Critic's Choice


1h 40m 1963
Critic's Choice

Brief Synopsis

A Broadway critic must write a negative review about his wife's play.

Film Details

Genre
Comedy
Adaptation
Release Date
Jan 1963
Premiere Information
San Francisco opening: 3 Apr 1963
Production Company
Warner Bros. Pictures
Country
United States
Screenplay Information
Based on the play Critic's Choice by Ira Levin (New York, 14 Dec 1960).

Technical Specs

Duration
1h 40m
Sound
Mono (RCA Sound System)
Color
Color (Technicolor)
Theatrical Aspect Ratio
2.35 : 1

Synopsis

Broadway drama critic Parker Ballantine is horrified when his wife, Angela, announces that she wants to write a play about her mother and her four zany sisters. Although Parker calls the completed script a disaster, Angela manages to find both a producer and director. While the play is in Boston for tryouts, the nervous Angela begs Parker to disqualify himself as a critic. After quarreling with Angela over director Dion's attentions to her, Parker gets drunk with his ex-wife Ivy, and staggers into the theater. The reviews are all unfavorable, and Parker's is the most vitriolic. The wounded Angela threatens to leave with Dion, but Parker affects a reconciliation by apologizing for his behavior--but not his review--and persuading his wife that he still loves her.

Film Details

Genre
Comedy
Adaptation
Release Date
Jan 1963
Premiere Information
San Francisco opening: 3 Apr 1963
Production Company
Warner Bros. Pictures
Country
United States
Screenplay Information
Based on the play Critic's Choice by Ira Levin (New York, 14 Dec 1960).

Technical Specs

Duration
1h 40m
Sound
Mono (RCA Sound System)
Color
Color (Technicolor)
Theatrical Aspect Ratio
2.35 : 1

Articles

Critic's Choice


In their fourth and last film together, Critic's Choice (1963), comedy legends Bob Hope and Lucille Ball play a married couple. He's a theater critic and she's a fledging playwright who tries to discourage her husband from reviewing her first play. The film was adapted from Ira Levin's play of the same name, which opened in New York on December 14, 1960, with Henry Fonda in the lead role. It was based on the real-life playwright Jean Kerr and her critic-husband Walter.

The filming of Critic's Choice began in March 1962, not long after Lucille Ball had divorced husband Desi Arnaz and married comic Gary Morton. During the shooting, she shuttled between the Las Vegas Dunes hotel for weekends and flew to Houston to watch Morton perform at the Shamrock. The set itself was like a Vegas nightclub with all the celebrities who wanted to come and watch Ball and Hope. Peter Lawford, his wife Pat Kennedy, and his mother, the Duchess of Devonshire, were among them. Kennedy and columnist Walter Winchell were given bit parts in the film but visitor's hours had to be established to maintain the shooting schedule.

Hope and Ball worked well together. As Kathleen Brady wrote, "[T]he public took it for granted that they were personal friends, as were [George] Burns and [Jack] Benny or [Bob] Hope and [Bing] Crosby. Now that Desi would no longer do as her escort, whenever she appeared on television and needed to be paired at the podium with a male star, chiefly at the Academy Awards shows, Hope's would be the arm she took. They were the Annette and Frankie of the D-Day generation, and as such they inspired wild cheering. They liked each other enormously and they were delighted with the effect they had together on audiences. 'We were friends because we had such success together, and that means a lot.' Bob Hope said. 'We never had a romance. Nothing after hours. That's how close we were.'"

Despite the chemistry of the co-stars, Critic's Choice was not a box-office success when it opened on April 3, 1963. The studio had put it on the shelf for months after the audience reaction at preview screenings was so disastrous. By 1963, Ball had a new television series and the studio released the film to capitalize on it. It didn't help. The film performed poorly at the box-office. Real-life critics blamed the script, which had Hope and Ball arguing throughout. The New York Daily News noted, "Most of the picture's running time is taken up with the couple's quarrels and these are not conductive to laughter," while The New York Times blamed director Don Weis, "[who] has tried to upholster the shaky plot with slapstick and broad burlesque. Both stars, old hands at this sort of thing, go through their paces with benign good humor, but their subtler comic talents remain untapped."

