That's the Way of the World


1h 39m 1975
That's the Way of the World

Brief Synopsis

A record producer attempts to reconcile the demands of the record company he works for with the love of the music he believes in.

Photos & Videos

Film Details

Also Known As
Shining Star
MPAA Rating
Genre
Drama
Release Date
1975

Technical Specs

Duration
1h 39m
Sound
Mono
Color
Color

Synopsis

Coleman Buckmaster is a record producer. Immersed in the 1970s pop music scene, Coleman skates at an African American roller disco, deals with junkie singers, and protects himself from violent band managers.

Photo Collections

That's the Way of the World - Movie Poster
That's the Way of the World - Movie Poster

Film Details

Also Known As
Shining Star
MPAA Rating
Genre
Drama
Release Date
1975

Technical Specs

Duration
1h 39m
Sound
Mono
Color
Color

Articles

That's the Way of the World


Harvey Keitel rose to fame in the early 1970s with roles in three films directed by Martin Scorsese: Mean Streets (1973), Alice Doesn't Live Here Anymore (1974), and Taxi Driver (1976). (He had also appeared in Scorsese's 1967 debut, Who's That Knocking at My Door.) But between Alice and Taxi Driver, he starred in another picture which today is virtually forgotten: That's the Way of the World (1975).

In a wiry and intense performance, Keitel plays an ambitious Manhattan record producer named Coleman Buckmaster, who is about ready to unveil a great new musical discovery when his superior orders him instead to concentrate on promoting a talentless, folksy act called the Pages. Coleman is then caught in a fight for his principles, as the movie delves into age-old dilemmas of art vs. commerce and of maintaining personal integrity vs. selling out.

The "new musical discovery" in the story is played by real-life R&B band Earth, Wind and Fire, and their soundtrack album, which includes the hit song "That's the Way of the World," went triple platinum. The film itself, however, came nowhere close to the album's success.

Written by former New York Times sports reporter Robert Lipsyte and directed by Super Fly (1972) producer Sig Shore with documentary-style camerawork, That's the Way of the World was released by United Artists in the summer of 1975. Reviews were mixed, though the Los Angeles Times deemed it "a fairly gutsy expose... a witty morality play satirizing the corruption of the recording industry." But the film never found an audience and was pulled after a very limited distribution.

Subsequently the movie was acquired by Bryanston Distributing, re-titled Shining Star (after another hit Earth, Wind and Fire song), and re-released in the spring of 1977 with an ad campaign that tried to imbue a "Star is Born"-type aura. But again the film flopped to mixed reviews, with The New York Times calling it "choppy-looking... unconvincing... stereotypical characters... long on soul but short on art." The Village Voice praised the movie for its sophisticated look at music industry corruption, but still considered it a failure overall. In 1982, however, The Village Voice reappraised the film, calling it "a genuine sleeper."

By Jeremy Arnold
That's The Way Of The World

That's the Way of the World

Harvey Keitel rose to fame in the early 1970s with roles in three films directed by Martin Scorsese: Mean Streets (1973), Alice Doesn't Live Here Anymore (1974), and Taxi Driver (1976). (He had also appeared in Scorsese's 1967 debut, Who's That Knocking at My Door.) But between Alice and Taxi Driver, he starred in another picture which today is virtually forgotten: That's the Way of the World (1975). In a wiry and intense performance, Keitel plays an ambitious Manhattan record producer named Coleman Buckmaster, who is about ready to unveil a great new musical discovery when his superior orders him instead to concentrate on promoting a talentless, folksy act called the Pages. Coleman is then caught in a fight for his principles, as the movie delves into age-old dilemmas of art vs. commerce and of maintaining personal integrity vs. selling out. The "new musical discovery" in the story is played by real-life R&B band Earth, Wind and Fire, and their soundtrack album, which includes the hit song "That's the Way of the World," went triple platinum. The film itself, however, came nowhere close to the album's success. Written by former New York Times sports reporter Robert Lipsyte and directed by Super Fly (1972) producer Sig Shore with documentary-style camerawork, That's the Way of the World was released by United Artists in the summer of 1975. Reviews were mixed, though the Los Angeles Times deemed it "a fairly gutsy expose... a witty morality play satirizing the corruption of the recording industry." But the film never found an audience and was pulled after a very limited distribution. Subsequently the movie was acquired by Bryanston Distributing, re-titled Shining Star (after another hit Earth, Wind and Fire song), and re-released in the spring of 1977 with an ad campaign that tried to imbue a "Star is Born"-type aura. But again the film flopped to mixed reviews, with The New York Times calling it "choppy-looking... unconvincing... stereotypical characters... long on soul but short on art." The Village Voice praised the movie for its sophisticated look at music industry corruption, but still considered it a failure overall. In 1982, however, The Village Voice reappraised the film, calling it "a genuine sleeper." By Jeremy Arnold

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Miscellaneous Notes

Released in United States 1975

Released in United States 1975