Films about servants who dominate their masters comprise a diverse catalogue of titles, many of which seem to be adaptations of The Admirable Crichton. Peter Pan author J. M. Barrie's shipwreck satire of a dutiful butler who bests his aristocratic betters was first staged in London in 1902 before moving to Broadway the following year. Early film adaptations included G. B. Samuelson's The Admirable Crichton (1918), Cecil B. DeMille's Male and Female (1919), and Norman Taurog's We're Not Dressing (1934), which starred Bing Crosby, not as a valet but a deckhand who helps a yachtsman and his party survive being beached on a tropical atoll. British director Lewis Gilbert's go at the material marked the first color adaptation of The Admirable Crichton, retitled Paradise Lagoon (1957) for American release. The sumptuous Technicolor photography of Wilkie Cooper benefited from location shooting, with Bermuda subbing for the South Seas, and the unflappable Kenneth More as the star of what one contemporary critic has dubbed "Downton Abbey meets Swept Away...." Director Gilbert later helmed the James Bond films The Spy Who Loved Me (1977) and Moonraker (1979) before bequeathing the franchise to his Paradise Lagoon sound editor John Glen.
By Richard Harland Smith
Paradise Lagoon
Brief Synopsis
When a family is shipwrecked on a desert island, their butler comes to the rescue.
Cast & Crew
Read More
Lewis Gilbert
Director
Kenneth More
[William] Crichton
Diane Cilento
[Eliza] Tweeny
Cecil Parker
Lord [Henry] Loam
Sally Ann Howes
Lady Mary [Loam]
Martita Hunt
Lady [Emily] Brocklehurst
Film Details
Also Known As
The Admirable Crichton
Genre
Comedy
Adaptation
Release Date
1958
Location
Shepperton, England, Great Britain; Bermuda
Screenplay Information
Based on the play The Admirable Crichton by James M. Barrie (London, 4 Nov 1902).
Technical Specs
Duration
1h 33m
Sound
Mono
Color
Color (Technicolor)
Theatrical Aspect Ratio
1.96 : 1
Synopsis
At Loam Hall in 1905 England, Lord Henry Loam, the socially conscious master of the estate, preaches equality for all, even though he enjoys a life of privilege. To prove his point, Loam instructs his three haughty daughters, Lady Mary, Catherine and Agatha, to entertain the staff at tea that afternoon. When Loam's impeccable butler, William Crichton, informs his underlings that their attendance is required at tea, they are only slightly more mortified that Loam's daughters. Also attending the soirée that afternoon is George Brocklehurst, Mary's snobbish fiancé and his mother, the pompous Lady Emily Brocklehurst. The party abruptly ends, however, when word comes that Catherine has been arrested for attending a suffragette meeting, causing Loam promptly to renounce all attempts at equality. To escape the scandal of Catherine's arrest, Crichton suggests that the family take a cruise, with the staff in attendance. Also joining the group is Alex Wooley, the second son of a Lord, a young vicar and Eliza, the servant known as "Tweeny" because she has not yet achieved the position of lady's maid. Once at sea, Lady Mary questions Crichton about his ambition, and he replies that he is content to be a butler, the highest rank in the hierarchy of servitude. One blustery night, a storm hits, and after the engines explode, the captain gives the order to abandon ship. When the lifeboats are launched, Crichton goes below deck to rescue the sleeping Eliza. After jumping overboard, the two are picked up by the boat carrying Loam, his daughters, the vicar and Wooley, who have become separated from the others. Spotting an island in the distance, the group eagerly makes their way to land. Upon reaching shore, the inept vicar and Wooley tie the craft to a turtle who then tows it out to sea. After surveying the island, Crichton reports that it is deserted and begins to take charge of the situation, assigning sleeping quarters and kindling a fire. Eliza, who is smitten by Crichton, describes herself as a bumbling oaf compared to the polished butler. Soon after, they see the Bluebell , their abandoned yacht, approaching the shore and watch as it founders on some rocks. Swimming to the wreck, Crichton retrieves the basic necessities, prompting the others to order him to return to the boat and bring back frilly dresses and a formal dining service. When Crichton questions their frivolity, Loam fires the butler for insubordination, and Crichton leaves the camp followed by Eliza. Hungry and helpless, that night Loam and his fellow aristocrats smell the scent of roasting pork and follow it to Crichton's camp, where the butler beneficently offers them a pork chop. Only Lady Mary resists Crichton's authority. One day while swimming to the wreck, she begins to flounder in the water. Crichton, nearby, presses her to continue on, and upon reaching the boat, she sobs on his shoulder. Two years later, life on the island is thriving under the benevolent rule of Crichton, whom everyone now addresses as "Guv." Even Loam treats his former butler with deference, happily pressing his pants and running his errands. As Crichton rallies the others to build a boat to sail back to England, it becomes obvious that no one wants to leave the idyllic life on the island. Later, Crichton confides to Mary, with whom he has fallen in love, that he is afraid of losing her once they return to civilization. When Crichton informs Eliza that he and Mary have become engaged, the heartbroken Eliza puts on a brave front. On their wedding day, Mary and Crichton are in the midst of exchanging their vows when a ship is spotted offshore. Although Mary opposes lighting the beacon they have built to signal passing ships, Crichton, putting the welfare of the others above his own happiness, orders the beacon lit. By the time the ship's crew arrives on the island, Crichton has reverted to his role as butler. Some time later, a ball is held at Loam Hall to celebrate the return of the survivors. Lord Loam now takes total credit for their success and Wooley has published a book about the adventure, painting himself as the hero. While they all fear that Crichton will expose their incompetence, Lady Brocklehurst, suspecting that something is amiss, decides to uncover what really happened and so assembles the survivors in the drawing room. When she asks Crichton if they were all equals on the island, he assures her that the social order was preserved. After the celebration ends, Crichton announces that he plans to leave service because there are "too many Lady Brocklehursts in England." Crichton explains that he plans to finance a business with the pearls that he pried from the oysters on the island. When Mary begs him to return to the island with her, he replies that they cannot fight civilization. Afterward, on the servants' staircase, Eliza asks Crichton to take her with him. Later, Crichton bids the family farewell and is then joined by his fiancée, Eliza.
