Doctor, You've Got To Be Kidding


1h 34m 1967
Doctor, You've Got To Be Kidding

Brief Synopsis

Four suitors pursue a pregnant singer to the maternity ward.

Film Details

Also Known As
This way out, please, Three for a wedding
Genre
Comedy
Adaptation
Release Date
Jan 1967
Premiere Information
New York opening: 10 May: Apr 1967
Production Company
Trident Productions
Distribution Company
Metro-Goldwyn-Mayer, Inc.
Country
United States
Screenplay Information
Based on the novel Three for a Wedding by Patte Wheat Mahan (New York, 1965).

Technical Specs

Duration
1h 34m
Sound
Mono (Westrex Recording System)
Color
Color (Metrocolor)
Theatrical Aspect Ratio
2.35 : 1

Synopsis

Ever since childhood, Heather Halloran's ambitious mother, Louise, has tried to push her daughter into a stage career. But Heather is content to be a secretary with a college degree. Content, that is, until her conceited boss, Harlan Wycliff, voices his contempt for her singing and dancing talents. To the delight of her mother and three of her suitors--neighbor Dick Bender, musician Pat Murad, and would-be actor Hank Judson--Heather auditions for, and gets, a nightclub singing contract. On the day of her opening, however, she and Harlan decide they are in love and Heather fails to make her debut. The romance soon runs into trouble, and Heather once more plunges into rehearsals. Although she does make an appearance this time, she faints before singing a note. She is rushed to a hospital and discovered to be pregnant. All three of her suitors offer to become her husband, but fortunately, Harlan has a street accident and arrives at the hospital in time to marry Heather before she is wheeled into the delivery room.

Film Details

Also Known As
This way out, please, Three for a wedding
Genre
Comedy
Adaptation
Release Date
Jan 1967
Premiere Information
New York opening: 10 May: Apr 1967
Production Company
Trident Productions
Distribution Company
Metro-Goldwyn-Mayer, Inc.
Country
United States
Screenplay Information
Based on the novel Three for a Wedding by Patte Wheat Mahan (New York, 1965).

Technical Specs

Duration
1h 34m
Sound
Mono (Westrex Recording System)
Color
Color (Metrocolor)
Theatrical Aspect Ratio
2.35 : 1

Articles

Doctor, You've Got To Be Kidding


Doctor, You've Got to be Kidding! (1967) is in the mold of the slightly risqué Rock Hudson-Doris Day romantic comedies from earlier in the decade. The formula was dated by the middle of the Swinging 60s, but Sandra Dee's charm almost makes it work. Dee plays Heather, a perky girl with a pushy stage mama (Celeste Holm), three boring boyfriends, and a yen for her stuffy but sexy boss (George Hamilton). A misunderstanding follows a night of passion with the boss, and Heather finds herself pregnant and unwed, with three marriage proposals, but not the one she wants.

Former child model Dee had become a movie star as a teenager in the late 1950s, in such films as Gidget (1959) and A Summer Place (1959). She was one of the top ten moneymaking stars four years running, from 1960 through 1963. In 1960, her fan magazine popularity soared even higher when she met pop singer Bobby Darin during the production of Come September (1961), and married him after a whirlwind courtship. Their son, Dodd, was born a year later, and Dee's film's dwindled to about one a year.

By 1965, Dee was the last actress still under contract at Universal. A Man Could Get Killed (1966) was her last picture under her old contract. Under her new one, she would make two films a year for Universal, and she was free to make others elsewhere. Doctor, You've Got to be Kidding! was the first film under Dee's new, three-picture deal with MGM. Dee was pleased that she would sing and dance in the film, which she'd never done before. Her personal life, too, seemed to be happy, after some rocky patches. She and Darin had separated in 1963, but had reconciled. His nightclub career was booming, with electrifying performances in Las Vegas, Los Angeles and New York, and Dee and their son were ringside at all of them. Then, while she was in the middle of production on Doctor, You've Got to be Kidding!, Dee came home from the studio one night and found that Darin had moved out. A family friend called her and told her that her husband wanted a divorce.

