The Final Countdown
Brief Synopsis
Cold war era aircraft carrier is transported back to December 6, 1941 through a time warp.
Cast & Crew
Read More
Don Taylor
Director
Kirk Douglas
Martin Sheen
Katharine Ross
James Farentino
Nick L Anelli
Film Details
Also Known As
Final Countdown
MPAA Rating
Genre
Thriller
War
Release Date
1980
Location
Monroe County, Florida, USA
Technical Specs
Duration
1h 43m
Synopsis
Cold war era aircraft carrier is transported back to December 6, 1941 through a time warp.
Cast
Kirk Douglas
Martin Sheen
Katharine Ross
James Farentino
Nick L Anelli
Richard Johnson
Lloyd Kaufman
Masayuki Yamazuki
Charles Durning
James R Augustus
Soon-tek Oh
Raymond M Reynaud
Aaron B Wilson
Charles F Myers
David F Young
Ronald Kissel
Francis Ross
Edward Andrews
Emory W Brown
David Wanamaker
Edward J Deats
James Bulick
Alvin Ing
David H Signor
Christopher V Totis
Robert L Huffman
Richard Farrell
William S Frost
Randy M Olin
Frank Diramio
Peter Douglas
Dan Fitzgerald
Jake Dennis
Ronnie J Ellis
John T Davis
Michael J Kubat
George H Strohsahl
Harold Bergman
Andrey Swystun
Jeffrey L Myers
William Couch
Brian Tyndall
Robert Goodman
Stephen G Weaver
William H Miller
Sergei M Kowalchik
Mark Thomas
Jack Mcdermott
Ted Richert
Jerry D Elliott
Timothy W Gersbacher
Kenneth J Jaskolski
Mark Trenor
Eric Lofquist
James W. Houston
James C Lawrence
David F Person
Sam P Baldwin
Neil Ronco
Peter Vogt
Jan P Werson
Wayne L Flesher
George Warren
James A Dennis
Alan Mullen
Victor Mohica
Michael K Balint
Trevor R Sandison
Gerry Mountcastle
Ronald R Stoops
Jim Toone
Gary Morgan
Robert K Miller
Andris Damberkaln
Ron O'neal
Kermit L Mccorble
Frank R Arko
Tommy Abel
Richard Liberty
Gregory T Swarney
Michael A Davis
Daniel C Rockwell
Stephen G Williams
Andrew Akerson
Phil Philbin
Raymond R Langley
Scott Michael Wilson
Bill Mccluskey
Joe Lowry
Crew
Lynn Aber
Script Supervisor
Jim Allsop
Other
David Ambrose
Screenplay
Richard L Anderson
Sound Effects Editor
Fredd Baillie
Production Assistant
Cynthia Bales
Costumes
Frank Ballou
Transportation Coordinator
Donah Bassett
Negative Cutting
Mike Batzler
Production Assistant
Susan M Becton
Assistant
Maurice Binder
Special Effects
Bruce Bisenz
Sound
Bob Boettcher
Property Master Assistant
Steven Bridges
Production Assistant
Benjamin Bruce
Location Coordinator
Irving Buchman
Makeup
Judi Bunn
Production Coordinator
David L Butler
Director Of Photography
Fernando Carrere
Production Designer
Jim Coe
Photography
Robert Cosby
Boom Operator
Gerry Costello
Other
Bill Couch
Stunt Coordinator
George Craig
Music Supervisor
Gerry Davis
Screenplay
Joe Day
Special Effects
Leslie Dennis
Assistant Editor
Michael Dobie
Assistant Editor
Peter Douglas
Producer
Michael Durant
Production Assistant
Garry Elmendorf
Special Effects
Pat Elmendorf
Special Effects
Lyn Fink
Production Assistant
Stephen Hunter Flick
Sound Effects Editor
Gary Gero
Animal Trainer
Earl Gilbert
Gaffer
Anthony Gittelson
Location Coordinator
William Graves
Technical Advisor
Romaine Greene
Hair
Rhio Haessig
Best Boy
Warren Hamilton
Sound Effects Editor
Orwin Harvey
Stunts
Robert Horne
Camera Assistant
Alan Howarth
Sound Effects
Thomas Hunter
From Story
Thomas Hunter
Screenplay
B J Johnson
Location Coordinator
Kent Johnson
Property Master
Lloyd Kaufman
