Body and Soul


1h 26m 1925
Body and Soul

Brief Synopsis

In this silent film, a corrupt small town minister leads his congregation astray.

Film Details

Genre
Silent
Drama
Release Date
Jan 1925
Premiere Information
Harlem, NY opening: 15 Nov 1925
Production Company
Micheaux Film Corp.
Country
United States

Technical Specs

Duration
1h 26m
Sound
Silent
Color
Black and White
Film Length
9 reels

Synopsis

In Tatesville, Georgia, a prisoner being transported to the North for extradition to Britain, escapes and takes on the disguise of the Rt. Reverend Isiaah T. Jenkins. With his fiery sermons, Pastor Jenkins gains many followers in the small town, in particular, Sister Martha Jane, the hard-working mother of a young daughter named Isabelle. Jenkins is joined in Tatesville by Yellow-Curley Hinds, another criminal whom he knew in jail, and together they plan to swindle Jenkins' congregation by selling liquor at inflated prices and taking the parish's contributions. Martha Jane has been saving her hard-earned money, which she hides in a Bible, so that Isabelle and Pastor Jenkins can marry and buy a house, even though Isabelle is in love with a young man named Sylvester. When Isabelle learns of her mother's plans, she is horrified and calls Jenkins a drunk and a sinner. Angry at her daughter, Martha Jane leaves Isabelle alone in the house with Jenkins, despite the young girl's sobs, so that he can save her soul. Jenkins steals Martha Jane's money, then suggests that Isabelle take the blame and flee to Atlanta, as her mother would never believe that her dear pastor was the culprit. Isabelle does as Jenkins tells her, and after Martha Jane finds her daughter's note of confession, she forgives her in her heart and follows her to Atlanta where she finds her ill and living in poverty. Isabelle tells her mother the whole truth about the pastor, including the fact that he took advantage of her in a deserted cabin during a storm and forced her to reveal where the money was hidden, then take the blame for the theft. Martha Jane cradles her daughter in forgiveness, and shortly thereafter, Isabelle dies. Returning to Tatesville, Martha Jane goes to the church where a drunken Jenkins is giving his "Dry Bones in the Valley" sermon to the congregation. Martha Jane publicly accuses Jenkins of being her daughter's murderer, and the congregation turns upon him. That night, Jenkins, hunted by bloodhounds, arrives at Martha Jane's parlor and tells her that her pampering ruined him. When two church ladies, Sis Ca'line and Sis Lucy, arrive to offer help to Martha Jane, she hides Jenkins in the kitchen and sends them away. Forgiven by his accuser, but unrepentant, Jenkins takes refuge in the woods. When he encounters one of his pursuers, Jenkins knocks him unconscious and brutally kills the man. The next morning, Martha Jane awakens from her slumber to realize that the events she thought transpired the night before were actually part of a dream. Isabelle tells her that Sylvester has earned a handsome sum of money on a discovery that he has made. Although earlier Martha Jane had refused Sylvester's proposal to her daughter on the grounds that he was too poor, she now offers to give the couple the money in the Bible so that they can marry right away. A short time later, the happy newlyweds return from their honeymoon to Martha Jane's house, which the changed woman has redecorated and made fit for her dear daughter and new son-in-law.

Film Details

Genre
Silent
Drama
Release Date
Jan 1925
Premiere Information
Harlem, NY opening: 15 Nov 1925
Production Company
Micheaux Film Corp.
Country
United States

Technical Specs

Duration
1h 26m
Sound
Silent
Color
Black and White
Film Length
9 reels

Articles

Body and Soul (1925)


Body and Soul (1925), the best-known silent film of pioneer black filmmaker Oscar Micheaux, offered Paul Robeson, the great singer/actor/athlete, his first opportunity in films. Robeson has a dual role, playing both an escaped convict who presents himself as a minister, and the convict's upstanding brother. The "bad" brother extorts from the owner of a gambling house and betrays an honest girl, bringing them both to ruin. Although it was a theme that proved controversial with his audiences, Micheaux turned several times to the subject of corruption and dishonesty among the clergy.

Made by black filmmakers for black audiences, Body and Soul has an all-black cast except for one white actor, whose supporting character is shown selling rancid meat - a symbol of the exploitation of blacks. The crew was largely African American as well, although Micheaux employed some white cameramen who worked cheaply because they were not in the cinematographers' union.