Director
Lewis Gilbert
Director
Cast
Kenneth More
[William] Crichton
Diane Cilento
[Eliza] Tweeny
Cecil Parker
Lord [Henry] Loam
Sally Ann Howes
Lady Mary [Loam]
Martita Hunt
Lady [Emily] Brocklehurst
Jack Watling
Treherne
Gerald Harper
Ernest
Mercy Haystead
Catherine [Loam]
Miranda Connell
Agatha [Loam]
Miles Malleson
Vicar
Eddie Byrne
Captain
Joan Young
Mrs. Perkins
Brenda Hogan
Fisher
Peter Welch
Rolleston
Toke Townley
Lovegrove
Ronald Curram
Thomas
Crew
Shirley Barnes
Cont
Wilkie Cooper
Director of Photography
John Cox
Sound Supervisor
Ian Dalrymple
Producer
Emett
Devices
Jeane Fairlie
Wardrobe Supervisor
Douglas Gamley
Music Score
Lewis Gilbert
Adaptation
Harry Gillam
Camera Operator
John Glen
Sound Editing
Eric Gray
Still Camera
Vernon Harris
Screenwriter
Peter Hunt
Film Editor
W. E. Hutchinson
Assistant art Director
William Kellner
Production Design
Red Law
Sound Recording
Victor Lyndon
Prod Supervisor
Muir Mathieson
Conductor
Bernard Nevill
Costume Design
Freda Pearson
Set Decoration
Frederick Slark
Assistant Director
Neville Smallwood
Makeup
Ronald Spencer
2nd Unit Director
George Stevenson
Sound Recording
Dennis Van Thal
Associate Producer
Wally Veevers
Special Effects
Videos
Movie Clip
Trailer
Film Details
Also Known As
The Admirable Crichton
Genre
Comedy
Adaptation
Release Date
1958
Location
Shepperton, England, Great Britain; Bermuda
Screenplay Information
Based on the play The Admirable Crichton by James M. Barrie (London, 4 Nov 1902).
Technical Specs
Duration
1h 33m
Sound
Mono
Color
Color (Technicolor)
Theatrical Aspect Ratio
1.96 : 1
Articles
The Admirable Crichton -
By Richard Harland Smith
The Admirable Crichton -
Films about servants who dominate their masters comprise a diverse catalogue of titles, many of which seem to be adaptations of The Admirable Crichton. Peter Pan author J. M. Barrie's shipwreck satire of a dutiful butler who bests his aristocratic betters was first staged in London in 1902 before moving to Broadway the following year. Early film adaptations included G. B. Samuelson's The Admirable Crichton (1918), Cecil B. DeMille's Male and Female (1919), and Norman Taurog's We're Not Dressing (1934), which starred Bing Crosby, not as a valet but a deckhand who helps a yachtsman and his party survive being beached on a tropical atoll. British director Lewis Gilbert's go at the material marked the first color adaptation of The Admirable Crichton, retitled Paradise Lagoon (1957) for American release. The sumptuous Technicolor photography of Wilkie Cooper benefited from location shooting, with Bermuda subbing for the South Seas, and the unflappable Kenneth More as the star of what one contemporary critic has dubbed "Downton Abbey meets Swept Away...." Director Gilbert later helmed the James Bond films The Spy Who Loved Me (1977) and Moonraker (1979) before bequeathing the franchise to his Paradise Lagoon sound editor John Glen.
By Richard Harland Smith
Quotes
George... Listen when anyone begins to answer with "The fact is... "- Lady Brocklehurst
But why, mother?- Brocklehurst
Because that is, usually, the beginning of a lie.- Lady Brocklehurst
Trivia
Notes
The title on the viewed print was Paradise Lagoon, which was the American release title. The picture had been released previously in Great Britain under the title The Admirable Crichton, and many contemporary American sources reviewed it under that title. The opening and closing cast credits differ slightly in order. Sally Ann Howes's onscreen credit reads "and Sally Ann Howes as Lady Mary." Lewis Gilbert's onscreen credit reads "adapted and directed by."
According to a January 1952 New York Times news item, Sir Alexander Korda, who had owned the rights to James Barrie's play for several years, was ready to start production on a film which was to be directed by Sidney Gilliat and star Rex Harrison. By January 1956, a Hollywood Reporter news item noted that producer Mike Todd had optioned Barrie's play, and was intending to star Robert Newton and Cantínflas in a film version. In April 1956, a Hollywood Reporter news item stated that Korda was to produce the picture and that Michael Pertwee was to write the screen adaptation. The extent of Pertwee's contribution to the released film has not been determined, however.
Hollywood Reporter production charts note that locations were filmed in Bermuda and that studio filming was done at the London Films Studio at Shepperton, England. A November 1964 Hollywood Reporter news item notes that Columbia was financing another film based on Barrie's play which was to star Sean Connery, but that version was never made. For other films based on Barrie's play see entry for the 1919 Famous Players-Lasky Corp. film Male and Female in AFI Catalog of Feature Films, 1911-20.