Taste the Blood of Dracula


1h 35m 1970
Taste the Blood of Dracula

Brief Synopsis

Count Dracula takes revenge on the businessmen who killed his faithful servant.

Film Details

Genre
Horror/Science-Fiction
Horror
Release Date
Jan 1970
Premiere Information
Boston opening: 16 Sep 1970
Production Company
Hammer Film Productions, Ltd.
Distribution Company
Warner Bros. Pictures
Country
United Kingdom
Screenplay Information
Based on characters created by Bram Stoker.

Technical Specs

Duration
1h 35m
Sound
Mono
Color
Color (Technicolor)
Theatrical Aspect Ratio
1.85 : 1

Synopsis

Three respectable family men--William Hargood, Samuel Paxton, and Jonathan Secker--make their monthly pilgrimage to a stylish bordello on London's East End, where they meet Lord Courtley, a depraved occultist who intrigues them with a dare to sell their souls to the devil. They purchase a black coat, ring clasp, and a phial of dried ashes from an antique dealer and take them to a desecrated chapel, where Lord Courtley revives the vampire Count Dracula in a blood-letting ceremony. The other three men flee in terror after beating Courtley to death, but Dracula materializes in the corpse of Courtley and vows revenge for the death of his servant. While under Dracula's hypnotic influence, Alice, Hargood's daughter, kills her father with a spade. She then lures Paxton's daughter, Lucy, into Dracula's grasp, and he forces her to murder her father with Alice's assistance. Lucy's boyfriend, Jeremy Secker, also becomes mesmerized by Dracula and kills his father; but before the elder Secker dies, he sends a message to Lucy's brother Paul, who is in love with Alice, and warns him of the dangerous fiend. Paul is able to destroy the vampire, thus releasing Alice from Dracula's spell.

Film Details

Genre
Horror/Science-Fiction
Horror
Release Date
Jan 1970
Premiere Information
Boston opening: 16 Sep 1970
Production Company
Hammer Film Productions, Ltd.
Distribution Company
Warner Bros. Pictures
Country
United Kingdom
Screenplay Information
Based on characters created by Bram Stoker.

Technical Specs

Duration
1h 35m
Sound
Mono
Color
Color (Technicolor)
Theatrical Aspect Ratio
1.85 : 1

Articles

Taste the Blood of Dracula


After completing Dracula Has Risen From the Grave (1968), his third movie for Hammer Studios in which he played the world's most famous vampire, Christopher Lee said he was done with the role. "I feel I would almost have to be forced into doing it [again]," he told an interviewer in 1969. But he did come back for another sequel, with another lurid title: Taste the Blood of Dracula (1970).

It begins, in fact, with the climactic scenes from the previous film, and picks right up from there. With Dracula dead, a man named Lord Courtley (Ralph Bates) acquires some of Dracula's blood in powdered form. He mixes it with his own blood, drinks the concoction, and is then beaten to death by three men who witnessed the spectacle. Courtley's body then forms a cocoon, out of which emerges a newly reborn Dracula (Lee), who goes on to exact revenge against the three killers mainly via their own children.

The casting of 29-year-old Ralph Bates -- in his first feature after years of television work -- played an important part in this film's production history. Dracula Has Risen From the Grave had been so financially successful that Lee demanded a higher salary to reflect what he thought was fair. The producers refused and simply decided to write him out of the next sequel. Originally, the script by Anthony Hinds had Lord Courtley beaten to death by the three men, only for Dracula's blood to then turn the dead Courtley himself into a new vampire -- played by Bates.

Warner Brothers, however, balked at this idea. The American studio was the co-financier of these films and expected Christopher Lee to continue playing Count Dracula, period; Hammer was forced to renegotiate with Lee and make it happen. An agreement was reached, the script was altered, and filming got underway in October 1969.

Once again, however, Lee vowed that this would be it for him: "I hope [this] will be positively my last film for Hammer," he wrote in a letter to his fans before production started. "The tasteful title is Taste the Blood of Dracula. As usual, words fail me... The only ray of hope is that we have an entirely new director, a young Hungarian called Peter Sasdy. So we can all pray for a fresh approach."

Sasdy had directed much television but this was his first feature. Lee worked with him to remove much of Dracula's dialogue, because, Lee believed, "There are far too many places...where lines are used and only action is necessary." Sasdy also handled well the film's high production values despite a fairly low budget, with attractive sets and cinematography injecting much style. James Bernard's score supplied an additionally lush and even romantic feel.

Filming lasted about seven weeks, and the movie opened in the spring of 1970. Variety observed, "[it] still has the shivery quality which hooks horror addicts," and The Hollywood Reporter deemed it "further proof that blood is thicker than water, that you can't keep a truly bad man down, and that Hammer knows what they are doing." The picture was such a big hit that another sequel, Scars of Dracula (1970), was rushed into production for release by the end of the year. A final chapter, Dracula A.D. 1972, appeared two years later. Both starred Lee, and afterwards he finally did retire the role.

