Carve Her Name With Pride


1h 59m 1958
Carve Her Name With Pride

Brief Synopsis

When her husband is killed in World War II, an Englishwoman risks her life as a spy.

Film Details

Genre
Suspense/Mystery
Adaptation
Drama
Spy
War
Release Date
1958

Technical Specs

Duration
1h 59m
Color
Black and White
Theatrical Aspect Ratio
1.66 : 1

Synopsis

A tragic and heroic story in which a London shopgirl whose French officer husband is killed in action, enlists as a British agent and is captured by the Germans. Based on a true story.

Film Details

Genre
Suspense/Mystery
Adaptation
Drama
Spy
War
Release Date
1958

Technical Specs

Duration
1h 59m
Color
Black and White
Theatrical Aspect Ratio
1.66 : 1

Articles

Carve Her Name With Pride


In the 1950s, more than a decade after the devastation and carnage of World War II, the movie-going public developed a strange, almost nostalgic fascination for the most minute details of those tumultuous years. Suddenly, wartime-themed movies appeared with great rapidity on both sides of the Atlantic. Pictures like Mister Roberts (1955), Kings Go Forth (1958) and The Young Lions (1958) are but a few of the dozens of titles dealing with the war and its immediate aftermath that were produced during this period. As profitable as these movies were in the States, their popularity in England was even greater, particularly after the runaway success of The Bridge on the River Kwai (1957), which guaranteed international distribution for narratives addressing the war in any way, shape or form.

As true-life stories of British heroism became declassified, the public became ravenous for more authentic tales of espionage, intrigue and sabotage. The Man Who Never Was (1956), The One That Got Away (1957) and I Was Monty's Double (1958) are but three of the many successful British war movies based on true events during this period. Perhaps the most memorable of all was Carve Her Name With Pride in 1958, a harrowing yet moving account of English patriot Violette Bushell Szabo.

Based on a best-selling biography by R.J. Minney, the film superbly depicted the saga of Szabo, an English woman widowed when her French husband is killed in North Africa. Approached by the British secret service to work in the resistance, she underwent vigorous training, triumphantly completing several important missions while displaying that legendary British "We Can Take It" pluck. Szabo's eventual capture, torture, incarceration in a prison camp and death practically made her a modern day saint. Carve Her Name With Pride is a realistic re-creation of this extraordinary individual's life, directed in a tense, spine-tingling narrative style by Lewis Gilbert (who also co-wrote the screenplay).

Gilbert, who began as a child actor in such famed English comedies as The Divorce of Lady X (1938), served in the R.A.F. himself during the war as a documentary filmmaker. After a stint as an A.D. (assistant director), Gilbert graduated to director status with the charming The Little Ballerina (1951). While adept at comedies and romances, Gilbert found his forte with dramatic thrillers like The Good Die Young (1954) and action films with a war or military theme like the docu-drama The Sea Shall Not Have Them (1954), Reach For the Sky (1956), and Sink the Bismarck! (1960). Carve Her Name With Pride demonstrated the director's affinity for the spy genre, which he would return to in 1967 when he helmed his first James Bond film, You Only Live Twice (1967), followed by The Spy Who Loved Me (1977) and Moonraker (1979).

Of course, the marvelous cast of Carve Her Name With Pride has much to do with the movie's continuing appeal more than forty years after its acclaimed debut. Paul Scofield, justifiably revered for his Oscar-winning tour de force in A Man For All Seasons (1966), is featured as Szabo's confidante; in addition, the wonderful French actor Maurice Ronet makes one of his earliest appearances while true movie buffs can rejoice in spotting Billie Whitelaw and Michael Caine at the dawn of their celebrated careers. But it is the hands down brilliant performance of Virginia McKenna as the concurrently tragic/victorious heroine that makes Carve Her Name With Pride linger in one's memory long after the film is over.

Best known for her role opposite Elsa the Lioness in the much-beloved classic Born Free (1966), McKenna has enjoyed a lengthy, distinguished career in British film, stage and television - occasionally co-starring with her late husband, Bill Travers (The Barretts of Wimpole Street, The Smallest Show on Earth - both released in 1957 - and the aforementioned Born Free). McKenna had already displayed her talent for portraying brave, strong yet vulnerable women in the graphic A Town Like Alice (1956) - the story of brutality in a Japanese-run female internment camp during WWII - thus making her a natural for the real life Szabo in Carve Her Name With Pride. The subsequent accolades and kudos she received for her bravura performance is one reason the film remains the actress's favorite film: "There are some roles you can put out of your mind the moment you get home. But not this one. It's the part of a lifetime." McKenna's continuing connection and dedication to the movie and to Szabo's memory recently resulted in her opening a Violette Szabo Museum in Hereford, which interested TCM viewers can access via www.violette-szabo-museum.com.uk

Producer: Daniel M. Angel
Director: Lewis Gilbert
Screenplay: Lewis Gilbert, Vernon Harris, based on the book by R.J. Minney
Cinematography: John Wilcox
Costume Design: Phyllis Dalton
Film Editing: John Shirley
Original Music: William Alwyn
Principal Cast: Virginia McKenna (Violette Szabo), Paul Scofield (TroyFraser), Jack Warner (Mr. Bushell), Denise Grey (Mrs. Bushell), Maurice Ronet (Jacques), Alain Saury (Etienne Szabo), Billie Whitelaw (Winnie), Anne Leon (Lillian Rolfe), Sydney Tafler (Potter), Michael Caine (Extra).
BW-119m.

