Salt & Pepper


1h 41m 1968
Salt & Pepper

Brief Synopsis

Two nightclub owners investigate the murder of a secret agent found in their apartment.

Film Details

Genre
Comedy
Spy
Release Date
Jan 1968
Premiere Information
Baltimore opening: 31 Jul 1968
Production Company
Chrislaw Productions; Trace--Mark Productions
Distribution Company
United Artists
Country
United States

Technical Specs

Duration
1h 41m
Sound
Mono (RCA Victor System)
Color
Color (DeLuxe)

Synopsis

Charles Salt and Christopher Pepper, owners of a Soho gambling club, find themselves in trouble when a man and a Chinese woman are murdered on their premises. Implicated in the killings by an anonymous tipster, Salt and Pepper are questioned by Scotland Yard Inspector Crabbe, who has often harassed them for minor violations at their club. Finally released, they are kidnaped by Colonel Balsom of the British Secret Service. After informing them that the murdered woman was a British agent, the colonel also questions the two men, but to no avail. When Salt and Pepper find the woman's diary which contains the names of four men marked for murder, they decide to solve the case themselves. Despite their efforts, three of the men are murdered, and an attempt is made on their own lives by Colonel Woodstock, a madman who is masterminding a plot to overthrow the British government by threatening nuclear warfare. Salt and Pepper discover this plot when they are abducted and taken aboard a landlocked submarine. They escape and go to Colonel Balsom; but the three men return only to find the submarine gone, and Balsom begins to doubt their sanity. Later, at their club, Marianne, who is a party to the conspiracy, is about to kill Pepper when Salt bursts in and shoots her. Uncovering the conspirators' secret headquarters at the War Museum, Salt and Pepper commandeer an ancient army tank and manage to dispose of the enemy. The two heroes are then brought to Buckingham Palace where they are knighted by the queen.

Film Details

Genre
Comedy
Spy
Release Date
Jan 1968
Premiere Information
Baltimore opening: 31 Jul 1968
Production Company
Chrislaw Productions; Trace--Mark Productions
Distribution Company
United Artists
Country
United States

Technical Specs

Duration
1h 41m
Sound
Mono (RCA Victor System)
Color
Color (DeLuxe)

Articles

Salt & Pepper - Salt and Pepper


Though Peter Lawford's good standing in the Frank Sinatra-led "Rat Pack" was a thing of the past by 1968, he and Sammy Davis, Jr. remained sufficiently bonded to pursue a co-starring, co-produced project that would tap the sub-genre of spy spoofs that were so prevalent in the era, from fellow Rat Pack alum Dean Martin's Matt Helm series to the James Coburn-headlined Flint films. The result, Salt & Pepper (1968), is expectedly burdened with its middle-aged stars' efforts to vest it with Swinging-London hipness, but there are sufficient entertaining elements to render the film worth a look.

The screenplay crafted by British film comedy vet Michael Pertwee (It Started in Naples [1960], The Mouse on the Moon [1963], A Funny Thing Happened on the Way to the Forum [1966]) respectively casts Davis and Lawford as Charles Salt and Christopher Pepper, best friends and co-owners of the eponymous gambling club that's currently Soho's trendiest nightspot. Encroaching on the booze, broads and good times, however, is the small matter of a double murder of an unidentified man and woman on the premises, for which the bobbies initially finger Charlie and Chris. After the pair's release, they tip to the fact that the female victim was a member of the British Secret Service, and they discover a diary that had been in her possession naming four individuals targeted for assassination.

The too-curious entrepreneurs take it upon themselves to do their own amateur sleuthing, and they find themselves on a corpse-laden trail leading to an outrageous scheme to overthrow the British government via nuclear blackmail. The slapstick snowballs as the duo race to undo the conspiracy and rescue the empire. Salt & Pepper represented an early venture into feature direction for Richard Donner; while handling the proceedings competently enough, he'd ultimately return to episodic TV until the success of The Omen (1976) vaulted him to the A-list. The film does have its share of worthwhile supporting performances as well, notably Michael Bates as the police inspector that the pair run afoul of and John Le Mesurier as the traitorous mastermind.

Davis took substantial flak from cultural critics from his heyday through the present over the subservient posture he took in the Rat Pack's stage and screen efforts. However, as an African-American performer with a significant mainstream profile in an era when Jim Crow was very much alive and well, he frequently had to endure racist slurs and threats of the vilest stripe, and he never forgot how the Pack had his back, the perception of a hostile element of the paying public be damned. Reflecting on his November 1960 wedding to Swedish actress May Britt in his 1989 memoir Why Me?, Davis recalled that for Sinatra "to state, 'This is my friend and in your ear if you don't like it,' means putting in jeopardy everything he'd worked for, lost and regained, and must fight to hold on to. It was not a minor thing for Frank to be my best man, nor for Peter and Pat, the President's sister and brother-in-law, to be in the wedding party."

In the 1988 memoir The Peter Lawford Story, Patricia Seaton, the actor's fourth and last wife, recounted how Lawford "was disgusted as he explained to me that racial prejudice was so great that when he and the others went gambling, Peter had to take Sammy's money and play for him as Sammy directed. It was a combination of bigoted paternalism and irrational fear, yet whatever the cause, the result was great pain and daily humiliation... [Peter] simply accepted Sammy as he would anyone, disregarding so superficial a matter as the color of his skin, yet playing along with the charade of gambling for him. It was the only way they could function while in Las Vegas."