Unit Production Manager
Lloyd Kaufman
Associate Producer
Pat Kehoe
Assistant Director
Victor J Kemper
Director Of Photography
Douglas Kenny
Location Assistant
David J Kimball
Sound
Nikita Knatz
Production
Robert K. Lambert
Editor
Robert K. Lambert
Post-Production Supervisor
Stan Lazan
Camera Operator
Robert J Litt
Sound
Milton Lustig
Music Editor
William Maldonado
Construction Coordinator
Mark Mangini
Sound Effects Editor
Bob Marta
Camera Assistant
Rob Mays
Production Assistant
Mark Mcgann
Dga Trainee
Jim Mcmahon
Auditor
Ed Milkovich
Assistant Director
Richard Milligan
Technical Advisor
Bob Mills
Makeup Supervisor
Bob Mills
Makeup
Bruce Montgomery
Other
Pat Moseman
Other
Florence Nerlinger
Production Coordinator
Dennis Peebles
Set Decorator
Peter Powell
Screenplay
Peter Powell
From Story
Tom Pullinger
Editor
John Richards
Sound Mixer
Gaylin Schultz
Key Grip
Bernie Schwartz
Best Boy
Norman B Schwartz
Dialogue Consultant
Louis Schwartzberg
Photography
John Scott
Music
Colby Smith
Stunts
Richard R St Johns
Executive Producer
Ray Summers
Costumes
Virgil Tanner
Color Timer
Tony Tenreiro
Other
Robert C. Thomas
Camera Operator
Timothy Tobin
Assistant Editor
James W. Tyson
Costumes
Clair Ward
Production Assistant
Mark Winter
Location Assistant
Douglas E Wise
Assistant Director
Howard Wollman
Sound
Film Details
Also Known As
Final Countdown
MPAA Rating
Genre
Thriller
War
Release Date
1980
Location
Monroe County, Florida, USA
Technical Specs
Duration
1h 43m
Articles
The Final Countdown
The Final Countdown is not a special-effects laden time-travel piece like Back to the Future (1985) or any such ilk and, indeed, the pivotal "freak electrical storm" is not, visually, very convincing. Nor is it particularly heavy-handed in glamorizing the military, although the members of the Jolly Rogers F-14 Fighter Squadron, who played key roles in the film, are quick to praise The Final Countdown for showing real missile launches and other authentic air maneuvers. What really works about the film is that it is a character-driven drama augmented by a bizarre scenario - and, admittedly, the fusion of fantasy with a certain amount of wish-fulfillment can carry unexpected power. The scene, for example, where two Japanese Zero fighter planes get their come-uppance when surprised by two modern F-14 fighter jets still reverberates on several levels. The current equivalent would be a time-travel film that posits a crack team of Green Beret soldiers suddenly transported onto hijacked planes before they hit their targets in 2001.
Blue Underground makes The Final Countdown available in a full screen dvd, a widescreen dvd, and a special two-disc limited edition set that comes with a hologram cover wherein the battleship can "disappear" with a twist of the wrist. Latter version includes audio commentary with Director of Photography Victor J. Kemper, theatrical trailers, and TV spots, while the bonus disc adds a 15-minute interview with Lloyd Kaufman, a half-hour interview with the Jolly Rogers F-14 Fighter Squadron (who, among other things, note that you can make more money as a Teamster driving a van for film crew than risking your life as a fighter pilot), poster & still galleries, a short Kirk Douglas biography, and a Zero Pilot Journal (DVD-ROM).
