Sabata


1h 47m 1970

Brief Synopsis

A gunman enlists a team of specialists to protect him from a wealthy villain.

Film Details

Also Known As
Ehi, Amico ... C'รจ Sabata, hai chiuso
MPAA Rating
Genre
Western
Action
Release Date
Jan 1970
Premiere Information
New York opening: 2 Sep 1970
Production Company
P. E. A.; Produzioni Associate Delphos
Distribution Company
United Artists
Country
Italy

Technical Specs

Duration
1h 47m
Sound
Mono
Color
Color (Technicolor)
Theatrical Aspect Ratio
2.35 : 1

Synopsis

Stengel, a wealthy landowner in Dougherty, Texas, masterminds a bank robbery of U. S. Army gold, and then, together with his co-conspirators Judge O'Hara and saloon owner Fergusson, he arranges for a $5,000 reward for the capture of the robbers. A mysterious stranger named Sabata rides into town, apprehends and kills the bank robbers, and collects the reward. Sabata also suspects the acrobatic Virginian Brothers of taking part in the robbery, but Stengel has them murdered before they can confess. After locating evidence that implicates Stengel, Sabata attempts to blackmail him for $10,000. A succession of assassins is hired by Stengel to kill Sabata, but they all fail. Finally Banjo, an old friend of Sabata's, is hired, but he, too, fails although Sabata spares his life. Sabata attacks Stengel's ranch and kills Judge O'Hara and Fergusson with bullets and dynamite; later, Sabata kills Stengel in one of the latter's favorite shooting games. Sabata and Banjo then fight for the blackmail money, and Banjo shoots Sabata. Banjo takes the money and throws Sabata's body over his saddle. Outside of town, Sabata regains consciousness, overpowers Banjo, tosses the bag to Banjo, and rides off as the money scatters in the wind.

Film Details

Also Known As
Ehi, Amico ... C'รจ Sabata, hai chiuso
MPAA Rating
Genre
Western
Action
Release Date
Jan 1970
Premiere Information
New York opening: 2 Sep 1970
Production Company
P. E. A.; Produzioni Associate Delphos
Distribution Company
United Artists
Country
Italy

Technical Specs

Duration
1h 47m
Sound
Mono
Color
Color (Technicolor)
Theatrical Aspect Ratio
2.35 : 1

Articles

Sabata


"The man with gunsight eyes." That's the phrase the film posters used to describe Lee Van Cleef in Sabata (1970), an enormously entertaining spaghetti Western that spawned two sequels. It also helped Van Cleef achieve the kind of success in Europe that he was forever denied in Hollywood where he was mostly typecast as villains in B-movies like The Big Combo (1955) and China Gate (1957). After traveling to Italy to make For a Few Dollars More for Sergio Leone in 1966, Van Cleef remained there and became an international star, thanks to his indomitable presence in such influential "Spaghetti Westerns" as Death Rides a Horse (1968), The Big Gundown (1966), and of course, Sabata.

Directed by Gianfranco Parolini (his name was anglicized for American audiences as Frank Kramer), Sabata is the story of an uneasy partnership between two men, a steely-eyed bounty hunter (Van Cleef) and a street musician (William Berger) whose banjo doubles as a gun. Their plan? To blackmail a bank robber who is hiding behind a mask of respectability in his small town. By the end of the film, the duo have effectively decimated everyone who stands in their way of a $60,000 ransom and you know only one man will walk away with that.

Even though Sabata is set in Texas during the 19th century, this is not the American West you're used to seeing in the films of John Ford and Delmer Daves. Not only does it have a title character who travels with as many gadgets as James Bond or James West (of the TV series, The Wild, Wild West) but it features a frontier town populated with Las Vegas-like showgirls, knife-welding drunks and cowboy acrobats (Director Parolini, who worked in circuses in his youth, would often pay homage to his former profession by featuring acrobats in his films). The carnival-like atmosphere is further enhanced by exaggerated sound effects, bizarre camera angles, and Marcello Giombini's playful score which would make a great CD release.

Producer: Alberto Grimaldi
Director: Gianfranco Parolini
Screenplay: Gianfranco Parolini
Production Design: Carlo Simi
Cinematography: Sandro Mancori
Costume Design: Carlo Simi
Film Editing: Edmond Lozzi
Original Music: Marcello Giombini
Cast: Lee Van Cleef (Sabata), William Berger (Banjo), Ignazio Spalla (Carrincha), Nick Jordan (Indio), Linda Veras (Jane), Franco Ressel (Stengel).
C-106m. Letterboxed.

By Jeff Stafford

Sabata

Sabata

"The man with gunsight eyes." That's the phrase the film posters used to describe Lee Van Cleef in Sabata (1970), an enormously entertaining spaghetti Western that spawned two sequels. It also helped Van Cleef achieve the kind of success in Europe that he was forever denied in Hollywood where he was mostly typecast as villains in B-movies like The Big Combo (1955) and China Gate (1957). After traveling to Italy to make For a Few Dollars More for Sergio Leone in 1966, Van Cleef remained there and became an international star, thanks to his indomitable presence in such influential "Spaghetti Westerns" as Death Rides a Horse (1968), The Big Gundown (1966), and of course, Sabata. Directed by Gianfranco Parolini (his name was anglicized for American audiences as Frank Kramer), Sabata is the story of an uneasy partnership between two men, a steely-eyed bounty hunter (Van Cleef) and a street musician (William Berger) whose banjo doubles as a gun. Their plan? To blackmail a bank robber who is hiding behind a mask of respectability in his small town. By the end of the film, the duo have effectively decimated everyone who stands in their way of a $60,000 ransom and you know only one man will walk away with that. Even though Sabata is set in Texas during the 19th century, this is not the American West you're used to seeing in the films of John Ford and Delmer Daves. Not only does it have a title character who travels with as many gadgets as James Bond or James West (of the TV series, The Wild, Wild West) but it features a frontier town populated with Las Vegas-like showgirls, knife-welding drunks and cowboy acrobats (Director Parolini, who worked in circuses in his youth, would often pay homage to his former profession by featuring acrobats in his films). The carnival-like atmosphere is further enhanced by exaggerated sound effects, bizarre camera angles, and Marcello Giombini's playful score which would make a great CD release. Producer: Alberto Grimaldi Director: Gianfranco Parolini Screenplay: Gianfranco Parolini Production Design: Carlo Simi Cinematography: Sandro Mancori Costume Design: Carlo Simi Film Editing: Edmond Lozzi Original Music: Marcello Giombini Cast: Lee Van Cleef (Sabata), William Berger (Banjo), Ignazio Spalla (Carrincha), Nick Jordan (Indio), Linda Veras (Jane), Franco Ressel (Stengel). C-106m. Letterboxed. By Jeff Stafford

Quotes

Trivia

Notes

Location scenes filmed in Almerรญa, Spain. Released in Italy in 1969 as Ehi, amico ... C'รจ Sabata, hai chiuso. Frank Kramer is a pseudonym for director Gianfranco Parolini. The following actors appear under anglicized names: Ignazio Spalla (Pedro Sanchez), Antonio Gradoli (Anthony Gradwell), Claudio Undari (Robert Hundar), Spartaco Conversi (Spanny Convery), Pino Mattei (Joseph Mathews), Janos Bartha (John Bartha), Carlo Tamberlani (Charles Tamblyn), Luciano Pigozzi (Alan Collins), and Andrea Aurell (Andrew Ray).

Miscellaneous Notes

Released in United States Fall September 1970

Techniscope

Released in United States Fall September 1970