Salt & Pepper did well enough for Davis and Lawford to reprise their roles two years later, in One More Time (1970). Notable chiefly for being Jerry Lewis' sole non-starring directing assignment, the sequel, despite the return of Salt and Pepper, couldn't keep the critical and box-office response from being bland, and the era of the Rat Pack films would go dormant for a decade until Davis and Martin joined the ensemble of the Burt Reynolds car comedy The Cannonball Run (1981). Sinatra and Shirley MacLaine were also on hand for Cannonball Run II (1984), the last film on both Sinatra and Martin's resumes.

Producer: Milton Ebbins
Director: Richard Donner
Screenplay: Michael Pertwee
Cinematography: Ken Higgins
Art Direction: Don Mingaye
Music: John Dankworth
Film Editing: Jack Slade
Cast: Sammy Davis, Jr. (Charles Salt), Peter Lawford (Christopher Pepper), Michael Bates (Inspector Crabbe), Ilona Rodgers (Marianne Renaud), John Le Mesurier (Col. Woodstock), Graham Stark (Sgt. Walters), Ernest Clark (Col. Balsom), Jeanne Roland (Mai Ling), Robert Dorning (Club secretary), Robertson Hare (Dove).
C-102

by Jay Steinberg
Salt & Pepper - Salt And Pepper

Salt & Pepper - Salt and Pepper

Though Peter Lawford's good standing in the Frank Sinatra-led "Rat Pack" was a thing of the past by 1968, he and Sammy Davis, Jr. remained sufficiently bonded to pursue a co-starring, co-produced project that would tap the sub-genre of spy spoofs that were so prevalent in the era, from fellow Rat Pack alum Dean Martin's Matt Helm series to the James Coburn-headlined Flint films. The result, Salt & Pepper (1968), is expectedly burdened with its middle-aged stars' efforts to vest it with Swinging-London hipness, but there are sufficient entertaining elements to render the film worth a look. The screenplay crafted by British film comedy vet Michael Pertwee (It Started in Naples [1960], The Mouse on the Moon [1963], A Funny Thing Happened on the Way to the Forum [1966]) respectively casts Davis and Lawford as Charles Salt and Christopher Pepper, best friends and co-owners of the eponymous gambling club that's currently Soho's trendiest nightspot. Encroaching on the booze, broads and good times, however, is the small matter of a double murder of an unidentified man and woman on the premises, for which the bobbies initially finger Charlie and Chris. After the pair's release, they tip to the fact that the female victim was a member of the British Secret Service, and they discover a diary that had been in her possession naming four individuals targeted for assassination. The too-curious entrepreneurs take it upon themselves to do their own amateur sleuthing, and they find themselves on a corpse-laden trail leading to an outrageous scheme to overthrow the British government via nuclear blackmail. The slapstick snowballs as the duo race to undo the conspiracy and rescue the empire. Salt & Pepper represented an early venture into feature direction for Richard Donner; while handling the proceedings competently enough, he'd ultimately return to episodic TV until the success of The Omen (1976) vaulted him to the A-list. The film does have its share of worthwhile supporting performances as well, notably Michael Bates as the police inspector that the pair run afoul of and John Le Mesurier as the traitorous mastermind. Davis took substantial flak from cultural critics from his heyday through the present over the subservient posture he took in the Rat Pack's stage and screen efforts. However, as an African-American performer with a significant mainstream profile in an era when Jim Crow was very much alive and well, he frequently had to endure racist slurs and threats of the vilest stripe, and he never forgot how the Pack had his back, the perception of a hostile element of the paying public be damned. Reflecting on his November 1960 wedding to Swedish actress May Britt in his 1989 memoir Why Me?, Davis recalled that for Sinatra "to state, 'This is my friend and in your ear if you don't like it,' means putting in jeopardy everything he'd worked for, lost and regained, and must fight to hold on to. It was not a minor thing for Frank to be my best man, nor for Peter and Pat, the President's sister and brother-in-law, to be in the wedding party." In the 1988 memoir The Peter Lawford Story, Patricia Seaton, the actor's fourth and last wife, recounted how Lawford "was disgusted as he explained to me that racial prejudice was so great that when he and the others went gambling, Peter had to take Sammy's money and play for him as Sammy directed. It was a combination of bigoted paternalism and irrational fear, yet whatever the cause, the result was great pain and daily humiliation... [Peter] simply accepted Sammy as he would anyone, disregarding so superficial a matter as the color of his skin, yet playing along with the charade of gambling for him. It was the only way they could function while in Las Vegas." Salt & Pepper did well enough for Davis and Lawford to reprise their roles two years later, in One More Time (1970). Notable chiefly for being Jerry Lewis' sole non-starring directing assignment, the sequel, despite the return of Salt and Pepper, couldn't keep the critical and box-office response from being bland, and the era of the Rat Pack films would go dormant for a decade until Davis and Martin joined the ensemble of the Burt Reynolds car comedy The Cannonball Run (1981). Sinatra and Shirley MacLaine were also on hand for Cannonball Run II (1984), the last film on both Sinatra and Martin's resumes. Producer: Milton Ebbins Director: Richard Donner Screenplay: Michael Pertwee Cinematography: Ken Higgins Art Direction: Don Mingaye Music: John Dankworth Film Editing: Jack Slade Cast: Sammy Davis, Jr. (Charles Salt), Peter Lawford (Christopher Pepper), Michael Bates (Inspector Crabbe), Ilona Rodgers (Marianne Renaud), John Le Mesurier (Col. Woodstock), Graham Stark (Sgt. Walters), Ernest Clark (Col. Balsom), Jeanne Roland (Mai Ling), Robert Dorning (Club secretary), Robertson Hare (Dove). C-102 by Jay Steinberg

Quotes

Trivia

Notes

Copyright length: 110 min. Location scenes filmed in London. Released in Great Britain in 1968. Sequel: One More Time, q. v.

Miscellaneous Notes

Released in United States Summer July 1968

Released in United States Summer July 1968