Death Rides a Horse


1h 55m 1969
Death Rides a Horse

Brief Synopsis

A young gunman rides for vengeance against the crooks who killed his family.

Photos & Videos

Film Details

Also Known As
Da uomo a uomo
MPAA Rating
Genre
Western
Release Date
Jan 1969
Premiere Information
Denver, Colorado, opening: 25 Jun 1969
Production Company
P. E. C.
Distribution Company
United Artists
Country
Italy

Technical Specs

Duration
1h 55m
Sound
Mono
Color
Color (Technicolor)
Theatrical Aspect Ratio
2.35 : 1

Synopsis

The sole survivor of his family's massacre by outlaws, 5-year-old Bill plans revenge. Fortified by memories of the rapes of his sister and mother, the boy devotes the ensuing 15 years to marksmanship. Fixed in his mind are the murderer's distinguishing characteristics, including a gypsy earring, a tattoo representing four aces, a skull necklace, and an unusual spur. As the moment of reckoning approaches, Bill's antagonist, Ryan, is released from prison, having served a 15-year sentence for armed robbery. Framed by his former fellows, the embittered Ryan, assisted by Bill, systematically slays the assassins. During the final retributive murder, however, the youth espies the skull about the outlaw's neck. Bound by honor, the orphan insists on a duel. When Ryan participates with an empty pistol, Bill is unable to shoot his former adversary, however, and the two go their separate ways.

Photo Collections

Death Rides a Horse - Movie Poster
Death Rides a Horse - Movie Poster

Film Details

Also Known As
Da uomo a uomo
MPAA Rating
Genre
Western
Release Date
Jan 1969
Premiere Information
Denver, Colorado, opening: 25 Jun 1969
Production Company
P. E. C.
Distribution Company
United Artists
Country
Italy

Technical Specs

Duration
1h 55m
Sound
Mono
Color
Color (Technicolor)
Theatrical Aspect Ratio
2.35 : 1

Articles

Death Rides a Horse


On a stormy night, bandits break into an isolated farmhouse and murder the farmer and rape his wife before killing her as well. The only survivor is Bill, the farm couple's small child. Flash forward fifteen years and the boy is now a hardened, revenge-obsessed man still in search of the men who committed the foul deed. A plan begins to take shape once Bill befriends a bounty hunter named Ryan who teaches him the 'art of the pistol.' Together they track down the bandit gang while, during the journey, clues to Ryan's dark past are slowly revealed.

Death Rides a Horse (1968) is an excellent example of the overlooked Italian "Spaghetti" western ­ a diamond in the rough which deserves more attention than it has received. Made toward the end of the 'spaghetti Western' phenomena, it embodied the best elements of the genre and, among fans, it's considered a highly polished, exciting, and beautifully staged film. It is distinguished by three important elements: a beautiful score by the legendary Ennio Morricone which primarily utilizes voices, chants, and choral effects, a typically tough and understated performance by the great Lee Van Cleef who conveys more meaning and character detail through a simple gesture like squinting his eyes than most action stars, and the great storytelling skills of director Giulio Petroni who uses the widescreen as a painter would a canvas.

While all of these contributed to the success of Death Rides A Horse, perhaps the film's greatest asset was the skilled writing of Luciano Vincenzoni. A renown scenarist in the Italian cinema, Vincenzoni was responsible for the screenplays of a number of Sergio Leone's best films including For a Few Dollars More (1967) and Duck You Sucker(1971), as well as arguably the greatest 'spaghetti Western' ever made ­ The Good, The Bad, and The Ugly(1966). Vincenzoni was to Italy what Borden Chase was to American Westerns of the 50's ­ a poet of the lost soul finding revenge and redemption on the Western frontier. Some critics could easily accuse the writer of recycling elements from his previous films in Death Rides A Horse. What's easier to overlook are some of the thematic concerns this writer continually developed through the genre, especially with respect to issues of the importance of family and blood ties. Though Vincenzoni found his greatest expressionist in Sergio Leone in the mid 60's, it is clear that the director still has haunting, fascinating, and compelling stories to tell through such directors as Rene Clement (Wanted: Babysitter, 1975), Sergio Corbucci (Il Conte Tacchia, 1982), and most recently, Giuseppe Tornatore, for whom he wrote the story of Malena, an Oscar nominee in the 2000 Academy Awards race.

