The Boss


1h 29m 1956

Brief Synopsis

A crusading politician falls prey to the temptations of power.

Film Details

Genre
Drama
Release Date
Oct 1956
Premiere Information
Omaha, NE opening: 22 Aug 1956; Des Moines, IA opening: 23 Aug 1956; Los Angeles opening: 10 Oct 1956
Production Company
Seltzer Films, Inc.; Window Productions, Inc.
Distribution Company
United Artists Corp.
Country
United States

Technical Specs

Duration
1h 29m
Color
Black and White
Theatrical Aspect Ratio
1.37 : 1

Synopsis

At the end of World War I, Tim Brady greets his brother Matt, who has returned home a captain. Tim, who is the political boss of the city's fourth ward, has reared the much younger Matt, but the two are constantly at odds. That night, when a quarrel turns into a barroom brawl between Matt and his friend Robert Herrick, Tim has them thrown out. While Bob, who is entering law school, suggests to Matt that a lot of money could be made in town, Matt suddenly realizes that he is very late for a date with his sweetheart, Elsie Reynolds, and asks Bob, who also likes Elsie, to come with him to explain what happened. When Elsie refuses to open her door, Matt becomes enraged and threatens to break it down. After she opens the door, Matt continues his tirade, saying he was going to propose but now wants nothing to do with her. Later, Matt is sitting at a diner when he sees a man drop some unpaid punch card tickets onto a table occupied by plain-looking Lorry Reed. When Lorry pays for her meal, the waiter thinks she has tried to discard the tickets to avoid paying for them. He threatens to call the police, but Matt intervenes and knocks him out. Lorry lets Matt escort her out, but protests that she is not pretty enough when he assumes that she is a streetwalker. Matt drunkenly says she is pretty, insisting he would not marry anyone who was not. Realizing Matt is suggesting they get married, the bewildered Lorry tries to dissuade him, but acquiesces when Matt cruelly asks what she would have to lose. Awakening the next morning, Matt sees Lorry sleeping and regrets his impulsiveness. He goes to Bob to tell him what happened and asks him to apologize for him to Elsie. Back in his room, just after Lorry awakens and apologizes to Matt for not stopping their marriage, Tim arrives and angrily says he will handle things because they will be divorced within two weeks. Matt screams that there will never be a divorce and grabs his brother, threatening to kill him. Sadly admitting that he has not been a good surrogate father for Matt, Tim leaves. A few minutes later, the desk clerk comes to the door and tells Matt that his brother Tim has just dropped dead in the lobby. Within a few years, Matt, who is now the boss of the entire city, stands alongside Governor Beck when the city's new Union Station is dedicated to Tim. Meanwhile, Lorry, who has come to love the unresponsive Matt, is home alone. That afternoon, Matt warns petty criminal Johnny Mazia, the son of an old family friend, to stay out of trouble. When Matt arranges to have pending charges against Johnny dropped, a grateful Johnny gives Matt a tip on a horse that enables Matt to win thousands of dollars. That same day, Bob returns to town after completing law school. Although Bob has married Elsie, Matt does not hold a grudge and easily convinces his friend to become his lawyer. While Bob is in Matt's office, Matt coerces cement factory owner Roy Millard into selling Matt half of the interest in the business in exchange for making sure that the company gets lucrative city contracts. That night, Matt gives an expensive diamond necklace to Lorry, who is surprised and happy until she learns that he has invited Bob and Elsie to dinner and wants to impress Elsie. After an uncomfortable evening, Lorry tells Matt that she will give him a divorce so he can marry Elsie. He snaps that he will never divorce her, and when she says that she will divorce him because she cannot live without love, he threatens to have her committed to an insane asylum if she mentions it again. As the years pass, Matt and Bob's wealth increases, and Bob is made state insurance commissioner. When he tells Matt about a multi-million-dollar bond that the insurance companies want returned to them, Matt tells him to return it all, as he does not want the government after them. Roy then calls Matt to come to the cement works. There Matt is greeted by Roy's brother Stanley, a crusading newspaper editor who wants to break up the city's political machine. He demands that Matt buy Roy's half interest in the business and is surprised when Matt tells him to name his price. Later, Matt laughs about the incident with Bob, telling him that Stanley named a price far less than the business was actually worth. Before Matt can come up with the money, though, the stock market crashes, leaving him broke, with huge gambling debts. Lorry tries to comfort Matt, but he again rejects her. Desperate for money, Matt makes a deal with Johnny, who is now a powerful gangster wanting to expand his operations. Some time later, Johnny tells Matt that his underling Lazetti has been arrested in Arkansas and is likely to talk to the authorities in Washington. Johnny suggests taking Lazetti when he and federal agents are changing trains at Union Station. Matt agrees, but orders Johnny not to involve sadistic henchman Stitch, and not hurt anyone. When the ambush takes place, however, Stitch and Johnny's other henchman draw machine guns and kill many people, including innocent bystanders. Learning of the slaughter, Matt is furious and gives Johnny forty-eight hours to give Stitch up to the police. Later, Matt gets a call from Elsie, who is worried because Bob has not come home. When Stitch calls to inform Matt that they have taken Bob hostage and demands that Matt meet them at the cement works, Matt goes to the police station. There Chief Hillary is surrounded by Stanley and several other civic leaders, who tell Matt he is through. Hillary offers Matt protection, knowing he is in danger for coming to the police, but Matt refuses. He then goes to the cement works to meet Johnny, and agrees to all of Johnny's terms, giving him seventy-five percent of the business in exchange for Bob's safe return. As Johnny leaves, he sees the police and runs up the factory's staircases, shooting at Matt, who is in pursuit. When Johnny's gun is empty, he and Matt scuffle until Johnny falls to his death. Soon Stanley, now a special prosecutor, indicts Matt. During his trial, Bob shocks Matt by taking the stand for the prosecution and testifying that Matt took over a million dollars of the insurance bond money. Matt protests Bob's lies, but is convicted of fraud. Out on a bond paid by Lorry, Matt returns home. Lorry tells him that Bob was never his friend, but Matt defends him, saying that the truth would have been as bad as the lies. When Lorry says she is leaving him because he has never loved her, Matt kisses her, but it is too late. As Matt enters prison, he is a broken man.

