How To Murder Your Wife


1h 58m 1965
How To Murder Your Wife

Brief Synopsis

After marrying while drunk, a cartoonist puts his murderous fantasies into his work.

Film Details

Genre
Comedy
Release Date
Jan 1965
Premiere Information
New York opening: 26 Jan 1965
Production Company
Murder Inc.
Distribution Company
United Artists
Country
United States

Technical Specs

Duration
1h 58m
Sound
Mono (Westrex Recording System)
Color
Color (Technicolor)
Theatrical Aspect Ratio
1.66 : 1

Synopsis

Wealthy bachelor cartoonist Stanley Ford lives in a New York City apartment, his unmarried bliss protected by his English valet, Charles. After getting drunk at a stag party, however, Stanley awakens the following morning to find himself married to the girl who popped out of a cake at the party. She is an Italian who speaks little English and who was stranded in the United States after coming here to participate in a beauty contest. Stanley tries to get the marriage annulled, but Harold, his attorney, who has always wanted Stanley to wed and settle down, advises him that annulment and divorce are impossible. Mrs. Ford's "feminization" of his home and daily routine drives Stanley to distraction. Having always tried out his comic-strip situations in real life before committing them to paper, Stanley drops a dummy dressed as his wife into a foundation form at a building site; and tons of concrete are poured over the dummy. He makes this incident part of a wife-murder in his comic strip, and when Mrs. Ford sees it on his drawing board she panics and flees. Realizing at last that he loves and misses his wife, Stanley notifies the police of her disappearance; but workmen at the building site see Stanley's comic-strip account of the wife-murder and likewise notify the police. Stanley is arrested and charged with murdering his wife as depicted in the strip. At his trial Stanley delivers a tirade against marriage to the all-married male jury, convincing them that they all have wife-murder in the back of their minds, and he is acquitted. To his surprise, Mrs. Ford returns to him.

Film Details

Genre
Comedy
Release Date
Jan 1965
Premiere Information
New York opening: 26 Jan 1965
Production Company
Murder Inc.
Distribution Company
United Artists
Country
United States

Technical Specs

Duration
1h 58m
Sound
Mono (Westrex Recording System)
Color
Color (Technicolor)
Theatrical Aspect Ratio
1.66 : 1

Articles

How To Murder Your Wife - How to Murder Your Wife


There was a time, in the days before handguns were standard "back to school" supplies, that jokes could be made at the water cooler, and satires could be popular box-office fare without the resulting conversations about their appropriateness or effect on youth or special interest groups. Sadly, those days are gone, but fortunately we have as evidence of those less politically correct days - How To Murder Your Wife (1965), directed by Richard Quine from a screenplay by George Axelrod (The Manchurian Candidate, 1962).

As cartoonist of the wildly popular "Bash Brannigan, Secret Agent" comic strip, Stanley Ford (Jack Lemmon) is the envy of every red blooded, 1960s American male! A devout bachelor, Ford is attended by butler-confidante Charles (Terry-Thomas) who takes care of his every whim, while the cartoonist swings from nightclub to nightclub, or dallies with a succession of ladies at his posh New York townhouse. By day, Ford's success has afforded him the opportunity to run around like a little boy playing make believe as he "tests" all of Bash Brannigan's capers in real life. As he explains to his attorney and best friend Harold (Eddie Mayehoff), he "wouldn't make Bash do anything he hasn't tried out" for himself, whether that means shoot outs with cap guns in the streets of New York, or jewelry heists in the harbor. Ford's martini drinking lifestyle bubbles along gleefully until one unfortunate morning when he wakes up married to the Italian sexpot who jumped out of a cake the previous unfortunate evening. His new bride (Virna Lisi) refuses divorce as a strict Roman Catholic, and annulment is out of the question since Ford has "sampled" married life, as it were, so the ex-bachelor reluctantly accepts his fate. Naturally, married life soon takes a toll on Ford's comic strip with "Bash Brannigan, Secret Agent" evolving into "The Brannigans", a strip about a married superhero. Ironically, the strip strikes a chord with women readers, becoming more popular than ever, but Ford feels he has lost control of his life. In frustration, he plots to eliminate Bash's wife, which he must act out in person before he can commit it to his comic strip. And now you know why the title is called How To Murder Your Wife.