Robeson (1898-1976), the son of a minister who had been an escaped slave, had attended Rutgers University, where he excelled in baseball, basketball, track and football; and Columbia Law School. By 1924, when his wife Essie concluded arrangements for Paul to star in Body and Soul, Robeson had already distinguished himself on the concert stage. For his film debut, his wife obtained a contract that called for a salary of $100 per week, plus 3% of the gross after the first $40,000 in receipts.

Robeson appeared at the request of Eugene O'Neill in his plays All God's Chillun Got Wings and The Emperor Jones, also starring in the 1933 film version of the latter work. He made a handful of other films, notably singing "Ol' Man River" in Show Boat (1936), but his leftist political views aroused great controversy, and he made his final movie appearance in Tales of Manhattan (1942). He continued his concert career in Europe through the 1960s and has become an outstanding symbol of black consciousness and pride.

Producer/Director: Oscar Micheaux
Screenplay: Oscar Micheaux, from his novel
Cast: Paul Robeson (The Reverend/Reverend Brother), Mercedes Gilbert (The Girl), Julia Theresa Russell (Her Mother), Lawrence Chenault (Former Jailmate), Marshall Rogers (Speakeasy Proprietor).
BW-103m.

by Roger Fristoe
Body And Soul (1925)

Body and Soul (1925)

Body and Soul (1925), the best-known silent film of pioneer black filmmaker Oscar Micheaux, offered Paul Robeson, the great singer/actor/athlete, his first opportunity in films. Robeson has a dual role, playing both an escaped convict who presents himself as a minister, and the convict's upstanding brother. The "bad" brother extorts from the owner of a gambling house and betrays an honest girl, bringing them both to ruin. Although it was a theme that proved controversial with his audiences, Micheaux turned several times to the subject of corruption and dishonesty among the clergy. Made by black filmmakers for black audiences, Body and Soul has an all-black cast except for one white actor, whose supporting character is shown selling rancid meat - a symbol of the exploitation of blacks. The crew was largely African American as well, although Micheaux employed some white cameramen who worked cheaply because they were not in the cinematographers' union. Robeson (1898-1976), the son of a minister who had been an escaped slave, had attended Rutgers University, where he excelled in baseball, basketball, track and football; and Columbia Law School. By 1924, when his wife Essie concluded arrangements for Paul to star in Body and Soul, Robeson had already distinguished himself on the concert stage. For his film debut, his wife obtained a contract that called for a salary of $100 per week, plus 3% of the gross after the first $40,000 in receipts. Robeson appeared at the request of Eugene O'Neill in his plays All God's Chillun Got Wings and The Emperor Jones, also starring in the 1933 film version of the latter work. He made a handful of other films, notably singing "Ol' Man River" in Show Boat (1936), but his leftist political views aroused great controversy, and he made his final movie appearance in Tales of Manhattan (1942). He continued his concert career in Europe through the 1960s and has become an outstanding symbol of black consciousness and pride. Producer/Director: Oscar Micheaux Screenplay: Oscar Micheaux, from his novel Cast: Paul Robeson (The Reverend/Reverend Brother), Mercedes Gilbert (The Girl), Julia Theresa Russell (Her Mother), Lawrence Chenault (Former Jailmate), Marshall Rogers (Speakeasy Proprietor). BW-103m. by Roger Fristoe

Quotes

Trivia

The board censors initially had strong objections to the dark and sinister portrayal of a man of the cloth. But with no money left for reshoots, producer Oscar Micheaux shot a quick ending which makes most of the film's action a dream of the heroine's.

Paul Robeson's first film role

Miscellaneous Notes

Released in United States 1924

Released in United States 2000

Released in United States March 1980

Shown at New York Film Festival (Special Retrospective Presentation) September 22 - October 9, 2000.

Feature film debut for actor Paul Robeson.

Released in United States 1924

Released in United States 2000 (Shown at New York Film Festival (Special Retrospective Presentation) September 22 - October 9, 2000.)

Released in United States March 1980 (Shown at FILMEX: Los Angeles International Film Exposition (Special Programs) March 4-21, 1980.)