Film Details

Genre
Drama
Release Date
Oct 1956
Premiere Information
Omaha, NE opening: 22 Aug 1956; Des Moines, IA opening: 23 Aug 1956; Los Angeles opening: 10 Oct 1956
Production Company
Seltzer Films, Inc.; Window Productions, Inc.
Distribution Company
United Artists Corp.
Country
United States

Technical Specs

Duration
1h 29m
Color
Black and White
Theatrical Aspect Ratio
1.37 : 1

Articles

The Boss


World War I veteran Matt Brady (John Payne) returns home and is given a government job by his brother Tim (Roy Roberts), boss of a local political machine. During a drinking binge, Matt alienates his fiancee and impulsively marries a complete stranger, angering his brother in the process. After Tim passes away from a heart attack, Matt assumes control of the political machine, his influence eventually reaching across the entire state. However, his ruthlessness and mob ties bode ill for his political survival.

The Boss (1956) is based on the historic figure of Thomas J. Pendergast (1872-1945). Born in a small town in Missouri, he came to Kansas City to work for his brother Jim, who controlled the local Democratic Party. After his brother's death, he built an impressive financial empire with companies such as Ready Mixed Concrete, which were naturally awarded lucrative government contracts. Pendergast's control over large blocks of votes enabled him to push through favored political candidates. No less than a future President of the United States, Harry S. Truman, benefited from Pendergast's support when he was elected to the Senate in 1934. While Pendergast no doubt profited immensely from his corrupt regime, in some respects the rest of Kansas City did as well. Its economy was not hit nearly as hard by the Great Depression as many other major cities, thanks in part to the well-oiled machine Pendergast operated. He was finally brought down in 1939, when a tip-off to a bribe resulted in a massive investigation by the Internal Revenue Service and a fifteen-month prison sentence for Pendergast, thus ending the career of one of the most powerful political bosses of the era. The book The Kansas City Investigation (1999), a recently discovered first-hand account of the IRS case, was written by investigating agent Rudolph H. Hartmann.

Established screenwriter Ben Perry allowed his name to be used in order to provide a cover for Dalton Trumbo (1905-1976), who was still subject to the blacklist. As one of the "Hollywood Ten," Trumbo was sentenced to several months in jail for refusing to testify before the House Un-American Activities Committee and was subsequently blacklisted by the film industry. After living in Mexico for a period of time, he returned to the US, writing a number of scripts under pseudonyms, mostly for lower-budget and independent productions. The first of these was The Boss. Things came to a head when, as "Robert Rich," he won an Academy Award for Best Screenplay for The Brave One (1956), thus embarrassing the entire industry. By 1960 he at last received proper screen credits for his work in Spartacus and Exodus, making him the first screenwriter to publicly defeat the blacklist.