The filming of How To Murder Your Wife was as manic and unpredictable as Ford's exploits in the movie. Doing his own stunts, Lemmon narrowly avoided being killed when a pipe he was swinging on broke. As he plummeted toward the ground along a fire escape, Lemmon saw a pipe sticking out from the building and " I threw out my arm and hooked it right at the elbow. It stopped my descent and I just swung there like a pendulum." Far more dangerous was an incident involving his gorgeous co-star, Virna Lisi. Lemmon once walked into Lisi's dressing room by mistake, only to find her standing stark naked in front of a full-length mirror. Lisi's husband, who was sitting in the corner, leaped up and lunged toward Lemmon. "I shot out the door like a bird...I don't know what [the husband] thought, but I wasn't about to stick around and find out," Lemmon later said.

At the time of it's release, How To Murder Your Wife was praised for its clever screenplay and wicked sense of humor, but seen today the film could just as easily be accused of being misanthropic. After all, the men are all sexist pigs and the women are depicted as materialistic bubbleheads. And as for Ford's jokes about killing his spouse, remarks like that these days could just as easily end up with the police showing up at your doorstep. But How To Murder Your Wife needs no apologies because right from the get-go it's clearly a farce and never meant to be taken seriously. Audiences in the sixties were hip to that. Are you?

Producer: George Axelrod, Gordon Carroll (executive producer)
Director: Richard Quine
Screenplay: George Axelrod
Production Design: Richard Sylbert
Cinematography: Harry Stradling
Costume Design: Moss Mabry
Film Editing: David Wages
Original Music: Neal Hefti
Principal Cast: Jack Lemmon (Stanley Ford), Virna Lisi (Mrs. Ford), Eddie Mayehoff (Harold Lampson), Claire Trevor (Edna Lampson), Terry-Thomas (Charles), Jack Albertson (Doctor Bentley), Max Showalter (Tobey Rawlins).
C-119m. Letterboxed.

