Barbara Bach


About

Born
August 27, 1947

Biography

Model-turned-actress Barbara Bach's exotic looks allowed her to pass for characters of several different ethnicities, an asset further aided by her fluency in four languages. She received her big break and most lasting notoriety when chosen to be the newest Bond Girl for "The Spy Who Loved Me" (1977). One of the most striking women to grace the series, Bach's character also proved to be ...

Biography

Model-turned-actress Barbara Bach's exotic looks allowed her to pass for characters of several different ethnicities, an asset further aided by her fluency in four languages. She received her big break and most lasting notoriety when chosen to be the newest Bond Girl for "The Spy Who Loved Me" (1977). One of the most striking women to grace the series, Bach's character also proved to be pleasingly intelligent and capable. A key performer in the Bond pantheon, Bach memorably helped advance the evolution of the series' heroines from sex kittens to smart and strong women who existed on an equal plain with Britain's invincible superspy. However, in a major career disappointment, Shelley Hack was chosen over Bach as Kate Jackson's replacement on "Charlie's Angels" (ABC, 1976-1981) and Bach quickly found herself relegated to low-grade fare. A decorative role in "Caveman" (1981) introduced Bach to former Beatle Ringo Starr and a new chapter in her life as his wife. However, years of privilege and indolence led to rampant drug and alcohol abuse by both parties and a frightening instance of domestic violence that left her badly injured. The couple finally got their lives back on track after treatment and managed to stay true to their goal of sobriety. Bach ultimately stepped out of the spotlight, but was remembered fondly for her luminous beauty, which brightened her lesser work and received its most loving showcase in what many considered the best James Bond movie of the 1970s.

While her striking beauty suggested all manner of far off, exotic origins, Barbara Bach actually hailed from Queens, NY. Born Barbara Goldbach on Aug. 27, 1947 to an Austrian Jewish father and an Irish Catholic mother, she attended a Catholic all-girls school. Bach regarded herself as a tomboy, but her considerable beauty suggested career possibilities as a model, so she left her education behind at age 16 to work for the Ford Modeling Agency. The work took her overseas and she made her acting debut as Nausicaa in "The Odyssey" (RAI, 1968), an Italian miniseries depicting the adventures of mythical hero Ulysses. That same year, she married businessman Augusto Gregorini and the couple went on to have two children. Now living in Italy fulltime, Bach learned to speak Italian and made her feature film debut in the comedy "Mio padre Monsignore" ("My Father Monsignor") (1971). She continued her filmography in fare like "Stateline Motel" (1973) and "Street Law" (1974), and was the female lead in "The Legend of Sea Wolf" (1975), a local adaptation of Jack London's classic novel, The Sea Wolf. Regardless, Bach's primary function in these movies was to serve as eye candy, with little in the way of acting challenges. On the personal front, she and Gregorini split up in 1975 and eventually divorced.

Although she had been working steadily in European features and television commercials, Bach's career took a major upswing when she won the role of seductive Russian agent Anya Amasova in "The Spy Who Loved Me" (1977). The previous 007 installment, "The Man with the Golden Gun" (1974), had been a box office disappointment, so it was decided to cut back a little on the campiness and bring back more of the large scale adventure seen during the Sean Connery period. The series' trademark innuendo and inherent sexism remained present - her code name was Agent XXX, no less - but Amasova was clearly Bond's equal and also outwitted him more than once. That sort of intelligence and ingenuity had been greatly lacking from recent Bond Girls and the change in direction helped to keep her character palatable to audiences in later years. Bach was not always up to the dramatic demands of the part and her Russian accent was less than convincing, but there was definite chemistry between her and Moore. Critics and fans largely agreed and a number expressed the belief that Bach was the most beautiful woman to have ever graced the series. That year, Bach's admirers were able to see even more of her via the first of several appearances she made in Playboy.

Having gained momentum from the Bond picture, the now multilingual Bach followed up with an uncharacteristic role as a partisan in "Force 10 from Navarone" (1978), but the latter day sequel to "The Guns of Navarone" (1961) flopped and she quickly found herself back in embarrassing Italian cheapies like "Island of the Fishmen" (1979). A trip to Hollywood to audition as Kate Jackson's replacement on "Charlie's Angels" (ABC, 1976-1981) ended in disappointment when the producers decided that Bach was too sophisticated and similar in appearance to Jaclyn Smith. The job was instead given to blonde, all-American model Shelley Hack, who went over poorly with viewers and was replaced after a single season. While stateside, Bach starred in the somewhat effective horror thriller "The Unseen" (1980), which, unfortunately, lived up to its title when the movie unspooled to mostly empty seats. Her sexy supporting turn in "Mad Magazine Presents Up the Academy" (1980) did little to help the film, which was a critical and financial bust that even Mad went out of its way to disown.

