Louisiana Story


1h 17m 1948
Louisiana Story

Brief Synopsis

A Louisiana boy gets involved with an oil company drilling in the bayou.

Film Details

Genre
Documentary
Release Date
Sep 28, 1948
Premiere Information
not available
Production Company
Robert J. Flaherty Productions, Inc.
Distribution Company
Lopert Films, Inc.
Country
United States
Location
Louisiana, USA

Technical Specs

Duration
1h 17m

Synopsis

As a young boy named Alexander Napoleon Ulysses LaTour plays with his pet raccoon among the bayous of Petit Anse, Louisiana, oil prospectors set up a derrick and begin drilling in the marshlands. Although the boy's father, Jean, thinks the men have little chance of locating oil, he cheerfully gives them permission to drill. The driller, Tom, and his boilerman befriend Alexander, who tells them that he always carries a bag of salt to ward off the evil spirits of the bayous. One day, Alexander's raccoon is chased by an alligator, and the boy, believing the "'gator ate his 'coon," spits on his bait for luck and catches the alligator. He and his father then proudly show the skin to the oilmen. Soon, the wildcat rig blows, shooting up gas and salt water, and eventually has to be capped. After the men abandon the well, Alexander pours his "magic" salt and spits into it, then tells the men that the evil "things" of the marshes are preventing them from striking oil. Later the men angle their drilling, bypassing the pressure area, and strike oil. The derrick is removed, and the well is topped with the usual metal cap, called a "Christmas tree." When Tom thanks Jean for his lease, Alexander tells Tom he knew he would strike oil. With profits from the well, Jean buys presents for his wife and son. As he tries out the new rifle his father gave him, Alexander finds his raccoon in a tree. The oil workers then depart on a barge with all of their equipment, and Alexander sits with his raccoon on top of the "Christmas tree" and waves goodbye.

Film Details

Genre
Documentary
Release Date
Sep 28, 1948
Premiere Information
not available
Production Company
Robert J. Flaherty Productions, Inc.
Distribution Company
Lopert Films, Inc.
Country
United States
Location
Louisiana, USA

Technical Specs

Duration
1h 17m

Award Nominations

Best Writing

1949

Articles

Louisiana Story


Robert Flaherty may not have created the documentary but he was the most important single figure in its early development. In fact the word "documentary" was first used to describe his film Nanook of the North. Two of his most important works have been released on DVD by Home Vision, Lousiana Story (1948) and Man of Aran (1934). Don't expect the rough, unrehearsed feel of modern-day cinema verite, since Flaherty frequently worked in a more scripted style that at times veered closer to a fictional feature. His goal, though, was always a deeper truth and he wasn't bothered by a few minor details that stood in the way. His films still have a power and honesty decades later that many documentaries only a few years old lack which is evidence to the effectiveness of his purpose.

Lousiana Story follows a 12-year-old Cajun boy in Louisiana through his life in the bayou and then as an oil company sets up an oil-drilling operation. The film was financed by Standard Oil (even though Flaherty was unusually given full rights) so you shouldn't expect a cautionary tale of corporate spoilage of the environment; in fact some critics have considered it more a promotional piece for the wonders of modern corporations. Still, Flaherty was a bit more subtle than that though like all his films, Louisiana Story focuses most strongly on people and their environment. The film also boasts lush photography by Richard Leacock while the great composer/critic Virgil Thomson contributed a Pulitzer Prize winning score, the only time that award went to film music. Louisiana Story was nominated for a Best Writing Oscar and in 1994 was added to the National Film Registry.

The DVD has over two hours of insightful extras. Along with a half-hour excerpt from Flaherty's 1942 The Land, there's a lengthy interview with Flaherty's wife Frances, a separate half-hour excerpt from another full-length film this time about Frances' still photography called Hidden and Seeking, an audio commentary by Frances and Leacock for the film's famous opening scene, and the short "Letters Home" where an actor reads Leacock's letters to his wife during the filming. Taken together these add rich background to Flaherty's work.