by Bill Goodman

How To Murder Your Wife - How To Murder Your Wife

How To Murder Your Wife - How to Murder Your Wife

There was a time, in the days before handguns were standard "back to school" supplies, that jokes could be made at the water cooler, and satires could be popular box-office fare without the resulting conversations about their appropriateness or effect on youth or special interest groups. Sadly, those days are gone, but fortunately we have as evidence of those less politically correct days - How To Murder Your Wife (1965), directed by Richard Quine from a screenplay by George Axelrod (The Manchurian Candidate, 1962). As cartoonist of the wildly popular "Bash Brannigan, Secret Agent" comic strip, Stanley Ford (Jack Lemmon) is the envy of every red blooded, 1960s American male! A devout bachelor, Ford is attended by butler-confidante Charles (Terry-Thomas) who takes care of his every whim, while the cartoonist swings from nightclub to nightclub, or dallies with a succession of ladies at his posh New York townhouse. By day, Ford's success has afforded him the opportunity to run around like a little boy playing make believe as he "tests" all of Bash Brannigan's capers in real life. As he explains to his attorney and best friend Harold (Eddie Mayehoff), he "wouldn't make Bash do anything he hasn't tried out" for himself, whether that means shoot outs with cap guns in the streets of New York, or jewelry heists in the harbor. Ford's martini drinking lifestyle bubbles along gleefully until one unfortunate morning when he wakes up married to the Italian sexpot who jumped out of a cake the previous unfortunate evening. His new bride (Virna Lisi) refuses divorce as a strict Roman Catholic, and annulment is out of the question since Ford has "sampled" married life, as it were, so the ex-bachelor reluctantly accepts his fate. Naturally, married life soon takes a toll on Ford's comic strip with "Bash Brannigan, Secret Agent" evolving into "The Brannigans", a strip about a married superhero. Ironically, the strip strikes a chord with women readers, becoming more popular than ever, but Ford feels he has lost control of his life. In frustration, he plots to eliminate Bash's wife, which he must act out in person before he can commit it to his comic strip. And now you know why the title is called How To Murder Your Wife. The filming of How To Murder Your Wife was as manic and unpredictable as Ford's exploits in the movie. Doing his own stunts, Lemmon narrowly avoided being killed when a pipe he was swinging on broke. As he plummeted toward the ground along a fire escape, Lemmon saw a pipe sticking out from the building and " I threw out my arm and hooked it right at the elbow. It stopped my descent and I just swung there like a pendulum." Far more dangerous was an incident involving his gorgeous co-star, Virna Lisi. Lemmon once walked into Lisi's dressing room by mistake, only to find her standing stark naked in front of a full-length mirror. Lisi's husband, who was sitting in the corner, leaped up and lunged toward Lemmon. "I shot out the door like a bird...I don't know what [the husband] thought, but I wasn't about to stick around and find out," Lemmon later said. At the time of it's release, How To Murder Your Wife was praised for its clever screenplay and wicked sense of humor, but seen today the film could just as easily be accused of being misanthropic. After all, the men are all sexist pigs and the women are depicted as materialistic bubbleheads. And as for Ford's jokes about killing his spouse, remarks like that these days could just as easily end up with the police showing up at your doorstep. But How To Murder Your Wife needs no apologies because right from the get-go it's clearly a farce and never meant to be taken seriously. Audiences in the sixties were hip to that. Are you? Producer: George Axelrod, Gordon Carroll (executive producer) Director: Richard Quine Screenplay: George Axelrod Production Design: Richard Sylbert Cinematography: Harry Stradling Costume Design: Moss Mabry Film Editing: David Wages Original Music: Neal Hefti Principal Cast: Jack Lemmon (Stanley Ford), Virna Lisi (Mrs. Ford), Eddie Mayehoff (Harold Lampson), Claire Trevor (Edna Lampson), Terry-Thomas (Charles), Jack Albertson (Doctor Bentley), Max Showalter (Tobey Rawlins). C-119m. Letterboxed. by Bill Goodman

George Axelrod, 1922-2003


George Axelrod, a writer whose sharp, cunning satires of the '50's and 60's influenced the more wry, pop-culture sensibility of modern filmmakers, died June 21 of heart failure at his Los Angeles home. He was 81.

Born June 9, 1922, in New York City to the son of the silent film actress Betty Carpenter, he had an eventful childhood in New York where, despite little formal education, he became an avaricious reader who hung around Broadway theaters. During World War II he served in the Army Signal Corps, then returned to New York, where in the late 40's and early 50's he wrote for radio and television and published a critically praised novel, Beggar's Choice.

He scored big on Broadway in 1952 with The Seven Year Itch. The comedy, about a frustrated, middle-aged man who takes advantage of his family's absence over a sweltering New York summer to have an affair with a sexy neighbor, won a Tony Award for its star, Tom Ewell, and was considered daring for its time as it teased current sexual mores and conventions. The play was adapted into a movie in 1955 by Billy Wilder, as a vehicle for Marilyn Monroe, with Ewell reprising his role. Unfortunately, the censors and studio executives would not allow the hero to actually consummate the affair; instead, Ewell was seen merely daydreaming a few romantic scenes, a situation that left the playwright far from happy.

Nevertheless, the success of The Seven Year Itch, opened the door for Axelrod as a screenwriter. He did a fine adaptation of William Inge's play Bus Stop (1956) again starring Marilyn Monroe, and did a splendid job transferring Truman Capote's lovely Breakfast at Tiffany's (1961). Although his relationship with the director Blake Edwards was rancorous at best, it did earn Axelrod his only Academy Award nomination.