Today director Byron Haskin (1899-1984) is perhaps best known for his science fiction and action films, most notably the Walt Disney production of Treasure Island (1950), The War of the Worlds (1953), From the Earth to the Moon (1958) and Robinson Crusoe on Mars (1964). Starting out as a newsreel cameraman after World War I, he became a cinematographer for feature films, including John Barrymore vehicles such as Don Juan (1926), then directed a few films of his own before returning to cinematography and special effects work, arguably his greatest strength. His development of the triple head background projector while working in the special effects department at Warner Brothers earned him a special Academy Award in 1938. He also received four nominations for his special effects work on The Private Lives of Elizabeth and Essex (1939), The Sea Hawk (1940), The Sea Wolf (1941) and Desperate Journey (1942). Although Haskin was not usually known as an actor's director, The Boss proved to be a triumphant showcase for John Payne, who gives one of his strongest performances here. Interestingly enough, Payne also co-produced and co-wrote the screenplay.

Director: Byron Haskin
Producer: Frank N. Seltzer, John Payne
Screenplay: Ben L. Perry (Dalton Trumbo), John Payne
Cinematography: Hal Mohr
Music: Albert Glasser
Editor: Ralph Dawson
Cast: John Payne (Matt Brady), William Bishop (Bob Herrick), Gloria McGehee (Lorry Reed), Doe Avedon (Elsie Reynolds), Roy Roberts (Tim Brady).
BW-90m.

by James Steffen

The Boss

The Boss

World War I veteran Matt Brady (John Payne) returns home and is given a government job by his brother Tim (Roy Roberts), boss of a local political machine. During a drinking binge, Matt alienates his fiancee and impulsively marries a complete stranger, angering his brother in the process. After Tim passes away from a heart attack, Matt assumes control of the political machine, his influence eventually reaching across the entire state. However, his ruthlessness and mob ties bode ill for his political survival. The Boss (1956) is based on the historic figure of Thomas J. Pendergast (1872-1945). Born in a small town in Missouri, he came to Kansas City to work for his brother Jim, who controlled the local Democratic Party. After his brother's death, he built an impressive financial empire with companies such as Ready Mixed Concrete, which were naturally awarded lucrative government contracts. Pendergast's control over large blocks of votes enabled him to push through favored political candidates. No less than a future President of the United States, Harry S. Truman, benefited from Pendergast's support when he was elected to the Senate in 1934. While Pendergast no doubt profited immensely from his corrupt regime, in some respects the rest of Kansas City did as well. Its economy was not hit nearly as hard by the Great Depression as many other major cities, thanks in part to the well-oiled machine Pendergast operated. He was finally brought down in 1939, when a tip-off to a bribe resulted in a massive investigation by the Internal Revenue Service and a fifteen-month prison sentence for Pendergast, thus ending the career of one of the most powerful political bosses of the era. The book The Kansas City Investigation (1999), a recently discovered first-hand account of the IRS case, was written by investigating agent Rudolph H. Hartmann. Established screenwriter Ben Perry allowed his name to be used in order to provide a cover for Dalton Trumbo (1905-1976), who was still subject to the blacklist. As one of the "Hollywood Ten," Trumbo was sentenced to several months in jail for refusing to testify before the House Un-American Activities Committee and was subsequently blacklisted by the film industry. After living in Mexico for a period of time, he returned to the US, writing a number of scripts under pseudonyms, mostly for lower-budget and independent productions. The first of these was The Boss. Things came to a head when, as "Robert Rich," he won an Academy Award for Best Screenplay for The Brave One (1956), thus embarrassing the entire industry. By 1960 he at last received proper screen credits for his work in Spartacus and Exodus, making him the first screenwriter to publicly defeat the blacklist. Today director Byron Haskin (1899-1984) is perhaps best known for his science fiction and action films, most notably the Walt Disney production of Treasure Island (1950), The War of the Worlds (1953), From the Earth to the Moon (1958) and Robinson Crusoe on Mars (1964). Starting out as a newsreel cameraman after World War I, he became a cinematographer for feature films, including John Barrymore vehicles such as Don Juan (1926), then directed a few films of his own before returning to cinematography and special effects work, arguably his greatest strength. His development of the triple head background projector while working in the special effects department at Warner Brothers earned him a special Academy Award in 1938. He also received four nominations for his special effects work on The Private Lives of Elizabeth and Essex (1939), The Sea Hawk (1940), The Sea Wolf (1941) and Desperate Journey (1942). Although Haskin was not usually known as an actor's director, The Boss proved to be a triumphant showcase for John Payne, who gives one of his strongest performances here. Interestingly enough, Payne also co-produced and co-wrote the screenplay. Director: Byron Haskin Producer: Frank N. Seltzer, John Payne Screenplay: Ben L. Perry (Dalton Trumbo), John Payne Cinematography: Hal Mohr Music: Albert Glasser Editor: Ralph Dawson Cast: John Payne (Matt Brady), William Bishop (Bob Herrick), Gloria McGehee (Lorry Reed), Doe Avedon (Elsie Reynolds), Roy Roberts (Tim Brady). BW-90m. by James Steffen

