The Prisoner Of Second Avenue
Brief Synopsis
A suddenly unemployed executive and his understanding wife must adapt to their new life.
Cast & Crew
Read More
Melvin Frank
Director
Jack Lemmon
Mel
Elizabeth Wilson
Pauline
Anne Bancroft
Edna
Gene Saks
Harry
Florence Stanley
Pearl
Film Details
Also Known As
Prisoner of Second Avenue, prisionero de la Segunda Avenida, El
MPAA Rating
Genre
Comedy
Adaptation
Drama
Release Date
Mar
1974
Premiere Information
not available
Production Company
Warner Bros. Pictures
Distribution Company
Warner Bros. Home Entertainment Group; Warner Bros. Pictures Distribution
Country
United States
Technical Specs
Duration
1h 45m
Sound
Mono
Color
Color (Technicolor)
Theatrical Aspect Ratio
2.35 : 1
Synopsis
A recently unemployed executive and his understanding wife must overcome the trauma he experiences from his loss of employment.
Director
Melvin Frank
Director
Cast
Jack Lemmon
Mel
Elizabeth Wilson
Pauline
Anne Bancroft
Edna
Gene Saks
Harry
Florence Stanley
Pearl
Maxine Stuart
Belle
Ed Peck
Man Upstairs
Gene Blakely
Charlie
Ivor Francis
Psychiatrist
Stack Pierce
Detective
Sylvester Stallone
Youth In Park
Crew
Preston Ames
Art Direction
Melvin Frank
Producer
Marvin Hamlisch
Music
Philip Lathrop
Director Of Photography
Marvin March
Set Decorator
Al Overton Sr.
Sound Recording Mixer
Howard Roessel
Assistant Director
Tex Rudloff
Sound Rerecording Mixer
Neil Simon
Play As Source Material ("The Prisoner Of Second Avenue")
Neil Simon
Screenwriter
Bob Wyman
Editor
Videos
Movie Clip
Trailer
Hosted Intro
Film Details
Also Known As
Prisoner of Second Avenue, prisionero de la Segunda Avenida, El
MPAA Rating
Genre
Comedy
Adaptation
Drama
Release Date
Mar
1974
Premiere Information
not available
Production Company
Warner Bros. Pictures
Distribution Company
Warner Bros. Home Entertainment Group; Warner Bros. Pictures Distribution
Country
United States
Technical Specs
Duration
1h 45m
Sound
Mono
Color
Color (Technicolor)
Theatrical Aspect Ratio
2.35 : 1
Articles
The Prisoner of Second Avenue
The Prisoner of Second Avenue was based on the 1971 Tony award-winning Neil Simon play of the same name that originally starred Peter Falk and Lee Grant. Simon had been inspired to write the play based on an episode from the life of his wife's uncle. The uncle had been a successful businessman with a comfortable life when he suddenly decided to give it all up at the age of 50 and follow his dream of owning a small town newspaper. Knowing practically nothing about the newspaper business, the venture soon failed, leaving the uncle broke and on the edge of a nervous breakdown. Extracting the comedy from a terrible situation as only he could, Neil Simon turned the episode into a Broadway hit.
Despite the play's success, Simon was leery of having it made into a movie. Even though he wrote the screenplay himself, Simon worried that the material was too dark and might not transition well onto the big screen. When the film version was in pre-production with Jack Lemmon and Anne Bancroft in the leads, however, he agreed to fly to California and be present for rehearsals so that he could do any necessary rewrites.
Simon grew more optimistic about the film version of The Prisoner of Second Avenue when he was able to work directly with director Melvin Frank (A Touch of Class [1973]) and the cast. "My spirits took a turn for the better when I saw Jack Lemmon again, this being our third picture together," says Simon in his 1999 memoir The Play Goes On, "and I was thrilled at the prospect of working for the first time with the wonderful Anne Bancroft. Once we gathered around the table and listened to Jack and Annie read the script, I felt an enormous sense of relief and gratitude. I had two major stars who would carry the day even though I wasn't sure I could carry my weight."
During rehearsals, Simon agreed to make some small changes in the script based on feedback from Melvin Frank. After becoming ill during his stay in Los Angeles, however, Simon was forced to cut his visit short and return home. Simon trusted Frank with the final product, and instructed him to "make any changes in the script as he saw fit" without him.