Producer: Henryk Chrosicki, Alfonso Sansone
Director: Giulio Petroni
Screenplay: Luciano Vincenzoni
Production Design: Rosa Gristina
Cinematography: Carlo Carlini
Costume Design: Enzo Bulgarelli
Film Editing: Eraldo Da Roma
Original Music:Ennio Morricone
Principal Cast: John Phillip Law (Bill), Lee Van Cleef (Ryan), Mario Brega (One-Eye), Luigi Pistilli (Wolcott), Anthony Dawson (Manina).
C-115m. Letterboxed.

By Richard Steiner

Death Rides A Horse

Death Rides a Horse

On a stormy night, bandits break into an isolated farmhouse and murder the farmer and rape his wife before killing her as well. The only survivor is Bill, the farm couple's small child. Flash forward fifteen years and the boy is now a hardened, revenge-obsessed man still in search of the men who committed the foul deed. A plan begins to take shape once Bill befriends a bounty hunter named Ryan who teaches him the 'art of the pistol.' Together they track down the bandit gang while, during the journey, clues to Ryan's dark past are slowly revealed. Death Rides a Horse (1968) is an excellent example of the overlooked Italian "Spaghetti" western ­ a diamond in the rough which deserves more attention than it has received. Made toward the end of the 'spaghetti Western' phenomena, it embodied the best elements of the genre and, among fans, it's considered a highly polished, exciting, and beautifully staged film. It is distinguished by three important elements: a beautiful score by the legendary Ennio Morricone which primarily utilizes voices, chants, and choral effects, a typically tough and understated performance by the great Lee Van Cleef who conveys more meaning and character detail through a simple gesture like squinting his eyes than most action stars, and the great storytelling skills of director Giulio Petroni who uses the widescreen as a painter would a canvas. While all of these contributed to the success of Death Rides A Horse, perhaps the film's greatest asset was the skilled writing of Luciano Vincenzoni. A renown scenarist in the Italian cinema, Vincenzoni was responsible for the screenplays of a number of Sergio Leone's best films including For a Few Dollars More (1967) and Duck You Sucker(1971), as well as arguably the greatest 'spaghetti Western' ever made ­ The Good, The Bad, and The Ugly(1966). Vincenzoni was to Italy what Borden Chase was to American Westerns of the 50's ­ a poet of the lost soul finding revenge and redemption on the Western frontier. Some critics could easily accuse the writer of recycling elements from his previous films in Death Rides A Horse. What's easier to overlook are some of the thematic concerns this writer continually developed through the genre, especially with respect to issues of the importance of family and blood ties. Though Vincenzoni found his greatest expressionist in Sergio Leone in the mid 60's, it is clear that the director still has haunting, fascinating, and compelling stories to tell through such directors as Rene Clement (Wanted: Babysitter, 1975), Sergio Corbucci (Il Conte Tacchia, 1982), and most recently, Giuseppe Tornatore, for whom he wrote the story of Malena, an Oscar nominee in the 2000 Academy Awards race. Producer: Henryk Chrosicki, Alfonso Sansone Director: Giulio Petroni Screenplay: Luciano Vincenzoni Production Design: Rosa Gristina Cinematography: Carlo Carlini Costume Design: Enzo Bulgarelli Film Editing: Eraldo Da Roma Original Music:Ennio Morricone Principal Cast: John Phillip Law (Bill), Lee Van Cleef (Ryan), Mario Brega (One-Eye), Luigi Pistilli (Wolcott), Anthony Dawson (Manina). C-115m. Letterboxed. By Richard Steiner

Quotes

If you're going to follow somebody, youngster, do a better job of it. This world is full of nervous characters. They'd shoot you in the back first, and then introduce themselves.
- Ryan

Trivia

Notes

Anthony Dawson is a pseudonym for Antonio Margheriti. Opened in Rome in September 1967 as Da uomo a uomo.

Miscellaneous Notes

Released in United States 1967

dubbed

Techniscope

Released in United States 1967