Quotes

Trivia

Notes

The film opens with the following written prologue: "The boss is a creature of no political party. He appears in the wake of public apathy fostering crime and corruption. Years ago an outraged citizenry arose against him. Only you, a vigilant people, can combat the menace of a boss." Although Ben L. Perry was credited onscreen and in reviews with the original story and screenplay, according to an August 2000 Hollywood Reporter news item, Perry was a front for blacklisted writer Dalton Trumbo. Trumbo's writing credit was officially restored by the WGA in August 2000.
       According to copyright records, noted Washington political columnist Drew Pearson narrated part of the film's theatrical trailer, stating: "This is Drew Pearson speaking: The Boss is celluloid dynamite. Powerful interests, whose names would amaze you, have tried to prevent you from seeing it. I helped expose the story upon which it is based-I know this corruption did take place. I predict this picture will create the year's biggest screen sensation."
       As noted in the Variety review, the character portrayed by John Payne, "Matt Brady," was a "thinly veiled" version of Kansas City political boss Tom Pendergast (1872-1945). Pendergast was one of the most powerful political bosses in the United States. Just as dramatized in the film, Pendergast assumed leadership of the local political scene when his older brother died. A high stakes gambler, Pendergast was sent to prison for fifteen months after not paying taxes on a bribe received to cancel his gambling debts. After his time in prison, Pendergast retired and lived in obscurity until his death a few years later.
       "Ernie Jackson," the character portrayed by Joe Flynn, was a fictionalized representation of President Harry S. Truman, who was backed by Pendergast for Congress in 1934. Although a August 2, 1956 Hollywood Reporter news item reported that, at the request of United Artists, producers Frank and Walter Seltzer were eliminating all scenes featuring the character, those scenes were included in the print viewed and were mentioned by most reviewers. Flynn wore glasses and a bowtie, which enhanced his resemblance to Truman. It is possible that some of the film's dialogue, which mentioned Jackson's honesty and refusal to bend to pressure from Brady, were intended to deflect criticism that the film showed the former president in a bad light through his association with the big-city boss.
       Hollywood Reporter news items noted that the film was shot on a closed set at the Samuel Goldwyn Studios. Other news items in mid to late August 1956 noted that Mayor Rowe Bartle of Kansas City refused to approve a benefit premiere of The Boss in his city. The mayor was quoted as saying that the film "depicts a not too proud area of the city." The article noted the Seltzers' contention that "bossism" should be exposed and that the general public should be able to decide what they want to see. Other news items noted that the mayor of Omaha, NE, where the film first opened, tried unsuccessfully to make the manager of the local theater cancel the screening of The Boss. Subsequent news items noted that the film did very well at the box office at its Omaha and Des Moines openings.
       The Boss marked the motion picture debut of Gloria McGhee, who had previously acted only on television. The film also marked the final performance of actor John Mansfield, who portrayed "Lazetti." Mansfield, who was thirty-seven, died of a heart attack on September 17, 1956. According to a Daily Variety news item, The Boss was the first production manager credit for Carrol Sax, who had been studio manager at Warner Bros. for twenty years, since moving to Selzter Films. Modern sources include the following cast members: Stuart Holmes, Frank McGrath, Fred Aldrich, Gertrude Astor, James Back, Jack Chefe, Sol Gorss, Tom Greenway, Maurice Manson, Harold Miller, Dorothy Neumann, James Nolan, Stafford Repp, John Rogers, Jack Stoney, Brick Sullivan and Charles Sullivan.