Producer: Frank P. Rosenberg
Director: Don Weis
Screenplay: Jack Sher; Ira Levin (play)
Cinematography: Charles Lang
Art Direction: Edward Carrere
Music: George Duning
Film Editing: William H. Ziegler
Cast: Bob Hope (Parker Ballantine), Lucille Ball (Angela Ballantine), Marilyn Maxwell (Ivy London), Rip Torn (Dion Kapakos), Jessie Royce Landis (Charlotte Orr aka Charlie), John Dehner (S.P. Champlain), Jim Backus (Dr. William Von Hagedorn), Ricky Kelman (John Ballantine), Dorothy Green (Mrs. Margaret Champlain), Marie Windsor (Sally Orr), Evan McCord (Philip 'Phil' Yardley), Joan Shawlee (Marge Orr), Richard Deacon (Harvey Rittenhouse), Jerome Cowan (Joe Rosenfield).
C-100m.

by Lorraine LoBianco

SOURCES:
The AFI Catalog of Feature Films
Brady, Kathleen Lucille: The Life of Lucille Ball
De La Hoz, Cindy Lucy at the Movies
Kanfer, Stefan Ball of Fire: the Tumultuous Life and Comic Art of Lucille Ball
Quirk, Lawrence J. Bob Hope: The Road Well Traveled
Critic's Choice

Critic's Choice

In their fourth and last film together, Critic's Choice (1963), comedy legends Bob Hope and Lucille Ball play a married couple. He's a theater critic and she's a fledging playwright who tries to discourage her husband from reviewing her first play. The film was adapted from Ira Levin's play of the same name, which opened in New York on December 14, 1960, with Henry Fonda in the lead role. It was based on the real-life playwright Jean Kerr and her critic-husband Walter. The filming of Critic's Choice began in March 1962, not long after Lucille Ball had divorced husband Desi Arnaz and married comic Gary Morton. During the shooting, she shuttled between the Las Vegas Dunes hotel for weekends and flew to Houston to watch Morton perform at the Shamrock. The set itself was like a Vegas nightclub with all the celebrities who wanted to come and watch Ball and Hope. Peter Lawford, his wife Pat Kennedy, and his mother, the Duchess of Devonshire, were among them. Kennedy and columnist Walter Winchell were given bit parts in the film but visitor's hours had to be established to maintain the shooting schedule. Hope and Ball worked well together. As Kathleen Brady wrote, "[T]he public took it for granted that they were personal friends, as were [George] Burns and [Jack] Benny or [Bob] Hope and [Bing] Crosby. Now that Desi would no longer do as her escort, whenever she appeared on television and needed to be paired at the podium with a male star, chiefly at the Academy Awards shows, Hope's would be the arm she took. They were the Annette and Frankie of the D-Day generation, and as such they inspired wild cheering. They liked each other enormously and they were delighted with the effect they had together on audiences. 'We were friends because we had such success together, and that means a lot.' Bob Hope said. 'We never had a romance. Nothing after hours. That's how close we were.'" Despite the chemistry of the co-stars, Critic's Choice was not a box-office success when it opened on April 3, 1963. The studio had put it on the shelf for months after the audience reaction at preview screenings was so disastrous. By 1963, Ball had a new television series and the studio released the film to capitalize on it. It didn't help. The film performed poorly at the box-office. Real-life critics blamed the script, which had Hope and Ball arguing throughout. The New York Daily News noted, "Most of the picture's running time is taken up with the couple's quarrels and these are not conductive to laughter," while The New York Times blamed director Don Weis, "[who] has tried to upholster the shaky plot with slapstick and broad burlesque. Both stars, old hands at this sort of thing, go through their paces with benign good humor, but their subtler comic talents remain untapped." Producer: Frank P. Rosenberg Director: Don Weis Screenplay: Jack Sher; Ira Levin (play) Cinematography: Charles Lang Art Direction: Edward Carrere Music: George Duning Film Editing: William H. Ziegler Cast: Bob Hope (Parker Ballantine), Lucille Ball (Angela Ballantine), Marilyn Maxwell (Ivy London), Rip Torn (Dion Kapakos), Jessie Royce Landis (Charlotte Orr aka Charlie), John Dehner (S.P. Champlain), Jim Backus (Dr. William Von Hagedorn), Ricky Kelman (John Ballantine), Dorothy Green (Mrs. Margaret Champlain), Marie Windsor (Sally Orr), Evan McCord (Philip 'Phil' Yardley), Joan Shawlee (Marge Orr), Richard Deacon (Harvey Rittenhouse), Jerome Cowan (Joe Rosenfield). C-100m. by Lorraine LoBianco SOURCES: The AFI Catalog of Feature Films Brady, Kathleen Lucille: The Life of Lucille Ball De La Hoz, Cindy Lucy at the Movies Kanfer, Stefan Ball of Fire: the Tumultuous Life and Comic Art of Lucille Ball Quirk, Lawrence J. Bob Hope: The Road Well Traveled

Quotes

For the record, Sisters Three was written by Angela Ballantine, directed by Dion Kapakos, and produced by mistake.
- John Ballantine

Trivia

Miscellaneous Notes

Released in United States 1963

Released in United States 1963