So frustrated with his work being so heavily revised by Hollywood, that Axelrod decided to move from New York to Los Angeles, where he could more closely monitor the treatment of his scripts. It was around this period that Axelrod developed some his best work since he began producing as well as writing: the incisive, scorchingly subversive cold war thriller The Manchurian Candidate (1962), based on Richard Condon's novel about an American POW (Laurence Harvey) who returns home and is brainwashed to kill a powerful politician; the urbane comedy Paris When it Sizzles (1964) that showed off its stars William Holden and Audrey Hepburn at their sophisticated best; his directorial debut with the remarkable (if somewhat undisciplined) satire Lord Love a Duck (1966) that skewers many sacred institutions of American culture (marriage, school, wealth, stardom) and has since become a cult favorite for midnight movie lovers; and finally (his only other directorial effort) a gentle comedy of wish fulfillment The Secret Life of an American Wife (1968) that gave Walter Matthau one of his most sympathetic roles.

By the '70s, Axelrod retired quietly in Los Angeles. He returned to write one fine screenplay, John Mackenzie's slick political thriller The Fourth Protocol (1987) starring Michael Caine. He is survived by his sons Peter, Steven, and Jonathan; a daughter Nina; seven grandchildren; and a sister, Connie Burdick.

by Michael T. Toole

George Axelrod, 1922-2003

George Axelrod, a writer whose sharp, cunning satires of the '50's and 60's influenced the more wry, pop-culture sensibility of modern filmmakers, died June 21 of heart failure at his Los Angeles home. He was 81. Born June 9, 1922, in New York City to the son of the silent film actress Betty Carpenter, he had an eventful childhood in New York where, despite little formal education, he became an avaricious reader who hung around Broadway theaters. During World War II he served in the Army Signal Corps, then returned to New York, where in the late 40's and early 50's he wrote for radio and television and published a critically praised novel, Beggar's Choice. He scored big on Broadway in 1952 with The Seven Year Itch. The comedy, about a frustrated, middle-aged man who takes advantage of his family's absence over a sweltering New York summer to have an affair with a sexy neighbor, won a Tony Award for its star, Tom Ewell, and was considered daring for its time as it teased current sexual mores and conventions. The play was adapted into a movie in 1955 by Billy Wilder, as a vehicle for Marilyn Monroe, with Ewell reprising his role. Unfortunately, the censors and studio executives would not allow the hero to actually consummate the affair; instead, Ewell was seen merely daydreaming a few romantic scenes, a situation that left the playwright far from happy. Nevertheless, the success of The Seven Year Itch, opened the door for Axelrod as a screenwriter. He did a fine adaptation of William Inge's play Bus Stop (1956) again starring Marilyn Monroe, and did a splendid job transferring Truman Capote's lovely Breakfast at Tiffany's (1961). Although his relationship with the director Blake Edwards was rancorous at best, it did earn Axelrod his only Academy Award nomination. So frustrated with his work being so heavily revised by Hollywood, that Axelrod decided to move from New York to Los Angeles, where he could more closely monitor the treatment of his scripts. It was around this period that Axelrod developed some his best work since he began producing as well as writing: the incisive, scorchingly subversive cold war thriller The Manchurian Candidate (1962), based on Richard Condon's novel about an American POW (Laurence Harvey) who returns home and is brainwashed to kill a powerful politician; the urbane comedy Paris When it Sizzles (1964) that showed off its stars William Holden and Audrey Hepburn at their sophisticated best; his directorial debut with the remarkable (if somewhat undisciplined) satire Lord Love a Duck (1966) that skewers many sacred institutions of American culture (marriage, school, wealth, stardom) and has since become a cult favorite for midnight movie lovers; and finally (his only other directorial effort) a gentle comedy of wish fulfillment The Secret Life of an American Wife (1968) that gave Walter Matthau one of his most sympathetic roles. By the '70s, Axelrod retired quietly in Los Angeles. He returned to write one fine screenplay, John Mackenzie's slick political thriller The Fourth Protocol (1987) starring Michael Caine. He is survived by his sons Peter, Steven, and Jonathan; a daughter Nina; seven grandchildren; and a sister, Connie Burdick. by Michael T. Toole

Quotes

Trivia

In the Italian version Virna Lisi's character is Greek.

Notes

Filmed on location in New York City.

Miscellaneous Notes

Released in United States Winter January 1, 1965

Released in United States Winter January 1, 1965