Director Frank was excited about making The Prisoner of Second Avenue and especially working with Jack Lemmon. "I'd been trying to do a film with Lemmon for years, but for one reason or another we never got together," said Frank (in the biography Lemmon by Don Widener). "I think Jack is one of the two great actors I've seen develop in my years in the business; the other is Brando. And I have always admired Bancroft; she's a great actress."
Anne Bancroft, according to Widener, found Jack Lemmon to be a warm and generous actor to work with, calling him "nice to a point where he's crazy...We had a scene in Prisoner where he had to carry a shovel in - a very close two-shot favoring me," she explained. "I played the scene with tears in my eyes because Jack had accidentally hit me in the shin with that shovel. The director saw something was wrong so he stopped everything. I had a big bump on my leg, but it was Friday and over the weekend I fixed it up. When we came back on Monday the first scene was a retake of the shovel thing. Well, Jack brought the shovel in and I anticipated getting hit again. He's so full of energy, you're sure he's not noticing; but he never touched me. The take was fine, but Jack limped away. To avoid hurting me, he had cut himself. He was bleeding and we had to bandage his leg; his wound was much worse than mine. He is so kind he hurt himself rather than injure someone else. That's a little crazy! It's the nicest crazy I know, and I know a lot of crazy people."
Jack Lemmon and Anne Bancroft both give remarkable performances in The Prisoner of Second Avenue and their chemistry as a long married couple is strong and believable. The supporting cast including Gene Saks as Lemmon's one-upping brother Harry and Elizabeth Wilson and Florence Stanley as Lemmon's concerned sisters all do excellent work. Watch for M. Emmet Walsh as the Edisons' doorman, F. Murray Abraham as a cab driver, and Sylvester Stallone as a man Lemmon encounters in the park in one of the film's funniest sequences.
Producer: Melvin Frank
Director: Melvin Frank
Screenplay: Neil Simon (screenplay and play)
Cinematography: Philip H. Lathrop
Art Direction: Preston Ames
Music: Marvin Hamlisch
Film Editing: Bob Wyman
Cast: Jack Lemmon (Mel Edison), Anne Bancroft (Edna Edison), Gene Saks (Harry Edison), Elizabeth Wilson (Pauline), Florence Stanley (Pearl), Maxine Stuart (Belle), Ed Peck (man upstairs), Gene Blakely (Charlie), Ivor Francis (psychiatrist), Stack Pierce (detective).
C-97m. Letterboxed.
by Andrea Passafiume
The Prisoner of Second Avenue
If Death of a Salesman had been written as a comedy, it would probably look something like The Prisoner of Second Avenue (1975). Jack Lemmon and Anne Bancroft play Mel and Edna Edison, a long married New York couple who are getting fed up with the constant hassles of big city life. When Mel loses his job unexpectedly, he is thrust into a downward spiral that leaves him teetering on the brink of sanity and his marriage hanging by a thread.
The Prisoner of Second Avenue was based on the 1971 Tony award-winning Neil Simon play of the same name that originally starred Peter Falk and Lee Grant. Simon had been inspired to write the play based on an episode from the life of his wife's uncle. The uncle had been a successful businessman with a comfortable life when he suddenly decided to give it all up at the age of 50 and follow his dream of owning a small town newspaper. Knowing practically nothing about the newspaper business, the venture soon failed, leaving the uncle broke and on the edge of a nervous breakdown. Extracting the comedy from a terrible situation as only he could, Neil Simon turned the episode into a Broadway hit.
Despite the play's success, Simon was leery of having it made into a movie. Even though he wrote the screenplay himself, Simon worried that the material was too dark and might not transition well onto the big screen. When the film version was in pre-production with Jack Lemmon and Anne Bancroft in the leads, however, he agreed to fly to California and be present for rehearsals so that he could do any necessary rewrites.
Simon grew more optimistic about the film version of The Prisoner of Second Avenue when he was able to work directly with director Melvin Frank (A Touch of Class [1973]) and the cast. "My spirits took a turn for the better when I saw Jack Lemmon again, this being our third picture together," says Simon in his 1999 memoir The Play Goes On, "and I was thrilled at the prospect of working for the first time with the wonderful Anne Bancroft. Once we gathered around the table and listened to Jack and Annie read the script, I felt an enormous sense of relief and gratitude. I had two major stars who would carry the day even though I wasn't sure I could carry my weight."
During rehearsals, Simon agreed to make some small changes in the script based on feedback from Melvin Frank. After becoming ill during his stay in Los Angeles, however, Simon was forced to cut his visit short and return home. Simon trusted Frank with the final product, and instructed him to "make any changes in the script as he saw fit" without him.
