldoni's 18th-century play The Servant of Two Masters-plus killings.

In the middle film, FOR A FEW DOLLARS MORE, it's a weak moment for Eastwood's Man with No Name, as Lee Van Cleef's ex-Reb officer proves range can beat speed in a gunfight-but then they team up to hunt ruthless killer Gian Maria Volonte and all that bounty money. Most parodic of the trilogy, with highlights including Volonte's electrifying prison breakout (a stunt he'd repeat in Melville's Le Cercle Rouge); Eastwood keeping score-by bounty money tallies-of the body count; and Van Cleef striking a match off the hunched back of... Klaus Kinski!

In the trilogy's capper, THE GOOD, THE BAD AND THE UGLY, Lee Van Cleef's icy bounty hunter ("The Bad"), Eli Wallach's Mexican bandito ("The Ugly") and Clint Eastwood's con man ("The Good") contend with each other and with battling Civil War armies in their relentless search for buried gold. Leone's epic Western (accompanied by perhaps Ennio Morricone's greatest score) conjures up opera, horse opera, the bullfight arena, and the blackest of black humor. For this new restoration, MGM took recent Italian work, with more than 15 minutes not in the already-classic original U.S. release, and brought Eastwood and Wallach back to the sound studios to dub themselves for previously un-Englished sequences.

For more information about the Clint Eastwood trilogy, visit the web site at Film Forum.

The Man With No Name Trilogy - New 35mm Prints

Sergio Leone's "MAN WITH NO NAME" TRILOGY -A FISTFUL OF DOLLARS (1964), FOR A FEW DOLLARS MORE (1965), and THE GOOD, THE BAD AND THE UGL (1966)- plays Friday, November 28 through Thursday, December 4 (one week) at Film Forum in new 35mm prints. The trio of films that made Clint Eastwood an action star kicks off with a two-day engagement of A FISTFUL OF DOLLARS, followed by a marathon of all three on Sunday, November 30. Clint Eastwood can take a joke, but unfortunately his mule can't, and mayhem ensues in A FISTFUL OF DOLLARS, the first of Sergio Leone's "Man with No Name" series, with the non-eponymous hero hiring himself out to each of the trigger-happy factions battling in the same desolate, seemingly unpopulated desert town. The beginning of the "spaghetti Western" cycle, and the star-making role for erstwhile Rawhide second lead Eastwood. The producers of Kurosawa's Yojimbo sued for plagiarism, though, as Leone pointed out, the story was essentially Goldoni's 18th-century play The Servant of Two Masters-plus killings. In the middle film, FOR A FEW DOLLARS MORE, it's a weak moment for Eastwood's Man with No Name, as Lee Van Cleef's ex-Reb officer proves range can beat speed in a gunfight-but then they team up to hunt ruthless killer Gian Maria Volonte and all that bounty money. Most parodic of the trilogy, with highlights including Volonte's electrifying prison breakout (a stunt he'd repeat in Melville's Le Cercle Rouge); Eastwood keeping score-by bounty money tallies-of the body count; and Van Cleef striking a match off the hunched back of... Klaus Kinski! In the trilogy's capper, THE GOOD, THE BAD AND THE UGLY, Lee Van Cleef's icy bounty hunter ("The Bad"), Eli Wallach's Mexican bandito ("The Ugly") and Clint Eastwood's con man ("The Good") contend with each other and with battling Civil War armies in their relentless search for buried gold. Leone's epic Western (accompanied by perhaps Ennio Morricone's greatest score) conjures up opera, horse opera, the bullfight arena, and the blackest of black humor. For this new restoration, MGM took recent Italian work, with more than 15 minutes not in the already-classic original U.S. release, and brought Eastwood and Wallach back to the sound studios to dub themselves for previously un-Englished sequences. For more information about the Clint Eastwood trilogy, visit the web site at Film Forum.

Quotes

I generally smoke just after I eat, why don't you come back in about ten minutes?
- Col. Douglas Mortimer
...Ten minutes you'll be smoking in Hell...
- Wild, The Hunchback

Trivia

Monco, Colonel Mortimer, and Indio.

Aldo Sambrell's character name "cochelio" is the English spelling of the Spanish word "cuchillo", which means knife.

Lee Van Cleef claimed to be faster on the draw than Clint Eastwood. He took three frames of film (one eighth of a second) to draw, cock and fire

Notes

Location scenes filmed in Spain. Released in Italy in January 1966 as Per qualche dollaro in più; in West Germany in April 1966 as Für ein paar Dollar mehr; in Spain as La muerte tenia un precio. This is the second in a series of three films directed by Sergio Leone and starring Clint Eastwood as "The Man With No Name." Werner Abrolat is credited in the cast only in German source.

Miscellaneous Notes

Released in United States December 17, 1965

Released in United States Spring May 10, 1967

Wide Release in United States May 10, 1967

Released in USA on video.

Released in United States December 17, 1965 (Boston)

Released in United States Spring May 10, 1967

Wide Release in United States May 10, 1967