Could you start life over if you had a new face? Phyllis (Ella Raines) is a homely woman who wants to become a clothing designer. She's talented, but her unremarkable looks prevent her from moving up in the beauty-conscious fashion world, as well as permanently stall her love life with two-faced suitors like Allan (Roy Roberts). But when her face is destroyed in a car crash, plastic surgeons repair her better than she was before. Does Phyllis really mean it when she says "A pretty face isn't everything."? This unusual melodrama, with a plot reminiscent of both the John Frankenheimer/Rock Hudson cult movie Seconds (1966), as well as The Twilight Zone episode "The Eye Of The Beholder" ("No change! No change at all!") The Second Face is one of the last movies by underused actress Ella Raines, veteran of John Wayne westerns and noirs like The Strange Affair Of Uncle Harry (1945) and Phantom Lady (1944), in which she also undergoes a transformation from plain to va-va-voom. Also starring Bruce Bennett, familiar to viewers as Joan Crawford's shiftless first husband in Mildred Pierce (1945).
By Violet LeVoit
The Second Face
Brief Synopsis
A homely woman injured in a car crash awakes to find the plastic surgery has transformed her into a first class beauty.
Cast & Crew
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Jack Bernhard
Director
Ella Raines
Phyllis Holmes
Bruce Bennett
Paul Curtis
Rita Johnson
Claire Elwood
John Sutton
Jerry Allison
Patricia Knight
Lynn Hamilton
Film Details
Genre
Drama
Release Date
Dec
1,
1950
Premiere Information
not available
Production Company
EJL Productions, Inc.
Distribution Company
Eagle-Lion Classics, Inc.
Country
United States
Technical Specs
Duration
1h 17m
Film Length
6,943ft
(9 reels)
Synopsis
After an emotional discussion with her roommate, Phyllis Holmes, Claire Elwood runs out of her apartment and drives away in a hurry. Phyllis follows in her own car, but she collides with a truck, and her face strikes the windshield. Later, in the hospital, Phyllis thinks back to the events leading up to the accident: In the Fresno, California, home of Paul Curtis, for whom Phyllis works as a secretary, Mrs. Lockridge, the housekeeper, reproaches Paul for having withdrawn from life after his divorce and encourages him to take Phyllis out. Ignoring Mrs. Lockridge's suggestion, Paul informs Phyllis, an aspiring clothes designer, that he sent some of her fashion ideas to his friend Claire, who has arranged a job for Phyllis in an exclusive Los Angeles dress shop and invited her to share her apartment. After saying goodbye to Paul's young daughter Annie, Phyllis drives to Claire's apartment, where she meets Claire's fiancé, Allan Wesson, and their debonair friend, Jerry Allison. Jerry is disappointed to see that Phyllis is a plain-looking woman, and he quickly changes his plans to accompany her on a double date with Claire and Allan. The next day, when Claire takes Phyllis to the dress shop, the manager, Mr. Moran, claims there are no job openings, but he privately tells Claire that his shop hires only beautiful women. Phyllis tries to find another job, but is rejected because of her appearance, so Claire persuades Allan, an advertising executive, to hire Phyllis as his secretary. Phyllis continues to design dresses on the side, and Jerry uses his contacts in the fashion world to sell them, although he refuses to spend any time with her or give her credit for her work. Meanwhile, hoping to land the important Hamilton account, Allan follows Jerry's advice to ingratiate himself with Hamilton's beautiful, spoiled daughter Lynn, and they quickly become romantically involved. When Paul comes to work in Los Angeles for two months, he and Phyllis spend a lot of time together, but Phyllis insists on making Paul believe that she dates many different men. Jerry calls to tell Phyllis that her new line of suits has sold, and asks her to meet him at Allan's office the next night for a date. When Phyllis arrives, however, the intercom is on and she hears Jerry on the phone with Allan, speaking disparagingly of her. Angry and humiliated, Phyllis slaps Jerry and returns to the apartment, and when Paul asks her to return with him to Fresno, she tearfully rejects him, believing he only wants her because he feels more secure with an ugly woman. Later, at the office, Lynn announces that she and Allan are going to Honolulu, and Allan fires Phyllis. When Phyllis gets home, she finds a telegram from Allan informing her that he and Lynn have been married. Claire sees the telegram, puts a gun in her purse and heads out to kill Allan, but is pursued by Phyllis, who then crashes her car. After five weeks in the hospital, the doctors tell Phyllis that an anonymous man has been paying her medical bills, and a plastic surgeon is brought in to examine her face. When Phyllis is discharged from the hospital, with her face still bandaged, Jerry drives her home, but Phyllis is cold to him and ends their partnership. After the last operation is performed, Phyllis' bandages are removed, and she is now beautiful. With new confidence, Phyllis returns to the dress shop and coolly negotiates a job with a high salary. She also draws the attention of wealthy Todd Williams, who brings her into his social circle. Phyllis remains curious about her mysterious benefactor, though, and evidence in the insurance company files suggests that Jerry is the man. Later, Jerry tells Claire that as he and Phyllis are now engaged, he will have a share in the dress shop the two women are opening, and he mentions that Allan's marriage to Lynn has already ended. When Phyllis comes home, Jerry suggests that they elope, but at that moment, Mrs. Lockridge arrives, in response to a telegram from Claire. When Mrs. Lockridge hears that Jerry is taking the credit for helping Phyllis, she breaks her vow of secrecy and admits that Paul paid for everything. Phyllis immediately drives to Fresno and declares her love for Paul.