For more information about The Final Countdown, visit Blue Underground. To order the limited edition double disc of The Final Countdown, go to TCM Shopping.
by Pablo Kjolseth
The Final Countdown
In the late 1970's one of Kirk Douglas' sons, Peter Vincent Douglas, began his career as a producer with a project based on a fantastic scenario; what if one of America's contemporary nuclear-powered aircraft carriers was catapulted back in time via a freak electrical storm and appeared in the Pacific Ocean just hours before the Japanese attack on Pearl Harbor? His producer credits would go on to include Something Wicked This Way Comes (1983), and Fletch (1985), but what sets The Final Countdown (1980) aside from those popular films is a complicity between the Hollywood dream factory and the U.S. military to create a work that would entertain the masses and also act as a recruiting tool for the Navy. It's a timeless practice that would go on with films from Top Gun (1986) to any of the more contemporary Tom Clancy-based films that now lead the charge, but it's still interesting within the context of The Final Countdown because the two main stars, Kirk Douglas (as the captain of the U.S.S. Nimitz) and Martin Sheen (as a Defense Department expert), are famous for taking stands against the right-wing powers that be. Now toss into the mix the fact that this big spectacle film also hired to a production job Lloyd Kaufman, the man who would later launch the "aroma du Troma" behind such low-budget fare as The Toxic Avenger (1985) and Tromeo and Juliet (1996), and viewers might then wonder if time travel is really so odd when compared to the behind-the-camera crew on this film. Kaufman also gets a short cameo in the film and recalls Kirk Douglas telling him that "You're not a good actor, but you're a better actor than producer." Adding to such proceedings it's tempting to note, just for color, that director Don Taylor (1920 - 1998) helmed an episode of The Flying Nun in 1967, but that would be unfair to his larger body of work as both an actor (from 1943 to 1962) and his various helming duties (from 1955 to 1988).
The Final Countdown is not a special-effects laden time-travel piece like Back to the Future (1985) or any such ilk and, indeed, the pivotal "freak electrical storm" is not, visually, very convincing. Nor is it particularly heavy-handed in glamorizing the military, although the members of the Jolly Rogers F-14 Fighter Squadron, who played key roles in the film, are quick to praise The Final Countdown for showing real missile launches and other authentic air maneuvers. What really works about the film is that it is a character-driven drama augmented by a bizarre scenario - and, admittedly, the fusion of fantasy with a certain amount of wish-fulfillment can carry unexpected power. The scene, for example, where two Japanese Zero fighter planes get their come-uppance when surprised by two modern F-14 fighter jets still reverberates on several levels. The current equivalent would be a time-travel film that posits a crack team of Green Beret soldiers suddenly transported onto hijacked planes before they hit their targets in 2001.
Blue Underground makes The Final Countdown available in a full screen dvd, a widescreen dvd, and a special two-disc limited edition set that comes with a hologram cover wherein the battleship can "disappear" with a twist of the wrist. Latter version includes audio commentary with Director of Photography Victor J. Kemper, theatrical trailers, and TV spots, while the bonus disc adds a 15-minute interview with Lloyd Kaufman, a half-hour interview with the Jolly Rogers F-14 Fighter Squadron (who, among other things, note that you can make more money as a Teamster driving a van for film crew than risking your life as a fighter pilot), poster & still galleries, a short Kirk Douglas biography, and a Zero Pilot Journal (DVD-ROM).
For more information about The Final Countdown, visit Blue Underground. To order the limited edition double disc of The Final Countdown, go to
TCM Shopping.
by Pablo Kjolseth
Ron O'Neal (1937-2003) - Ron O'Neal (1937-2003)
O'Neal was born on September 1, 1937 in Utica, New York, but he grew up in Cleveland. After graduating high school in 1955, he joined the city's widely acclaimed Karamu House, an experimental interracial theatrical troupe. During his nine-year stint with the playhouse, he had roles in such varied productions as A Raisin in the Sun, A Streetcar Named Desire and Kiss Me Kate.
After moving to New York City in the mid-'60s, he taught acting classes in Harlem and performed in summer stock. He came to critical notice in the off-Broadway production of Charles Gordone's Pulitzer Prize-winning No Place to be Somebody where he earned an Obie Award (the off-Broadway Tony) for his work. The producers of Superfly saw him in that production and cast him in the film's lead role of "Youngblood Priest". The film was a box-office smash, and O'Neal, looking slick and ultra-stylish in his big fedora hat, leather boots, flowing scarf, and floor length trench coat, became a pop culture icon of the "blaxsploitation" genre overnight.
