Daniel Addes


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Annie (1982) -- (Movie Clip) President Roosevelt Called Three Times After a big musical number celebrating her arrival at the home of billionaire Oliver “Daddy” Warbucks (Albert Finney), Aileen Quinn (the “Little Orphan” title character) hides as the man makes his first appearance, confronting his aide Miss Farrell (Ann Reinking), in producer Ray Stark and director John Huston’s Annie, 1982.
Annie (1982) -- (Movie Clip) She's A Drunk! Hired orphanage boss Miss Hannigan (Carol Burnett) had assumed she was about to get busted for various drunken deeds but is much happier when she realizes Miss Farrell (Ann Reinking) represents a billionaire interested in temporary adoption, the title character (Aileen Quinn) volunteering, early in Annie, 1982.
Annie (1982) -- (Movie Clip) I Think I'm Gonna Like It Here A bigger-still production number, shot inside Wilson Hall, Monmouth University in Long Branch, NJ, John Huston directing with choreography by Arlene Phillips to a tune by Charles Strouse and Martin Charnin from the original Broadway hit, Aileen Quinn (title character) supported by Anne Reinking (as Miss Farrell) and other members of the Warbucks household, in Annie, 1982.
Anchorman: The Legend Of Ron Burgundy (2004) -- (Movie Clip) He Was Like A God The opening, from producer Judd Apatow and director Adam McKay, who co-wrote with star Will Ferrell, whose riffing in character carries through the opening credits, from the 2004 hit Anchorman: The Legend Of Ron Burgundy, also starring Christina Applegate and Steve Carell.
Anchorman: The Legend Of Ron Burgundy (2004) -- (Movie Clip) No Touching Of The Hair Or Face The famous fight scene, from the screenplay by director Adam McKay and star Will Ferrell, Ron Burgundy leads Brian, Champ and Brick (Paul Rudd, David Koechner, Steve Carrell) into a rumble with rivals led by Vince Vaughn, Luke Wilson, Tim Robbins and Ben Stiller, in Anchorman: The Legend Of Ron Burgundy, 2004.
Vigilante (1983) -- (Movie Clip) You Punks Make Me Sick! Brooklyn mom Vickie (Rutanya Alda) intervenes as Rico (Willie Colon) and his gang bash a gas station owner, while her husband Eddie (Robert Forster) hits a bar with his buddies (Fred Williamson, Joseph Carberry, Richard Bright), whom we know run a citizen’s vengeance gang, in Vigilante, 1983.
Thunderbirds Are Go (1968) -- (Movie Clip) Open, Phase One The "cast" (featuring co-writer and producer Sylvia Anderson as the voice of "Lady Penelope") is introduced in the slick opening to the first MGM ”Supermarionation" feature based on the hit TV Series of the same name, Thunderbirds Are Go, 1968.
Thunderbirds Are Go (1968) -- (Movie Clip) Zero-X The impressive yet interminable launch of the Zero-X mission to Mars is underway, via "Supermarionation,” in the first feature by Gerry and Sylvia Anderson, based on their TV series, Thunderbirds Are Go, 1968.
Thunderbirds Are Go (1968) -- (Movie Clip) Representing The Universal Mirror Secret Agent Lady Penelope (voiced by co-creator Sylvia Anderson) is assigned to support astro-entrepreneur Jeff Tracy (voiced by Peter Dyneley) and the Mars mission, meeting Travers (voiced by Paul Maxwell), in the first feature based on the puppet TV series, Thunderbirds Are Go, 1968.
Viking, The (1928) -- (Movie Clip) Protect Us, O Lord! Opening scenes in the picture distributed by MGM but produced by the Technicolor company to exhibit the new two-color process, with English nobleman Alwin (LeRoy Mason) minding his own business and Mum (Claire McDowell) until... in The Viking, 1928, starring Donald Crisp.
Viking, The (1928) -- (Movie Clip) How Much For This One? Home in Scandinavia after a raid on England, we meet slightly injured warrior Helga (Pauline Starke) and buddy Sigurd (Roy Alexander), buying slaves including Alwin (LeRoy Mason) for kicks, early in the Technicolor company's promotional vehicle The Viking, 1928.
Viking, The (1928) -- (Movie Clip) Court Of King Olaf Exposition here, as we learn there is a Viking King Olaf (Roy Stewart), who's not only a decent guy but Christian too, and Leif Ericsson (Donald Crisp), feared by plundering underlings in earlier scenes, is more into glory than pillage, in the Technicolor showcase feature The Viking, 1928.

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