Ride Him, Cowboy


1h 1m 1932
Ride Him, Cowboy

Brief Synopsis

A cowboy tames a wild horse suspected of killing a man, then rides out to find the real culprit.

Film Details

Genre
Western
Release Date
Aug 27, 1932
Premiere Information
not available
Production Company
Warner Bros. Pictures, Inc.
Distribution Company
Vitagraph, Inc.
Country
United States
Screenplay Information
Based on the novel Ride Him Cowboy by Kenneth Perkins (New York, 1923).

Technical Specs

Duration
1h 1m
Sound
Mono (Western Electric System)
Color
Black and White
Theatrical Aspect Ratio
1.37 : 1
Film Length
6 reels

Synopsis

A gang of thieves breaks into the Gaunt ranch, where they strike one of the ranch hands and try to steal a horse. After the gang makes its getaway, the leader, Sims, stays behind. Although he is really a notorious murderer known as "The Hawk," most of the townspeople know Sims as a good citizen. He claims that Duke, a spirited horse, was responsible for wounding the ranch hand. The townspeople are about to kill Duke, when John Drury rides into town and stops them. He convinces them to agree that if he can ride Duke, they will not kill him. Over Sims's objections, John rides Duke and the horse is saved. At a meeting of vigilantes, John volunteers to track down The Hawk, and Sims agrees to show him The Hawk's hideout. After Ruth Gaunt warns John about The Hawk, who killed her father, Sims and John ride into the desert, where Sims reveals himself as The Hawk and leaves John and Duke to die. That night, The Hawk's gang burns down the Gordon ranch and leaves John's harmonica behind in order to throw suspicion on John. When the vigilantes find the harmonica at the Gordon ranch, they ride off in search of John, who has escaped from the desert with Duke's help. Meanwhile, Ruth nurses her wounded ranch hand, who recovers consciousness and names Sims as The Hawk. Ruth then rushes off to save John. She tells her story to the vigilantes, who have captured John and are now holding a trial, but no one believes her until Sims's men break into the courtroom looking for their boss. While the posse rounds up the gang, John rides after Sims who has kidnapped Ruth and escaped. Duke corners Sims and finally has revenge on the man who tried to have him killed.

Film Details

Genre
Western
Release Date
Aug 27, 1932
Premiere Information
not available
Production Company
Warner Bros. Pictures, Inc.
Distribution Company
Vitagraph, Inc.
Country
United States
Screenplay Information
Based on the novel Ride Him Cowboy by Kenneth Perkins (New York, 1923).

Technical Specs

Duration
1h 1m
Sound
Mono (Western Electric System)
Color
Black and White
Theatrical Aspect Ratio
1.37 : 1
Film Length
6 reels

Articles

Ride Him, Cowboy


"John Wayne is a quiet, likeable western lead who, with a little more camera practice, should take shape as a second Gary Cooper." That's how Variety began its review of Ride Him, Cowboy (1932) on Nov. 1, 1932, in hindsight an ironic reminder that Wayne made scores of B movies before he ever became an iconic star. Ride Him, Cowboy marked Wayne's thirteenth credited role, and it's of interest for being one of a group of six films Wayne made between mid-1932 and mid-1933 that were partial or total remakes of silent Ken Maynard westerns.

Warner Brothers had recently absorbed the studio First National Pictures, including its film library, and producer Sidney Rogell believed that First National's Maynard westerns would be good material for talkie remakes. He convinced Warner Bros. producer Leon Schlesinger (whose greatest fame was in producing the "Looney Tunes" and "Merry Melodies" cartoon series) to partner up with him, and they in turn convinced studio chief Jack Warner to approve their project. The main appeal here was in re-using Maynard's stunt scenes. Maynard was a superb horseman and stunt rider whose work would no doubt continue to thrill audiences. It also helped that Maynard's westerns had been premium, expensive films with very good production quality -- something that no doubt appealed to Warner.

Four of the six resulting films, including Ride Him, Cowboy, are direct remakes of the Maynard films, while the other two have original stories -- though all incorporate silent Maynard footage with added sound effects. (Ride Him, Cowboy is a remake of The Unknown Cavalier [1926], which was directed by Sidney Rogell's brother Albert Rogell.)

The producers turned to John Wayne to star because he looked something like Maynard and the intercutting of Maynard footage wouldn't be too jarring. They even found a horse for Wayne, billed as "Duke, the Devil Horse," that resembled Maynard's famous horse "Tarzan."