by Mel Neuhaus

Carve Her Name With Pride

Carve Her Name With Pride

In the 1950s, more than a decade after the devastation and carnage of World War II, the movie-going public developed a strange, almost nostalgic fascination for the most minute details of those tumultuous years. Suddenly, wartime-themed movies appeared with great rapidity on both sides of the Atlantic. Pictures like Mister Roberts (1955), Kings Go Forth (1958) and The Young Lions (1958) are but a few of the dozens of titles dealing with the war and its immediate aftermath that were produced during this period. As profitable as these movies were in the States, their popularity in England was even greater, particularly after the runaway success of The Bridge on the River Kwai (1957), which guaranteed international distribution for narratives addressing the war in any way, shape or form. As true-life stories of British heroism became declassified, the public became ravenous for more authentic tales of espionage, intrigue and sabotage. The Man Who Never Was (1956), The One That Got Away (1957) and I Was Monty's Double (1958) are but three of the many successful British war movies based on true events during this period. Perhaps the most memorable of all was Carve Her Name With Pride in 1958, a harrowing yet moving account of English patriot Violette Bushell Szabo. Based on a best-selling biography by R.J. Minney, the film superbly depicted the saga of Szabo, an English woman widowed when her French husband is killed in North Africa. Approached by the British secret service to work in the resistance, she underwent vigorous training, triumphantly completing several important missions while displaying that legendary British "We Can Take It" pluck. Szabo's eventual capture, torture, incarceration in a prison camp and death practically made her a modern day saint. Carve Her Name With Pride is a realistic re-creation of this extraordinary individual's life, directed in a tense, spine-tingling narrative style by Lewis Gilbert (who also co-wrote the screenplay). Gilbert, who began as a child actor in such famed English comedies as The Divorce of Lady X (1938), served in the R.A.F. himself during the war as a documentary filmmaker. After a stint as an A.D. (assistant director), Gilbert graduated to director status with the charming The Little Ballerina (1951). While adept at comedies and romances, Gilbert found his forte with dramatic thrillers like The Good Die Young (1954) and action films with a war or military theme like the docu-drama The Sea Shall Not Have Them (1954), Reach For the Sky (1956), and Sink the Bismarck! (1960). Carve Her Name With Pride demonstrated the director's affinity for the spy genre, which he would return to in 1967 when he helmed his first James Bond film, You Only Live Twice (1967), followed by The Spy Who Loved Me (1977) and Moonraker (1979). Of course, the marvelous cast of Carve Her Name With Pride has much to do with the movie's continuing appeal more than forty years after its acclaimed debut. Paul Scofield, justifiably revered for his Oscar-winning tour de force in A Man For All Seasons (1966), is featured as Szabo's confidante; in addition, the wonderful French actor Maurice Ronet makes one of his earliest appearances while true movie buffs can rejoice in spotting Billie Whitelaw and Michael Caine at the dawn of their celebrated careers. But it is the hands down brilliant performance of Virginia McKenna as the concurrently tragic/victorious heroine that makes Carve Her Name With Pride linger in one's memory long after the film is over. Best known for her role opposite Elsa the Lioness in the much-beloved classic Born Free (1966), McKenna has enjoyed a lengthy, distinguished career in British film, stage and television - occasionally co-starring with her late husband, Bill Travers (The Barretts of Wimpole Street, The Smallest Show on Earth - both released in 1957 - and the aforementioned Born Free). McKenna had already displayed her talent for portraying brave, strong yet vulnerable women in the graphic A Town Like Alice (1956) - the story of brutality in a Japanese-run female internment camp during WWII - thus making her a natural for the real life Szabo in Carve Her Name With Pride. The subsequent accolades and kudos she received for her bravura performance is one reason the film remains the actress's favorite film: "There are some roles you can put out of your mind the moment you get home. But not this one. It's the part of a lifetime." McKenna's continuing connection and dedication to the movie and to Szabo's memory recently resulted in her opening a Violette Szabo Museum in Hereford, which interested TCM viewers can access via www.violette-szabo-museum.com.uk Producer: Daniel M. Angel Director: Lewis Gilbert Screenplay: Lewis Gilbert, Vernon Harris, based on the book by R.J. Minney Cinematography: John Wilcox Costume Design: Phyllis Dalton Film Editing: John Shirley Original Music: William Alwyn Principal Cast: Virginia McKenna (Violette Szabo), Paul Scofield (TroyFraser), Jack Warner (Mr. Bushell), Denise Grey (Mrs. Bushell), Maurice Ronet (Jacques), Alain Saury (Etienne Szabo), Billie Whitelaw (Winnie), Anne Leon (Lillian Rolfe), Sydney Tafler (Potter), Michael Caine (Extra). BW-119m. by Mel Neuhaus

Quotes

Trivia

The London Transport, double-decker bus was borrowed from the London Transport museum and fitted with "anti-blast" netting on the windows and "blackout" covers on the headlamps. It was driven by John Kirkup who worked as a fitter for London Transport.

Wildfrid Bonnin, the public health inspector for the London Borough of Lambeth, went to inspect the mobile canteen catering for 100 workers on location. He was pleasantly surprised to discover what they were filming as he used to be an air raid warden with Violette's father.

After firing machine guns, jumping from a parachute training platform, spending weeks learning unarmed combat, wading through an ice cold lake at night, spending many hours doing physical jerks and cross country runs, there was one thing that made actress Virginia McKenna scream with terror: a cockroach in a pile of vegetables.

Virginia McKenna lost 5 pounds in the 92 days she spent filming.

Of the 92 days she spent filming, actress Virginia McKenna only had two days off from the rigorous schedule which included getting up at 5:30 each morning. The two days off were to marry Bill Travers and have a very brief honeymoon.

Miscellaneous Notes

Released in United States Winter January 1, 1958

Released in United States Winter January 1, 1958