Zarak


1h 39m 1956

Brief Synopsis

A notorious bandit develops a grudging respect for the English military man assigned to capture him.

Film Details

Also Known As
Zarak Khan
Genre
Adventure
Release Date
Dec 1956
Premiere Information
New York opening: 26 Dec 1956
Production Company
Warwick Film Productions, Ltd.
Distribution Company
Columbia Pictures Corp.
Country
Great Britain and United States
Location
London, England, Great Britain; Tangier,Morocco; Morocco
Screenplay Information
Based on the novel Zarak Khan by A. J. Bevan (London, 1949).

Technical Specs

Duration
1h 39m
Sound
Mono
Color
Color (Technicolor)
Theatrical Aspect Ratio
2.35 : 1
Film Length
10 reels

Synopsis

In the years preceding World War II in the border region between Afghanistan and India, Zarak Khan, son of tyrannical tribal leader Haji Khan, struggles with his desire for his father's wife Salma. When Salma begs Zarak to take her back to her own people, Zarak calls her a temptress, but then succumbs to her charms and passionately kisses her. At that moment, Haji appears, orders his son flogged to death and Salma sold to the trader Akbar. When The Mullah, a Muslim holy man, asks Haji to spare Zarak's life, Haji declares his son an outlaw and exiles him from the village. Now branded an outcast, Zarak organizes a band of rebels targeting British soldiers operating in the Khyber Pass. At Fort Abbott, an outpost of British colonialism, Major Ingram, the officer sent to defeat the rebels, argues with Sgt. Higgins, who advises him to kill Haji and burn his village. Later, in the town of Peshawar, Zarak's brothers bring word that their father has died. Zarak then visits a cabaret, where, preoccupied by thoughts of his father's death, he fails to notice Salma, now a professional dancer, dancing suggestively for an audience of leering men. After her performance, Salma sends for Zarak and explains that she bought her freedom from Akbar. Still unaware of Salma's profession, Zarak asks her to marry him, but she refuses, citing the prohibition against marrying one's father's wife. As Zarak spends the night with Salma, British soldiers spot his men on the street and follow them back to their camp. In a surprise attack, the soldiers capture many of the bandits, slaughter the rest and burn down the camp. Awakening in Salma's arms the next morning, Zarak learns the fate of his men. Undeterred, Zarak rides to the British outpost in Ziarat where his men are being held, and forces one of the soldiers to transmit a telegram stating that the trial has been moved to Fort Abbott. Posing as a British soldier charged with escorting the rebels, Zarak proceeds to the guard house, where the prisoners are released into his custody. After marching the men a safe distance into the desert, Zarak files off their chains and releases them. When Zarak informs his right-hand man Hassu that he plans to marry Salma, Hassu takes him to the café where Salma, scantily dressed, dances provocatively. Furious, Zarak denounces her and storms off. Some time later, Zarak and his men gallop down from the hills to attack a band of travelers. When the outlaws reach the road, however, the travelers throw off their robes, revealing themselves to be British soldiers. In the ensuing gun battle, Zarak is captured, but escapes and is pursued by Ingram. After crossing a rickety suspension bridge, Zarak starts to saw at the ropes, causing the bridge to swing dangerously and tip on its side. Trailing Zarak, Ingram clings to the bridge's slats as the river rushes below. Just then, The Mullah passes by and asks Zarak to spare Ingram's life. At the behest of the holy man, Zarak relents and runs off, and Ingram reaches safety just before the bridge crashes into the river. In Afghanistan, a ragged Zarak arrives at the palace of his cousin, Ahmad Khan. Doubting the disheveled beggar's claim to be the great Zarak Khan, Ahmad tests his prowess by ordering him to face a fierce, sword-wielding warrior. When Zarak triumphs using only a knife to defend himself, Ahmad welcomes him as his cousin. Zarak then proposes robbing the bank in Ziarat, outlining a plan in which he will keep the British pinned down at their fort while Ahmad and his men steal the money. Ahmad agrees, and, after delegating half his men to Zarak, they ride out. As they near their target, Zarak rides alone into town, purportedly to scout the situation. In reality, he plans to double-cross Ahmad and keep the gold for himself. To accomplish this, Zarak hurls a note warning of imminent attack through a window at the fort. Consequently, when Ahmad and his men ride from the hills to encircle a column of British troops, the British lure them toward the fort, where an artillery battalion waits in the bushes. As the Arabs near, the hidden weapons spew gunfire, forcing them to retreat. Soon after, word comes that Zarak has robbed the bank in Ziarat, causing Ingram to regret his decision not to destroy the outlaw's ancestral village. On the ride to Ziarat, Ingram strikes a deal with Zarak's brothers to turn over the outlaw in exchange for the reward. When one of the brother's declares that Zarak is hiding in the well, the British fire their guns down the well, wounding Zarak, who escapes through a secret tunnel. Late, parched and exhausted, Zarak sees an old man drinking water from a leather bag. Desperate for a drink, Zarak slams his rifle butt into the man's head, then notices his prayer beads and realizes that he has killed a holy man. Wracked with remorse, Zarak returns to Salma and collapses. Upon recovering from his wound, Zarak resolves to give himself up as penitence for killing the holy man. As Zarak rides toward Ziarat to surrender, his brothers scurry to tell Ahmad the news. Ingram then travels to Ziarat to escort Zarak back to the fort, and after Ingram and his prisoner leave town, they are attacked by Ahmad. In the ensuing battle, Ingram is captured by Ahmad but Zarak escapes. Singling out Higgins, Zarak takes him to Ahmad's camp where they secretly watch as Ingram is threatened with dismemberment. Zarak then instructs Higgins to ride to the fort for reinforcements while he forestalls Ingram's execution. Striding confidently into Ahmad's camp, Zarak is taken prisoner and sentenced to be hanged, but to stall for time, he proposes that he be flogged to death instead. Intrigued, Ahmad sadistically orders Zarak's brothers to be his executioners. As the final, fatal blow is struck, the British troops arrive to save Ingram. Some time later, Ingram, his wife Cathy, Salma and Higgins visit Zarak's grave and puzzle why he would sacrifice his life for that of his enemy.