Director Frank was excited about making The Prisoner of Second Avenue and especially working with Jack Lemmon. "I'd been trying to do a film with Lemmon for years, but for one reason or another we never got together," said Frank (in the biography Lemmon by Don Widener). "I think Jack is one of the two great actors I've seen develop in my years in the business; the other is Brando. And I have always admired Bancroft; she's a great actress."
Anne Bancroft, according to Widener, found Jack Lemmon to be a warm and generous actor to work with, calling him "nice to a point where he's crazy...We had a scene in Prisoner where he had to carry a shovel in - a very close two-shot favoring me," she explained. "I played the scene with tears in my eyes because Jack had accidentally hit me in the shin with that shovel. The director saw something was wrong so he stopped everything. I had a big bump on my leg, but it was Friday and over the weekend I fixed it up. When we came back on Monday the first scene was a retake of the shovel thing. Well, Jack brought the shovel in and I anticipated getting hit again. He's so full of energy, you're sure he's not noticing; but he never touched me. The take was fine, but Jack limped away. To avoid hurting me, he had cut himself. He was bleeding and we had to bandage his leg; his wound was much worse than mine. He is so kind he hurt himself rather than injure someone else. That's a little crazy! It's the nicest crazy I know, and I know a lot of crazy people."
Jack Lemmon and Anne Bancroft both give remarkable performances in The Prisoner of Second Avenue and their chemistry as a long married couple is strong and believable. The supporting cast including Gene Saks as Lemmon's one-upping brother Harry and Elizabeth Wilson and Florence Stanley as Lemmon's concerned sisters all do excellent work. Watch for M. Emmet Walsh as the Edisons' doorman, F. Murray Abraham as a cab driver, and Sylvester Stallone as a man Lemmon encounters in the park in one of the film's funniest sequences.
Producer: Melvin Frank
Director: Melvin Frank
Screenplay: Neil Simon (screenplay and play)
Cinematography: Philip H. Lathrop
Art Direction: Preston Ames
Music: Marvin Hamlisch
Film Editing: Bob Wyman
Cast: Jack Lemmon (Mel Edison), Anne Bancroft (Edna Edison), Gene Saks (Harry Edison), Elizabeth Wilson (Pauline), Florence Stanley (Pearl), Maxine Stuart (Belle), Ed Peck (man upstairs), Gene Blakely (Charlie), Ivor Francis (psychiatrist), Stack Pierce (detective).
C-97m. Letterboxed.
by Andrea Passafiume
The Prisoner of Second Avenue
It's a stiflingly hot summer in the Big Apple, and despite the hyperactive air conditioning in his highrise, aging adman Mel Edison (Jack Lemmon) finds himself in a 24-hour torpor. He shows up at his recession-wracked firm with little to do but watch the clock, learn which co-workers have been cashiered, and wait for his own pink slip to inevitably arrive. When the ax finally does fall, he can't even bring himself to tell the truth to his eternally patient wife Edna (Anne Bancroft), and its takes the burglary of their apartment for him to admit that there's nothing with which to replace their belongings.
From the upstairs neighbors who douse him with water whenever he takes to the balcony to scream his frustration to the German stewardesses next door who party to all hours, nobody offers Mel much sympathy for his plight. In her attempts to soothe her husband, Edna returns to the workforce as a TV production assistant. Her breadwinning only makes the now-housebound Mel feel that much more emasculated, however, and it isn't long before she's echoing his same neuroses regarding the neighbors, the city, and existence in general. She struggles to find answers as Mel veers dangerously close to nervous collapse.
It's stronger stuff than you'd expect to find at the core of a Simon play. Viewing it in hindsight, the shifts in tone between the trademarked banter and the extreme pathos are really very jarring, and the result of the whole is ultimately less than satisfying. Lemmon and Bancroft had the onus of providing emotional honesty where the script failed to, and they proved up to the challenge. Lemmon's proficiency in conveying mounting desperation was used to best effect, and Bancroft was affecting as the loving spouse whose reservoirs of strength run close to exhaustion.
The story doesn't provide a whole lot for the supporting players, but Gene Saks is enjoyable as Mel's prosperous and empathetic big brother. Time has made The Prisoner Of Second Avenue notable for bit players who've gone on to bigger things. Those include a young Sylvester Stallone as the kid who has a fateful Central Park run-in with Mel; F. Murray Abaraham as a cabbie; and M. Emmett Walsh as the building's less-than-helpful doorman.
