The White Raven


1917

Brief Synopsis

A young woman swears revenge on the man who left her father destitute in the Alaska gold fields. She tracks him to the opera houses of New York, where he is a director. She becomes an opera star (!) and uses his infatuation with her to secure financial secrets with which to ruin him. But the man's daughter and a mysterious stranger combine to disrupt her plans.

Film Details

Genre
Drama
Release Date
Jan 15, 1917
Premiere Information
not available
Production Company
Rolfe Photoplays, Inc.
Distribution Company
Metro Pictures Corp.
Country
United States

Technical Specs

Sound
Silent
Color
Black and White
Film Length
5 reels

Synopsis

Nan Baldwin, the daughter of a former Wall Street broker who was ruined by his partner, John Blaisdell, supports herself by singing in an Alaskan saloon under the name "The White Raven." Desperate to get away from her present surroundings and resume her studies of music, Nan offers to sell herself to the winner of a card game at a thousand dollars a hand. She is won by a stranger, who permits her to leave with the gold on the condition that she become his when she has realized her ambition as a singer. Nan journeys to New York where her voice wins her fame on the operatic stage and allows her the opportunity to avenge her father. While in New York, Nan falls in love with a young man, but refuses to marry him because of her bargain with the stranger in Alaska. Her goals accomplished, Nan returns to Alaska and awaits the coming of the stranger to claim her. To her surprise, the young man to whom she had lost her heart in New York enters, shows her the I.O.U. and then destroys it. Thus, Nan finds that the payment of herself is the realization of her own desires.

Film Details

Genre
Drama
Release Date
Jan 15, 1917
Premiere Information
not available
Production Company
Rolfe Photoplays, Inc.
Distribution Company
Metro Pictures Corp.
Country
United States

Technical Specs

Sound
Silent
Color
Black and White
Film Length
5 reels

Quotes

Trivia

Notes

In the 1918 MPSD, Beekman Mitchell lists this film among his credits, but it is not clear in what capacity he worked, as he was both a cameraman and still photographer.