These films cost $28,000 apiece (Wayne was paid $825 per film), and they were profitable and well-reviewed. At the time of Ride Him, Cowboy's production, Ken Maynard was still active in movies but was under contract to Universal. Ride Him, Cowboy was re-released in 1940 to capitalize on the success of Stagecoach (1939).

Variety, incidentally, went on in its review to praise the film as "excellent western entertainment" with a "supporting cast...far superior to the usual galaxy in pictures of this type.... There is more story than hard riding in this, a point in its box-office favor."

Director: Fred Allen
Screenplay: Scott Mason (adaptation, dialogue); Kenneth Perkins (novel)
Cinematography: Ted McCord
Film Editing: Wm. Clemens
Cast: John Wayne (John Drury), Duke (Devil Horse Duke), Ruth Hall (Ruth Gaunt), Henry B. Walthall (John Gaunt), Otis Harlan (Judge E. Clarence 'Necktie' Jones), Harry Gribbon (Deputy Sheriff Clout), Frank Hagney (Henry Sims/The Hawk).
BW-56m.

by Jeremy Arnold

Sources:
Fred Landesman, The John Wayne Filmography
Randy Roberts and James S. Olson, John Wayne American
Donald Shepherd and Robert Slatzer with Dave Grayson, Duke
Ride Him, Cowboy

Ride Him, Cowboy

"John Wayne is a quiet, likeable western lead who, with a little more camera practice, should take shape as a second Gary Cooper." That's how Variety began its review of Ride Him, Cowboy (1932) on Nov. 1, 1932, in hindsight an ironic reminder that Wayne made scores of B movies before he ever became an iconic star. Ride Him, Cowboy marked Wayne's thirteenth credited role, and it's of interest for being one of a group of six films Wayne made between mid-1932 and mid-1933 that were partial or total remakes of silent Ken Maynard westerns. Warner Brothers had recently absorbed the studio First National Pictures, including its film library, and producer Sidney Rogell believed that First National's Maynard westerns would be good material for talkie remakes. He convinced Warner Bros. producer Leon Schlesinger (whose greatest fame was in producing the "Looney Tunes" and "Merry Melodies" cartoon series) to partner up with him, and they in turn convinced studio chief Jack Warner to approve their project. The main appeal here was in re-using Maynard's stunt scenes. Maynard was a superb horseman and stunt rider whose work would no doubt continue to thrill audiences. It also helped that Maynard's westerns had been premium, expensive films with very good production quality -- something that no doubt appealed to Warner. Four of the six resulting films, including Ride Him, Cowboy, are direct remakes of the Maynard films, while the other two have original stories -- though all incorporate silent Maynard footage with added sound effects. (Ride Him, Cowboy is a remake of The Unknown Cavalier [1926], which was directed by Sidney Rogell's brother Albert Rogell.) The producers turned to John Wayne to star because he looked something like Maynard and the intercutting of Maynard footage wouldn't be too jarring. They even found a horse for Wayne, billed as "Duke, the Devil Horse," that resembled Maynard's famous horse "Tarzan." These films cost $28,000 apiece (Wayne was paid $825 per film), and they were profitable and well-reviewed. At the time of Ride Him, Cowboy's production, Ken Maynard was still active in movies but was under contract to Universal. Ride Him, Cowboy was re-released in 1940 to capitalize on the success of Stagecoach (1939). Variety, incidentally, went on in its review to praise the film as "excellent western entertainment" with a "supporting cast...far superior to the usual galaxy in pictures of this type.... There is more story than hard riding in this, a point in its box-office favor." Director: Fred Allen Screenplay: Scott Mason (adaptation, dialogue); Kenneth Perkins (novel) Cinematography: Ted McCord Film Editing: Wm. Clemens Cast: John Wayne (John Drury), Duke (Devil Horse Duke), Ruth Hall (Ruth Gaunt), Henry B. Walthall (John Gaunt), Otis Harlan (Judge E. Clarence 'Necktie' Jones), Harry Gribbon (Deputy Sheriff Clout), Frank Hagney (Henry Sims/The Hawk). BW-56m. by Jeremy Arnold Sources: Fred Landesman, The John Wayne Filmography Randy Roberts and James S. Olson, John Wayne American Donald Shepherd and Robert Slatzer with Dave Grayson, Duke

Quotes

Trivia

Notes

This film is a remake of the 1926 First National picture titled The Unknown Cavalier, directed by Albert Rogell and starring Ken Maynard and his horse Tarzan (see AFI Catalog of Feature Films, 1921-30; F2.5971). Modern sources add the following to the cast: Lafe McKee, Ben Corbett, Glenn Strange, Fred Burns.

Miscellaneous Notes

Released in United States 1932

Released in United States 1932