The image presentation, offered in 2.35:1 anamorphic widescreen, is clean and more than serviceable. The special features provided with The Prisoner Of Second Avenue include a seven-minute segment from Bancroft's promotional appearance for the film on Dinah Shore's talk show. The Dinah! clip incorporates footage from the film's gag reel, and many of the same outtakes appear in the grainy, six-minute "making of" short that is also included. The theatrical trailer completes the extras package.
For more information about The Prisoner Of Second Avenue, visit Warner Video. To order The Prisoner of Second Avenue, go to TCM Shopping.
by Jay S. Steinberg
The Prisoner of Second Avenue
The film adaptation of Neil Simon's seriocomic stage opus The Prisoner Of Second Avenue (1975) has recently made its way to DVD courtesy of Warner Home Video. Thirty-odd years ago, when this tale of a Manhattanite's crushing battle with mid-life angst had its Broadway run, it was hailed as a worthy effort by the noted farceur to tackle more weighty and existential issues with his craft. Looking at the results today, though, the story, much like its hero, can't help but show how much it has frayed with the passage of time.
It's a stiflingly hot summer in the Big Apple, and despite the hyperactive air conditioning in his highrise, aging adman Mel Edison (Jack Lemmon) finds himself in a 24-hour torpor. He shows up at his recession-wracked firm with little to do but watch the clock, learn which co-workers have been cashiered, and wait for his own pink slip to inevitably arrive. When the ax finally does fall, he can't even bring himself to tell the truth to his eternally patient wife Edna (Anne Bancroft), and its takes the burglary of their apartment for him to admit that there's nothing with which to replace their belongings.
From the upstairs neighbors who douse him with water whenever he takes to the balcony to scream his frustration to the German stewardesses next door who party to all hours, nobody offers Mel much sympathy for his plight. In her attempts to soothe her husband, Edna returns to the workforce as a TV production assistant. Her breadwinning only makes the now-housebound Mel feel that much more emasculated, however, and it isn't long before she's echoing his same neuroses regarding the neighbors, the city, and existence in general. She struggles to find answers as Mel veers dangerously close to nervous collapse.
It's stronger stuff than you'd expect to find at the core of a Simon play. Viewing it in hindsight, the shifts in tone between the trademarked banter and the extreme pathos are really very jarring, and the result of the whole is ultimately less than satisfying. Lemmon and Bancroft had the onus of providing emotional honesty where the script failed to, and they proved up to the challenge. Lemmon's proficiency in conveying mounting desperation was used to best effect, and Bancroft was affecting as the loving spouse whose reservoirs of strength run close to exhaustion.
The story doesn't provide a whole lot for the supporting players, but Gene Saks is enjoyable as Mel's prosperous and empathetic big brother. Time has made The Prisoner Of Second Avenue notable for bit players who've gone on to bigger things. Those include a young Sylvester Stallone as the kid who has a fateful Central Park run-in with Mel; F. Murray Abaraham as a cabbie; and M. Emmett Walsh as the building's less-than-helpful doorman.
The image presentation, offered in 2.35:1 anamorphic widescreen, is clean and more than serviceable. The special features provided with The Prisoner Of Second Avenue include a seven-minute segment from Bancroft's promotional appearance for the film on Dinah Shore's talk show. The Dinah! clip incorporates footage from the film's gag reel, and many of the same outtakes appear in the grainy, six-minute "making of" short that is also included. The theatrical trailer completes the extras package.
For more information about The Prisoner Of Second Avenue, visit Warner Video. To order The Prisoner of Second Avenue, go to
TCM Shopping.
by Jay S. Steinberg
Quotes
I haven't had a real piece of bread in thirty years. If I'd known I would have saved some rolls when I was a kid.- Mel
Why you havin pain's in your chest?- Edna
Because I don't have a job! Because I don't have a suit to wear. Because I'm having a God-damned nervous breakdown and they didn't even leave me with a decent pair of pajamas.- Mel
Son's of bitches!!!! Dirty rotten bastards!!!!! You heard me (gesture's middle finger)- Mel
I've been here for three hours Harry... so far I got poison ivy, got chewed up by gnats, laid down in manuare, and your dog piddled all over my car... so I haven't really had a lot of time for rural ecstasy.- Mel
Could we turn all of these off, it looks like a night game at Shea Stadium!- Mel
Trivia
Miscellaneous Notes
Released in United States on Video July 18, 1990
Released in United States Winter December 1974
Released in United States on Video July 18, 1990
Released in United States Winter December 1974