Devastated, Dee carried on, but her emotional state affected her work. Soon after Darin left, she had to shoot a scene in which she slapped Bill Bixby, who played one of her suitors. Years later, she told her son that each time she tried to slap Bixby, her hand froze and she was unable to do so. "I was trying to keep my emotions under control, and it was almost impossible. I thought I was going to have a nervous breakdown." She told director Peter Tewksbury, "If I break down now, I'm not going to stop crying." She did the scene, and was so distraught that she walked off the set and went home. Later, she learned that she'd hit Bixby so hard that she'd given him a concussion. Dee and Darin were divorced in 1967.

By 1967, the fluffy films Dee had been known for had become passé, and Doctor, You've Got to be Kidding! was not a success. She made only a few more films, and an occasional television appearance. In 1991, Dee revealed in a magazine article that she had been sexually abused as a child, and suffered from anorexia and alcoholism. Sandra Dee died of kidney failure in February, 2005.

Director: Peter Tewksbury
Producer: Douglas Laurence
Screenplay: Phillip Shuke
Cinematography: Fred J. Koenekamp
Editor: Fredric Steinkamp
Art Direction: George W. Davis, Urie McCleary
Principal Cast: Sandra Dee (Heather Halloran), George Hamilton (Harlan Wycliff), Celeste Holm (Louise Halloran), Bill Bixby (Dick Bender), Dick Kallman (Pat Murad), Mort Sahl (Dan Ruskin), Dwayne Hickman (Hank), Allen Jenkins (Joe Bonney).
C-95m. Letterboxed.

by Margarita Landazuri
Doctor, You've Got To Be Kidding

Doctor, You've Got To Be Kidding

Doctor, You've Got to be Kidding! (1967) is in the mold of the slightly risqué Rock Hudson-Doris Day romantic comedies from earlier in the decade. The formula was dated by the middle of the Swinging 60s, but Sandra Dee's charm almost makes it work. Dee plays Heather, a perky girl with a pushy stage mama (Celeste Holm), three boring boyfriends, and a yen for her stuffy but sexy boss (George Hamilton). A misunderstanding follows a night of passion with the boss, and Heather finds herself pregnant and unwed, with three marriage proposals, but not the one she wants. Former child model Dee had become a movie star as a teenager in the late 1950s, in such films as Gidget (1959) and A Summer Place (1959). She was one of the top ten moneymaking stars four years running, from 1960 through 1963. In 1960, her fan magazine popularity soared even higher when she met pop singer Bobby Darin during the production of Come September (1961), and married him after a whirlwind courtship. Their son, Dodd, was born a year later, and Dee's film's dwindled to about one a year. By 1965, Dee was the last actress still under contract at Universal. A Man Could Get Killed (1966) was her last picture under her old contract. Under her new one, she would make two films a year for Universal, and she was free to make others elsewhere. Doctor, You've Got to be Kidding! was the first film under Dee's new, three-picture deal with MGM. Dee was pleased that she would sing and dance in the film, which she'd never done before. Her personal life, too, seemed to be happy, after some rocky patches. She and Darin had separated in 1963, but had reconciled. His nightclub career was booming, with electrifying performances in Las Vegas, Los Angeles and New York, and Dee and their son were ringside at all of them. Then, while she was in the middle of production on Doctor, You've Got to be Kidding!, Dee came home from the studio one night and found that Darin had moved out. A family friend called her and told her that her husband wanted a divorce. Devastated, Dee carried on, but her emotional state affected her work. Soon after Darin left, she had to shoot a scene in which she slapped Bill Bixby, who played one of her suitors. Years later, she told her son that each time she tried to slap Bixby, her hand froze and she was unable to do so. "I was trying to keep my emotions under control, and it was almost impossible. I thought I was going to have a nervous breakdown." She told director Peter Tewksbury, "If I break down now, I'm not going to stop crying." She did the scene, and was so distraught that she walked off the set and went home. Later, she learned that she'd hit Bixby so hard that she'd given him a concussion. Dee and Darin were divorced in 1967. By 1967, the fluffy films Dee had been known for had become passé, and Doctor, You've Got to be Kidding! was not a success. She made only a few more films, and an occasional television appearance. In 1991, Dee revealed in a magazine article that she had been sexually abused as a child, and suffered from anorexia and alcoholism. Sandra Dee died of kidney failure in February, 2005. Director: Peter Tewksbury Producer: Douglas Laurence Screenplay: Phillip Shuke Cinematography: Fred J. Koenekamp Editor: Fredric Steinkamp Art Direction: George W. Davis, Urie McCleary Principal Cast: Sandra Dee (Heather Halloran), George Hamilton (Harlan Wycliff), Celeste Holm (Louise Halloran), Bill Bixby (Dick Bender), Dick Kallman (Pat Murad), Mort Sahl (Dan Ruskin), Dwayne Hickman (Hank), Allen Jenkins (Joe Bonney). C-95m. Letterboxed. by Margarita Landazuri