O'Neal would try his hand at directing when he took on the sequel Superfly T.N.T. (1973). Unfortunately, his lack of experience showed as the poorly directed film lacked its predecessor's wit and pace, and proved a resounding commercial flop. Sadly, O'Neal's fame (as well as the blaxsploitation genre itself), would inevitably fade, and by the decade's end, O'Neal would be co-starring in such B-films as When a Stranger Calls, and the Chuck Norris actioner A Force of One (both 1979).
His fortunes did brighten in the mid-'80s with television, earning semi-regular roles in two of the more popular shows of the day: The Equalizer (1985-89) and A Different World (1987-93). Better still, as scholars and film fans rediscovered his performance in Superfly, O'Neal gathered some movie work again. He was cast alongside fellow blaxsploitation stars Pam Grier, Fred Williamson, Jim Brown and Richard Roundtree in the genre's tribute film Original Gangstas (1996); the film was a modest hit, and O'Neal made the rounds in a few more urban action thrillers, most notably his final film On the Edge (2002), co-starring rap and televisions star, Ice-T. O'Neal is survived by his wife Audrey Pool O'Neal, and sister, Kathleen O'Neal.
by Michael T. Toole
Ron O'Neal (1937-2003) - Ron O'Neal (1937-2003)
Ron O'Neal, the handsome, athletic black actor who shot to fame in the '70s for his role as the Harlem drug dealer "Youngblood Priest" in the cult flick, Superfly (1972), died of cancer in Los Angeles on January 14th. He was 66.
O'Neal was born on September 1, 1937 in Utica, New York, but he grew up in Cleveland. After graduating high school in 1955, he joined the city's widely acclaimed Karamu House, an experimental interracial theatrical troupe. During his nine-year stint with the playhouse, he had roles in such varied productions as A Raisin in the Sun, A Streetcar Named Desire and Kiss Me Kate.
After moving to New York City in the mid-'60s, he taught acting classes in Harlem and performed in summer stock. He came to critical notice in the off-Broadway production of Charles Gordone's Pulitzer Prize-winning No Place to be Somebody where he earned an Obie Award (the off-Broadway Tony) for his work. The producers of Superfly saw him in that production and cast him in the film's lead role of "Youngblood Priest". The film was a box-office smash, and O'Neal, looking slick and ultra-stylish in his big fedora hat, leather boots, flowing scarf, and floor length trench coat, became a pop culture icon of the "blaxsploitation" genre overnight.
O'Neal would try his hand at directing when he took on the sequel Superfly T.N.T. (1973). Unfortunately, his lack of experience showed as the poorly directed film lacked its predecessor's wit and pace, and proved a resounding commercial flop. Sadly, O'Neal's fame (as well as the blaxsploitation genre itself), would inevitably fade, and by the decade's end, O'Neal would be co-starring in such B-films as When a Stranger Calls, and the Chuck Norris actioner A Force of One (both 1979).
His fortunes did brighten in the mid-'80s with television, earning semi-regular roles in two of the more popular shows of the day: The Equalizer (1985-89) and A Different World (1987-93). Better still, as scholars and film fans rediscovered his performance in Superfly, O'Neal gathered some movie work again. He was cast alongside fellow blaxsploitation stars Pam Grier, Fred Williamson, Jim Brown and Richard Roundtree in the genre's tribute film Original Gangstas (1996); the film was a modest hit, and O'Neal made the rounds in a few more urban action thrillers, most notably his final film On the Edge (2002), co-starring rap and televisions star, Ice-T. O'Neal is survived by his wife Audrey Pool O'Neal, and sister, Kathleen O'Neal.
by Michael T. Toole
Quotes
Trivia
Miscellaneous Notes
Released in United States Summer July 1980
Released in United States Summer July 1980