Crew

Al Alleborn

2nd unit assistant

Irving Allen

Producer

William Alwyn

Music Composition

Bill Andrews

Associate art Director

Gordon Bau

Makeup Supervisor

A. J. Bevan

Technical Advisor

Ann Box

Hairdresser

John Box

Art Director

Albert R. Broccoli

Producer

W. R. Burnett

Writer

Eugene Bush

Dialogue supervisor

David Buttolph

Music

Syd Cain

Assistant art Director

Yakima Canutt

Associate Director

Edward Carrere

Art Director

Denys Coop

Camera Operator

Pamela Davies

Cont

Peter Davies

Sound Recording

Ernest Day

Camera Operator

Jack Erickson

Optical Effects

Elsa Fennel

Wardrobe Supervisor

Henry Geddes

Prod Supervisor

John Gilling

Associate Director

Norman Gimbel

Composer

Willis Goldbeck

Producer

Chuck Hansen

Assistant Director

Bluey Hill

Assistant Director

Auyar Hosseini

Composer

Cyril Knowles

Director of Photography

Clarence Kolster

Film Editor

William L. Kuehl

Set Decoration

Charles Lang

Sound

Tute Lemkow

Choreography

Gus Levene

Orchestration

Moss Mabry

Wardrobe

Richard Maibaum

Screenwriter

Jack Martin

Assistant Director

Muir Mathieson

Conductor

Ted Mccord

Director of Photography

Ted Moore

Director of Photography

Robert Navarro

Loc Manager

Alan Osbiston

Editing

Maurice De Packh

Orchestration

John Palmer

Prod Supervisor

John Pellatt

Loc Manager

Kay Rawlins

Cont

Cliff Richardson

Optical Effects

Nora Roberts

Casting

Bert Rule

Editing

Phil C. Samuel

Associate Producer

Don Saunders

Sound Editing

Russ Saunders

2nd Unit Director

Sinfonia Of London

Played by

Ray Sturgess

Camera Operator

Jeremy Taylor

Master of horses

Gerry Turner

Sound Recording

Douglas Twiddy

Loc Manager

John Wilcox

Director of Photography

Fred Williamson

Makeup Artist

Film Details

Also Known As
Zarak Khan
Genre
Adventure
Release Date
Dec 1956
Premiere Information
New York opening: 26 Dec 1956
Production Company
Warwick Film Productions, Ltd.
Distribution Company
Columbia Pictures Corp.
Country
Great Britain and United States
Location
London, England, Great Britain; Tangier,Morocco; Morocco
Screenplay Information
Based on the novel Zarak Khan by A. J. Bevan (London, 1949).

Technical Specs

Duration
1h 39m
Sound
Mono
Color
Color (Technicolor)
Theatrical Aspect Ratio
2.35 : 1
Film Length
10 reels

Quotes

Trivia

Notes

The working title of this film was Zarak Khan. The opening and closing cast credits differ slightly in order. The picture opens with the following written prologue: "Not all is known of Zarak Khan's strange life. But much that is told here is true. For cold calculating courage he has few equals in military annals." It closes with the following written epilogue: "Greater love hath no man that he lay down his life for his enemy." Zarak Khan was the leader of a group of rebels operating along the India-Afghanistan frontier, who opposed the British presence in India. Under a death sentence from the British, Khan was granted amnesty after he became a spy for the British in Burma (now Myanmar), where he was captured and tortured to death by the Japanese.
       The area of India depicted in the film became the republic of Pakistan in 1947. According to a May 1953 New York Times news item, producer Irving Allen decided to alter the historical accuracy of A. J. Bevan's novel based on Khan to concentrate on "character rather than events." The article noted that Allen bought the novel in hopes of convincing Errol Flynn to play the lead role. Although a Hollywood Reporter production chart places Jackie Lane in the cast, Lane's appearance in the released film has not been confirmed. According to Hollywood Reporter production charts, location filming was done in Tangier and other areas of Morocco. According to a December 1956 Hollywood Reporter news item the British publicity posters for the film that featured scantily-clad Anita Ekberg elicited protests from the British House of Lords.