Sandra Dee, 1944-2005


For a brief, quicksilver period of the early '60s, Sandra Dee was the quintessential sweet, perky, All-American girl, and films such as Gidget and Tammy Tell Me True only reinforced the image that young audiences identified with on the screen. Tragically, Ms. Dee died on February 20 at Los Robles Hospital and Medical Center in Thousand Oaks. She had been hospitalized for the last two weeks for treatment of kidney disease, and had developed pneumonia. She was 60.

She was born Alexandra Cymboliak Zuck on April 23, 1944 (conflicting sources give 1942, but the actual birth year has been verified by the family) in Bayonne, New Jersey. She was abandoned by her father by age five, and her mother, Mary Douvan, lied about Sandra's age so that she could put her in school and get a job. She was only five when she entered the 2nd grade. Mature for her age, Sandra's mother kept the lie going when she began her modeling career. With her fetching blonde curls and pretty face, Dee found herself moving up quickly on the modeling ladder. By the time she was 10, she was one of the top child models in the country, and by age 13, she met producer Ross Hunter, who signed her to a seven-year contract for Universal. She had her named changed to Sandra Dee (a stage name combining her shortened first name and using her stepfather's surname initial D to sign vouchers) and made her film debut in Until They Sail (1957), starring Joan Fontaine, John Gavin.

Her next film, The Reluctant Debutante, a bubbly romantic comedy with Rex Harrison, Kay Kendall and John Saxon, proved Dee to be adept in light comedy. Yet she would prove her versatility as a performer the following year - 1959, when she scored in the three biggest films of the year:A Summer Place, a brooding melodrama with fellow teen-heartthrob, Troy Donohue; Imitation of Life, a glossy, Ross Hunter sudser; and of course Gidget, the archetypical, sand and surf movie. By the dawn of the '60s, Sandra Dee mania ruled the movie fanzines worldwide.

Her personal life took a surprising turn when she hooked up with singer Bobby Darin. She met Darin in 1960 in Portofino, Italy, where they were both cast in Come September with Rock Hudson and Gina Lollobrigida as the older romantic couple. They eventually married and she gave birth to a son, Dodd Mitchell Darin in 1961. All the while, Dee still plugged away with a series of hit films over the next few years: Romanoff and Juliet a charming satirical comedy directed by Peter Ustinoff; Tammy Tell Me True with John Gavin (both 1961; If a Man Answers (1962) a surprisingly sharp comedy of manners with husband Bobby Darin; Tammy and the Doctor, another corn-fed entry that was her leading man's Peter Fonda's big break; and Take Her, She's Mine (1963), a rather strained generation-gap comedy with James Stewart.

Her success was not to last. By the late `60s, as "youth culture" movies became more confrontational and less frivolous with references to open sexuality and drugs in the American landscape, Dee's career began to peter out. Her few films of that period : Rosie, and Doctor, You've Got To Be Kidding (both 1967) were pretty dreadful and were disasters at the box-office; and her divorce from Bobby Darin that same year, put a dent in her personal life, so Dee wisely took a sabbatical from the limelight for a few years.

The '70s actually saw Dee improve as an actress. Although by no means a classic, her role as woman falling pray to a warlock (Dean Stockwell) who sexually and psychologically dominates her in the The Dunwich Horror (1970), was nothing short of startling. Yet despite her competency as actress, her career never regained its footing, and she appeared in only a few television movies later on: The Daughters of Joshua Cabe (1972), Fantasy Island (1977).