Director
Jack Bernhard
Director
Cast
Ella Raines
Phyllis Holmes
Bruce Bennett
Paul Curtis
Rita Johnson
Claire Elwood
John Sutton
Jerry Allison
Patricia Knight
Lynn Hamilton
Roy Roberts
Allan Wesson
Jane Darwell
Mrs. Lockridge
Paul Cavanaugh
Todd Williams
Frances Karath
Annie Curtis
Mauritz Hugo
Plastic surgeon
Pierre Watkins
Mr. Hamilton
Charles Lane
Mr. West
Grandon Rhodes
Mr. Moran
Paul Stanton
Physician
Kathleen Freeman
Shirley
Crew
"the Marksons"
Executive Producer
Travis Banton
Costume Design
Mac Dalgleish
Sound
Richard Dixon
Assistant Director
Clarence Eurist
Prod Supervisor
Ann Fielder
Wardrobe
Abe Haberman
Makeup
Garry Harris
Sound
Paul Ivano
Director of Photography
Raoul Kraushaar
Music
Edward Leven
Producer
Edward Leven
Company
Christian Nyby
Film Editor
Martin Obzina
Art Director
Robert Priestly
Set Decoration
Ludwig P. Reiche
Assistant to prod
Lillian Shore
Hairstylist
Al Teitelbaum
Furs
Eugene Vale
Story and Screenplay
Perc Westmore
Miss Raines' makeup created by
Videos
Movie Clip
Film Details
Genre
Drama
Release Date
Dec
1,
1950
Premiere Information
not available
Production Company
EJL Productions, Inc.
Distribution Company
Eagle-Lion Classics, Inc.
Country
United States
Technical Specs
Duration
1h 17m
Film Length
6,943ft
(9 reels)
Articles
The Second Face
By Violet LeVoit
The Second Face
Could you start life over if you had a new face? Phyllis (Ella Raines) is a homely woman who wants to become a clothing designer. She's talented, but her unremarkable looks prevent her from moving up in the beauty-conscious fashion world, as well as permanently stall her love life with two-faced suitors like Allan (Roy Roberts). But when her face is destroyed in a car crash, plastic surgeons repair her better than she was before. Does Phyllis really mean it when she says "A pretty face isn't everything."? This unusual melodrama, with a plot reminiscent of both the John Frankenheimer/Rock Hudson cult movie Seconds (1966), as well as The Twilight Zone episode "The Eye Of The Beholder" ("No change! No change at all!") The Second Face is one of the last movies by underused actress Ella Raines, veteran of John Wayne westerns and noirs like The Strange Affair Of Uncle Harry (1945) and Phantom Lady (1944), in which she also undergoes a transformation from plain to va-va-voom. Also starring Bruce Bennett, familiar to viewers as Joan Crawford's shiftless first husband in Mildred Pierce (1945).
By Violet LeVoit
Quotes
Trivia
Notes
Furrier Al Teitelbaum's name was misspelled in the credits as "Teitlebaum." A production news item in Hollywood Reporter reported that Robert Roark had been cast in a principal role, but his appearance in the final film has not been confirmed. Portions of the film were shot in the Hancock Park area of Los Angeles.