For more information about Louisiana Story, visit Home Vision Entertainment. To order Louisiana Story, go to TCM Shopping.

by Lang Thompson
Louisiana Story

Louisiana Story

Robert Flaherty may not have created the documentary but he was the most important single figure in its early development. In fact the word "documentary" was first used to describe his film Nanook of the North. Two of his most important works have been released on DVD by Home Vision, Lousiana Story (1948) and Man of Aran (1934). Don't expect the rough, unrehearsed feel of modern-day cinema verite, since Flaherty frequently worked in a more scripted style that at times veered closer to a fictional feature. His goal, though, was always a deeper truth and he wasn't bothered by a few minor details that stood in the way. His films still have a power and honesty decades later that many documentaries only a few years old lack which is evidence to the effectiveness of his purpose. Lousiana Story follows a 12-year-old Cajun boy in Louisiana through his life in the bayou and then as an oil company sets up an oil-drilling operation. The film was financed by Standard Oil (even though Flaherty was unusually given full rights) so you shouldn't expect a cautionary tale of corporate spoilage of the environment; in fact some critics have considered it more a promotional piece for the wonders of modern corporations. Still, Flaherty was a bit more subtle than that though like all his films, Louisiana Story focuses most strongly on people and their environment. The film also boasts lush photography by Richard Leacock while the great composer/critic Virgil Thomson contributed a Pulitzer Prize winning score, the only time that award went to film music. Louisiana Story was nominated for a Best Writing Oscar and in 1994 was added to the National Film Registry. The DVD has over two hours of insightful extras. Along with a half-hour excerpt from Flaherty's 1942 The Land, there's a lengthy interview with Flaherty's wife Frances, a separate half-hour excerpt from another full-length film this time about Frances' still photography called Hidden and Seeking, an audio commentary by Frances and Leacock for the film's famous opening scene, and the short "Letters Home" where an actor reads Leacock's letters to his wife during the filming. Taken together these add rich background to Flaherty's work. For more information about Louisiana Story, visit Home Vision Entertainment. To order Louisiana Story, go to TCM Shopping. by Lang Thompson

Quotes

Trivia

Notes

The film's title card reads: "Louisiana Story being an account of certain adventures of a cajun (Acadian) boy who lives in the marshlands of Petit Anse Bayou in Louisiana." The onscreen credits offer "deep thanks for [the] help and cooperation" of the following people: E. A. McIlhenny and family, Avery Island; Lucy Benjamin Lemann, New Orleans; W. B. Cotten, Jr., Baton Rouge; Mr. and Mrs. Larry Jordan, Weeks Island; and to the officials and crew of the Humble Derrick No. 1 on Petit Anse Bayou. According to a modern source, the native Louisiana Cajun boy, Joseph Boudreaus, was discovered by cameraman Richard Leacock and Flaherty's wife Frances.
       Louisiana Story was the first film that Flaherty, whom the New York Times called the "father of documentary," made following a six-year absence from the screen. His previous picture, The Land, was released in 1942. As noted in the Variety review, Standard Oil of New Jersey contributed $200,000 to the film's production. The review states that although the company had no rights and no identification in the film, it stood "to get across the idea that oil companies are beneficently public-spirited, their employees honest, industrious and amiable, and their operations productive and innocuous." According to a modern source, Flaherty's contract with Standard Oil insured that all of the film's profits went to him. Robert and Frances Flaherty were nominated for an Academy Award for Best Writing (Motion Picture Story) for the film.
       Although the Hollywood Reporter review called Virgil Thomson's musical score "static...florid and out of place," Thomson, a music critic for the New York Herald Tribune, was awarded a Pulitzer Prize for the score. According to Hollywood Citizen-News, Thomson's Pulitzer was the first given for music connected to a motion picture. As noted in Hollywood Reporter, in October 1948, Film International of America acquired worldwide distribution rights to the film. According to modern sources, the film was re-released in 1952 under the title Cajun and was shown as a second feature with Armand Denis' Watusi. Louisiana Story was Flaherty's last completed picture. He died in 1951.

Miscellaneous Notes

Released in United States Fall September 1948

Released in United States September 1948

Shown at London Film Festival November 5-19, 1998.

35mm

b&w

dialogue English & French

Selected in 1994 for inclusion in the Library of Congress' National Film Registry.

Released in United States Fall September 1948

Released in United States September 1948