Bach's next Hollywood picture was another lowbrow comedy that did not perform much better, but the supremely campy "Caveman" (1981) turned out to be a game-changer in her life. Former Beatle Ringo Starr, who was still dabbling in acting at the time, was the project's headliner and he and Bach quickly fell in love on the set. Their bond was further solidified following a major car crash in which the two were lucky enough to escape with only minor injuries. In the wake of their subsequent marriage, Bach began to step away from show business, taking a small role in Paul McCartney's elaborate musical fantasy feature "Give My Regards to Broad Street" (1984), but doing little else as she and Starr had pledged to only accept projects where they worked together. A large amount of leisure time for the couple led to much substance abuse, with great amounts of alcohol and cocaine consumed. Starr also regularly indulged in other drugs and sometimes broke out in a violent rage. During one such instance, he severely beat Bach before blacking out. This incident finally prompted them to seek help and in the fall of 1988, Bach and Starr spent six weeks in an Arizona detoxification facility. While many celebrities relapse after similar treatment, the pair successfully kicked their respective habits and remained drug and alcohol free. In the wake of her recovery, Bach founded S.H.A.R.P. (Self Help Addiction Recovery Program) and furthered her education by attaining a Master's degree in Psychology from UCLA in 1993. She spent the ensuing years involved in various charitable endeavors and 31 years after first gracing the pages of Playboy, she posed again for the magazine in 2008.

By John Charles

Life Events

Videos

Movie Clip

Spy Who Loved Me, The (1977) -- (Movie Clip) We All Make Mistakes, Mr. Bond In Egypt, cooperating in chasing the microfilm snatched by “Jaws” (Richard Kiel), though it’s not clear why he’s posing as a phone repair man, or why he’s gone back to the archeological site, Bond (Roger Moore) and Soviet Major Asamova (a.k.a. Agent XXX, Barbara Bach, born Goldbach, in Queens, NY, deploying her universally convincing accent), still in evening garb, have some trouble getting away, in The Spy Who Loved Me, 1977.
Spy Who Loved Me, The (1977) -- (Movie Clip) I'll Assign Our Best Agent Before the credits and even before the action opening, after a British submarine seems to vanish, the Russians get similar news (via Walter Gotell as Gen. Gogol)and activate Agent XXX (with a twist, Barbara Bach) and the Brits (via M and Moneypenny, Bernard Lee and Lois Maxwell) summon Bond (Roger Moore), in The Spy Who Loved Me, 1977.
Spy Who Loved Me, The (1977) -- (Movie Clip) Nobody Does It Better, Credits Only just beginning the true action-opening after six minutes, Roger Moore as 007, (maybe?) not knowing he’s been betrayed by his lover is pursued by unspecified assailants on skis from an Austrian Alpine hideaway, in a segment said to have caused Prince Charles to stand and applaud at a private screening, leading to the credits and hit semi-title song, by Carole Bayer Sager and Marvin Hamlisch, performed by Carly Simon, in The Spy Who Loved Me, 1977.
Spy Who Loved Me, The (1977) -- (Movie Clip) What A Helpful Chap In Cairo looking for Fekkish, who’s said to have links to the diabolical Stromberg, Bond (Roger Moore) encounters the unlucky Felicca (Olga Bisera) whom he flips in no time, but still has to deal with thug Sandor (Milton Reid), also terminally, in The Spy Who Loved Me, 1977.
Spy Who Loved Me, The (1977) -- (Movie Clip) Handsome But Deadly Speedboating from Sardinia escorted by voluptuous aide Naomi (Caroline Munro), Bond (Roger Moore) and Soviet ally Major Asamova (Barbara Bach) are posing as a marine biology researcher and wife, as an alibi to visit the outrageous Atlantis facility and it’s evil creator Stromberg (Curt Jurgens), in The Spy Who Loved Me, 1977.
Spy Who Loved Me, The (1977) -- (Movie Clip) To Defend Himself Against Death At the narrated light show at the Pyramids at Giza, Bond arrives seeking Fekkish (Nadim Sawalha), who’s already been apprehended by Soviet Agent XXX (Barbara Bach, a.k.a. Major Amasova), but who now flees Jaws (Richard Kiel, who represents the true villain, Stromberg), to little result, in The Spy Who Loved Me, 1977.
Candy Snatchers, The (1973) -- (Movie Clip) It Was On Television The kidnappers (Vincent Martorano, Tiffany Bolling, Brad David) finish burying the title character and we meet young Sean (Christophe Trueblood), who seems to live in the Hollywood Hills with his redneck-ish mom Audrey (Bonnie Boland), in the low-budget thriller The Candy Snatchers, 1973.

Bibliography