Years later, reflecting upon this film, Lee concluded: "Good cast, good production, good story -- except that Dracula didn't really belong in it! Hammer was making the Dracula pictures too closely together at this time; six or seven years separated the first two, not six or seven months. No wonder audiences got tired of it all. I certainly did."

By Jeremy Arnold

SOURCES:
Donald F. Glut, The Dracula Book
Marcus Hearn and Alan Barnes, The Hammer Story
John Jewel, Lips of Blood
Tom Johnson and Mark A. Miller, The Christopher Lee Filmography
Taste The Blood Of Dracula

Taste the Blood of Dracula

After completing Dracula Has Risen From the Grave (1968), his third movie for Hammer Studios in which he played the world's most famous vampire, Christopher Lee said he was done with the role. "I feel I would almost have to be forced into doing it [again]," he told an interviewer in 1969. But he did come back for another sequel, with another lurid title: Taste the Blood of Dracula (1970). It begins, in fact, with the climactic scenes from the previous film, and picks right up from there. With Dracula dead, a man named Lord Courtley (Ralph Bates) acquires some of Dracula's blood in powdered form. He mixes it with his own blood, drinks the concoction, and is then beaten to death by three men who witnessed the spectacle. Courtley's body then forms a cocoon, out of which emerges a newly reborn Dracula (Lee), who goes on to exact revenge against the three killers mainly via their own children. The casting of 29-year-old Ralph Bates -- in his first feature after years of television work -- played an important part in this film's production history. Dracula Has Risen From the Grave had been so financially successful that Lee demanded a higher salary to reflect what he thought was fair. The producers refused and simply decided to write him out of the next sequel. Originally, the script by Anthony Hinds had Lord Courtley beaten to death by the three men, only for Dracula's blood to then turn the dead Courtley himself into a new vampire -- played by Bates. Warner Brothers, however, balked at this idea. The American studio was the co-financier of these films and expected Christopher Lee to continue playing Count Dracula, period; Hammer was forced to renegotiate with Lee and make it happen. An agreement was reached, the script was altered, and filming got underway in October 1969. Once again, however, Lee vowed that this would be it for him: "I hope [this] will be positively my last film for Hammer," he wrote in a letter to his fans before production started. "The tasteful title is Taste the Blood of Dracula. As usual, words fail me... The only ray of hope is that we have an entirely new director, a young Hungarian called Peter Sasdy. So we can all pray for a fresh approach." Sasdy had directed much television but this was his first feature. Lee worked with him to remove much of Dracula's dialogue, because, Lee believed, "There are far too many places...where lines are used and only action is necessary." Sasdy also handled well the film's high production values despite a fairly low budget, with attractive sets and cinematography injecting much style. James Bernard's score supplied an additionally lush and even romantic feel. Filming lasted about seven weeks, and the movie opened in the spring of 1970. Variety observed, "[it] still has the shivery quality which hooks horror addicts," and The Hollywood Reporter deemed it "further proof that blood is thicker than water, that you can't keep a truly bad man down, and that Hammer knows what they are doing." The picture was such a big hit that another sequel, Scars of Dracula (1970), was rushed into production for release by the end of the year. A final chapter, Dracula A.D. 1972, appeared two years later. Both starred Lee, and afterwards he finally did retire the role. Years later, reflecting upon this film, Lee concluded: "Good cast, good production, good story -- except that Dracula didn't really belong in it! Hammer was making the Dracula pictures too closely together at this time; six or seven years separated the first two, not six or seven months. No wonder audiences got tired of it all. I certainly did." By Jeremy Arnold SOURCES: Donald F. Glut, The Dracula Book Marcus Hearn and Alan Barnes, The Hammer Story John Jewel, Lips of Blood Tom Johnson and Mark A. Miller, The Christopher Lee Filmography

Taste the Blood of Dracula on DVD


Taste the Blood of Dracula (1969) is the fourth outing in the Hammer series of Dracula films and gets good marks as "the last worthwhile entry in the series" (The Psychotronic Encyclopedia of Film) or even "one of the best" (The Essential Monster Movie Guide). It was the first feature for the Hungarian director Peter Sasdy and Christopher Lee's umpteenth return as the count (his fourth for Hammer alone). Christopher Lee almost didn't reprise his role as Dracula because he was demanding a higher salary from Hammer and the studio, in response, wrote him out of the script and meant to transfer the cape over to a young disciple of Dracula that was to be played by Ralph Bates in his film debut. While Bates maintains a prominent role in the finished product, the American distributors for Hammer, Warner Bros./Seven Arts, did not want to lose Lee's marquee value and insisted he be brought back.