Dee resurfaced in 1991, when she gave an interview with People magazine about her personal demons: molestation by her stepfather, anorexia, drug use and alcoholism, that had haunted her her entire life. That same year, much to the delight of her fans, she resurfaced briefly when she starred in a stage production of Love Letters at the Beverly Hill's Canon Theatre with her friend and former co-star, John Saxon. Since she was diagnosed with throat cancer and kidney failure in 2000, Dee had been in and out of hospitals for her failing health. She is survived by her son Dodd; and two granddaughters -Alexa and Olivia.

by Michael T. Toole

Sandra Dee, 1944-2005

For a brief, quicksilver period of the early '60s, Sandra Dee was the quintessential sweet, perky, All-American girl, and films such as Gidget and Tammy Tell Me True only reinforced the image that young audiences identified with on the screen. Tragically, Ms. Dee died on February 20 at Los Robles Hospital and Medical Center in Thousand Oaks. She had been hospitalized for the last two weeks for treatment of kidney disease, and had developed pneumonia. She was 60. She was born Alexandra Cymboliak Zuck on April 23, 1944 (conflicting sources give 1942, but the actual birth year has been verified by the family) in Bayonne, New Jersey. She was abandoned by her father by age five, and her mother, Mary Douvan, lied about Sandra's age so that she could put her in school and get a job. She was only five when she entered the 2nd grade. Mature for her age, Sandra's mother kept the lie going when she began her modeling career. With her fetching blonde curls and pretty face, Dee found herself moving up quickly on the modeling ladder. By the time she was 10, she was one of the top child models in the country, and by age 13, she met producer Ross Hunter, who signed her to a seven-year contract for Universal. She had her named changed to Sandra Dee (a stage name combining her shortened first name and using her stepfather's surname initial D to sign vouchers) and made her film debut in Until They Sail (1957), starring Joan Fontaine, John Gavin. Her next film, The Reluctant Debutante, a bubbly romantic comedy with Rex Harrison, Kay Kendall and John Saxon, proved Dee to be adept in light comedy. Yet she would prove her versatility as a performer the following year - 1959, when she scored in the three biggest films of the year:A Summer Place, a brooding melodrama with fellow teen-heartthrob, Troy Donohue; Imitation of Life, a glossy, Ross Hunter sudser; and of course Gidget, the archetypical, sand and surf movie. By the dawn of the '60s, Sandra Dee mania ruled the movie fanzines worldwide. Her personal life took a surprising turn when she hooked up with singer Bobby Darin. She met Darin in 1960 in Portofino, Italy, where they were both cast in Come September with Rock Hudson and Gina Lollobrigida as the older romantic couple. They eventually married and she gave birth to a son, Dodd Mitchell Darin in 1961. All the while, Dee still plugged away with a series of hit films over the next few years: Romanoff and Juliet a charming satirical comedy directed by Peter Ustinoff; Tammy Tell Me True with John Gavin (both 1961; If a Man Answers (1962) a surprisingly sharp comedy of manners with husband Bobby Darin; Tammy and the Doctor, another corn-fed entry that was her leading man's Peter Fonda's big break; and Take Her, She's Mine (1963), a rather strained generation-gap comedy with James Stewart. Her success was not to last. By the late `60s, as "youth culture" movies became more confrontational and less frivolous with references to open sexuality and drugs in the American landscape, Dee's career began to peter out. Her few films of that period : Rosie, and Doctor, You've Got To Be Kidding (both 1967) were pretty dreadful and were disasters at the box-office; and her divorce from Bobby Darin that same year, put a dent in her personal life, so Dee wisely took a sabbatical from the limelight for a few years. The '70s actually saw Dee improve as an actress. Although by no means a classic, her role as woman falling pray to a warlock (Dean Stockwell) who sexually and psychologically dominates her in the The Dunwich Horror (1970), was nothing short of startling. Yet despite her competency as actress, her career never regained its footing, and she appeared in only a few television movies later on: The Daughters of Joshua Cabe (1972), Fantasy Island (1977). Dee resurfaced in 1991, when she gave an interview with People magazine about her personal demons: molestation by her stepfather, anorexia, drug use and alcoholism, that had haunted her her entire life. That same year, much to the delight of her fans, she resurfaced briefly when she starred in a stage production of Love Letters at the Beverly Hill's Canon Theatre with her friend and former co-star, John Saxon. Since she was diagnosed with throat cancer and kidney failure in 2000, Dee had been in and out of hospitals for her failing health. She is survived by her son Dodd; and two granddaughters -Alexa and Olivia. by Michael T. Toole

Quotes

Trivia

Notes

Working titles: Three for a Wedding and This Way Out, Please.

Miscellaneous Notes

Released in United States 1967

Released in United States 1967