The Symbol of the Unconquered


58m 1920
The Symbol of the Unconquered

Brief Synopsis

In this silent film, a black heiress fights off the Ku Klux Klan to save her land.

Film Details

Also Known As
The Wilderness Trail
Genre
Drama
Silent
Release Date
Nov 29, 1920
Premiere Information
not available
Production Company
Micheaux Film Corp.
Distribution Company
Micheaux Film Corp.
Country
United States

Technical Specs

Duration
58m
Film Length
8 reels

Synopsis

After the death of her grandfather, Evon Mason, a young black woman from Selma, Alabama, travels to the Northwest to identify the mine claim she had been willed. There, Evon meets Hugh Van Allen, a black man seeking his fortune. Hugh, who loves Evon but thinks that she is white, discovers oil, thereby arousing the enmity of Tom Cutschawl, a racist Southerner, and Jefferson Driscoll, a black man passing for white who hates his own race. These two provoke an attack of the Ku Klux Klan to drive Hugh off the land, but Evon rescues Hugh, and the Klan is routed. Evon and Hugh eventually resolve their misunderstanding and live happily ever after. [No other information concerning the plot has been discovered].

Film Details

Also Known As
The Wilderness Trail
Genre
Drama
Silent
Release Date
Nov 29, 1920
Premiere Information
not available
Production Company
Micheaux Film Corp.
Distribution Company
Micheaux Film Corp.
Country
United States

Technical Specs

Duration
58m
Film Length
8 reels

Articles

The Symbol of the Unconquered


The Symbol of the Unconquered (1921), a silent Western produced by black filmmaker Oscar Micheaux for black audiences, also featured an all-black cast headed by Iris Hall as a beautiful woman who travels West to inspect an inherited gold mine. Kicked out of the community's only hotel, she is cared for by a prospector (Lawrence Chenault) whose life she later saves.

Producer-screenwriter-director Micheaux (1884-1951), the most prolific of black film pioneers who created an "alternate" cinema, made some 40 feature-length films during the period 1919-1948. Many have since been lost. He was the first African-American to produce a feature-length film and the first to produce a sound film. Producer-writer-director-actor Robert Townsend has described Micheaux as "my idol. He inspired me to do my first film." Filmmaker Spike Lee also frequently credits Micheaux as an inspiration.

The son of freed slaves, Micheaux was raised in poverty and had little formal education. His entrepreneurial career began when he published his own novels and traveled about the country selling the books and shares in his small publishing firm. He financed his early films by securing advance bookings from theater managers to whom he showed fabricated "stills."

In his films, Micheaux seldom addressed the problems of the ghetto and focused on the black middle class. Still, he dealt with controversial subjects including lynching, white-on-black crime, corrupt clergymen, and intra-racial discrimination. Micheaux described his films as "propaganda" designed to "uplift the race." His films represented a radical departure from Hollywood's portrayal of blacks as servants and brought diverse social issues to the screen for the first time. In probably his best-known work, Body and Soul (1925), Micheaux introduced the great singer-actor Paul Robeson to movie audiences.

Leigh Whipper (1876-1975), who appears as an Indian Fakir in The Symbol of the Unconquered, was the first black member of Actors Equity and the founder of the Negro Actors Guild. A highly regarded Broadway actor, he memorably played Crooks in Lewis Milestone's film version of Of Mice and Men (1939). Whipper's other screen credits include Road to Zanzibar (1941), Undercurrent (1946) and The Young Don't Cry (1957).

Director/Producer: Oscar Micheaux
Screenplay: Oscar Micheaux
Principal Cast: Iris Hall (Eve Mason), Walker Thompson (Hugh Van Allen), Lawrence Chenault (Jefferson Driscoll), Mattie Wilkes (Mother Driscoll), Louis Dean (August Barr), Leigh Whipper (Tugi), E.G. Tatum (Abraham).
BW-59m.

By Roger Fristoe
The Symbol Of The Unconquered

The Symbol of the Unconquered

The Symbol of the Unconquered (1921), a silent Western produced by black filmmaker Oscar Micheaux for black audiences, also featured an all-black cast headed by Iris Hall as a beautiful woman who travels West to inspect an inherited gold mine. Kicked out of the community's only hotel, she is cared for by a prospector (Lawrence Chenault) whose life she later saves. Producer-screenwriter-director Micheaux (1884-1951), the most prolific of black film pioneers who created an "alternate" cinema, made some 40 feature-length films during the period 1919-1948. Many have since been lost. He was the first African-American to produce a feature-length film and the first to produce a sound film. Producer-writer-director-actor Robert Townsend has described Micheaux as "my idol. He inspired me to do my first film." Filmmaker Spike Lee also frequently credits Micheaux as an inspiration. The son of freed slaves, Micheaux was raised in poverty and had little formal education. His entrepreneurial career began when he published his own novels and traveled about the country selling the books and shares in his small publishing firm. He financed his early films by securing advance bookings from theater managers to whom he showed fabricated "stills." In his films, Micheaux seldom addressed the problems of the ghetto and focused on the black middle class. Still, he dealt with controversial subjects including lynching, white-on-black crime, corrupt clergymen, and intra-racial discrimination. Micheaux described his films as "propaganda" designed to "uplift the race." His films represented a radical departure from Hollywood's portrayal of blacks as servants and brought diverse social issues to the screen for the first time. In probably his best-known work, Body and Soul (1925), Micheaux introduced the great singer-actor Paul Robeson to movie audiences. Leigh Whipper (1876-1975), who appears as an Indian Fakir in The Symbol of the Unconquered, was the first black member of Actors Equity and the founder of the Negro Actors Guild. A highly regarded Broadway actor, he memorably played Crooks in Lewis Milestone's film version of Of Mice and Men (1939). Whipper's other screen credits include Road to Zanzibar (1941), Undercurrent (1946) and The Young Don't Cry (1957). Director/Producer: Oscar Micheaux Screenplay: Oscar Micheaux Principal Cast: Iris Hall (Eve Mason), Walker Thompson (Hugh Van Allen), Lawrence Chenault (Jefferson Driscoll), Mattie Wilkes (Mother Driscoll), Louis Dean (August Barr), Leigh Whipper (Tugi), E.G. Tatum (Abraham). BW-59m. By Roger Fristoe

Quotes

Trivia

Notes

This black independent film was shot in Fort Lee, NJ under the working title The Wilderness Trail. The first public screenings of the film were held in late 1920, but many contemporary and modern sources list it as a 1921 film. Some modern sources state that "Evon," not "Hugh," owns the oil lands that the Ku Klux Klan attacks, but this is probably an error. One source spells the villain's name as "Drescola" instead of "Driscoll."