The opening for Taste the Blood of Dracula is still electrifying, thanks to a great turn by Roy Kinnear playing the role of Weller, a traveling salesman who gets jettisoned from his coach by two men who aren't in a haggling mood. Left unconscious by the road, Weller wakes up in the dark woods and hears a blood-curdling scream. Running through the trees he sees Dracula screeching in pain and clutching at a wound in his chest, and soon there is nothing left of Vlad the impaled but a cape, medallion, and a puddle of gelatinous blood oozing down a rock that turns into red powder. Having just witnessed the climax to Dracula has Risen from the Grave (1968), Weller scoops up what remains of Dracula and later sells his find to three Edwardian patriarchs looking for new thrills beyond the weekly decadence already indulged in at a nearby whorehouse. Jonathan Rigby notes in his book English Gothic that several shots and scenes are inexplicably cut from American prints (such as one of "Dracula's colossal, cloaked silhouette framed beside the gnarled outline of a tree" as witnessed by his first victim) along with some not-so inexplicably missing scenes such as that of "a raunchy snake dance in the elaborate brothel sequences." Viewers will be happy to know that all of these scenes and shots are present and accounted for in the Warner Home Video dvd release of Taste the Blood of Dracula.

Referenced in English Gothic is a great quote from Hammer producer Aida Young from a 1996 interview in Little Shoppe of Horrors (issue #13) where she says how "At first, when I read the script for Taste, I thought `What a load of rubbish!" But then I got into it and realized that it was about hypocrisy in Victorian times and that there was a serious undercurrent... It wasn't just a Dracula film per se." Indeed, while Dracula remains a reliable master of evil, it is somehow more disquieting to see one of the Edwardian patriarchs as he drunkenly lurches toward his daughter full of anger and menace - and maybe even lust? It speaks volumes that when she escapes only to run into Dracula, there is actually a sense of relief.

Warner Bros. dvd release of Taste the Blood of Dracula features the film in all its Technicolor gory glory in its widescreen aspect ratio of 1.85:1 (the better to enjoy those pulsating zooms with) and includes an original theatrical trailer.

For more information about Taste the Blood of Dracula, visit Warner Video. To order Taste the Blood of Dracula, go to TCM Shopping.

by Pablo Kjolseth

Taste the Blood of Dracula on DVD

Taste the Blood of Dracula (1969) is the fourth outing in the Hammer series of Dracula films and gets good marks as "the last worthwhile entry in the series" (The Psychotronic Encyclopedia of Film) or even "one of the best" (The Essential Monster Movie Guide). It was the first feature for the Hungarian director Peter Sasdy and Christopher Lee's umpteenth return as the count (his fourth for Hammer alone). Christopher Lee almost didn't reprise his role as Dracula because he was demanding a higher salary from Hammer and the studio, in response, wrote him out of the script and meant to transfer the cape over to a young disciple of Dracula that was to be played by Ralph Bates in his film debut. While Bates maintains a prominent role in the finished product, the American distributors for Hammer, Warner Bros./Seven Arts, did not want to lose Lee's marquee value and insisted he be brought back. The opening for Taste the Blood of Dracula is still electrifying, thanks to a great turn by Roy Kinnear playing the role of Weller, a traveling salesman who gets jettisoned from his coach by two men who aren't in a haggling mood. Left unconscious by the road, Weller wakes up in the dark woods and hears a blood-curdling scream. Running through the trees he sees Dracula screeching in pain and clutching at a wound in his chest, and soon there is nothing left of Vlad the impaled but a cape, medallion, and a puddle of gelatinous blood oozing down a rock that turns into red powder. Having just witnessed the climax to Dracula has Risen from the Grave (1968), Weller scoops up what remains of Dracula and later sells his find to three Edwardian patriarchs looking for new thrills beyond the weekly decadence already indulged in at a nearby whorehouse. Jonathan Rigby notes in his book English Gothic that several shots and scenes are inexplicably cut from American prints (such as one of "Dracula's colossal, cloaked silhouette framed beside the gnarled outline of a tree" as witnessed by his first victim) along with some not-so inexplicably missing scenes such as that of "a raunchy snake dance in the elaborate brothel sequences." Viewers will be happy to know that all of these scenes and shots are present and accounted for in the Warner Home Video dvd release of Taste the Blood of Dracula. Referenced in English Gothic is a great quote from Hammer producer Aida Young from a 1996 interview in Little Shoppe of Horrors (issue #13) where she says how "At first, when I read the script for Taste, I thought `What a load of rubbish!" But then I got into it and realized that it was about hypocrisy in Victorian times and that there was a serious undercurrent... It wasn't just a Dracula film per se." Indeed, while Dracula remains a reliable master of evil, it is somehow more disquieting to see one of the Edwardian patriarchs as he drunkenly lurches toward his daughter full of anger and menace - and maybe even lust? It speaks volumes that when she escapes only to run into Dracula, there is actually a sense of relief. Warner Bros. dvd release of Taste the Blood of Dracula features the film in all its Technicolor gory glory in its widescreen aspect ratio of 1.85:1 (the better to enjoy those pulsating zooms with) and includes an original theatrical trailer. For more information about Taste the Blood of Dracula, visit Warner Video. To order Taste the Blood of Dracula, go to TCM Shopping. by Pablo Kjolseth

Quotes

Trivia

Notes

Released in Great Britain in June 1970.

Miscellaneous Notes

Released in United States on Video March 3, 1993

Released in United States on Video March 3, 1993