Harry Wagstaff Gribble - Turner Classic Movies

Biography

Read More

Harry Wagstaff Gribble worked on a variety of projects during his entertainment career. Gribble worked on a variety of projects during his early entertainment career, including "A Bill of Divorcement" (1932) and "Madame Racketeer" (1932) starring Alison Skipworth. Gribble also appeared in "Our Betters" with Constance Bennett (1933), "Nana" (1934) starring Anna Sten and "Stella Dallas...

Filmography

Read More

Madame Racketeer (1932)

Stella Dallas (1937)

Dramatization by

Screenplay Adapted

Our Betters (1933)

A Bill of Divorcement (1932)

Photos & Videos

View All

Stella Dallas (1937) -- (Movie Clip) That Iceberg-ey Way

Stella Dallas (1937) -- (Movie Clip) Like The People In The Movie

Biography

Harry Wagstaff Gribble worked on a variety of projects during his entertainment career. Gribble worked on a variety of projects during his early entertainment career, including "A Bill of Divorcement" (1932) and "Madame Racketeer" (1932) starring Alison Skipworth. Gribble also appeared in "Our Betters" with Constance Bennett (1933), "Nana" (1934) starring Anna Sten and "Stella Dallas" with Barbara Stanwyck (1937). Gribble was most recently credited in "Stella" (1990). Gribble passed away in January 1981 at the age of 85.

Filmography

Director (Feature Film)

Madame Racketeer (1932)

Writer (Feature Film)

Stella Dallas (1937)

Dramatization by

Screenplay Adapted

Our Betters (1933)

A Bill of Divorcement (1932)

Life Events

Videos

Stella Dallas (1937) -- (Movie Clip) That Iceberg-ey Way New mother Barbara Stanwyck (title character) with working class pal Ed (Alan Hale), her background showing, as increasingly snooty husband Stephen (John Boles) returns home, in Stella Dallas, 1937.

Stella Dallas (1937) -- (Movie Clip) Like The People In The Movie Social climber Barbara Stanwyck (title character) at the movies with blue-blood Stephen (John Boles), who's charmed for now, early in King Vidor's Stella Dallas, 1937.

Stella Dallas (1937) -- (Movie Clip) Stella's Got A Fella! Opening scene, Barbara Stanwyck (title character) setting her cap for impoverished society man Stephen (John Boles), then arguing with her working-class brother (George Wolcott), from King Vidor's Stella Dallas, 1937.

Stella Dallas (1937) -- (Movie Clip) The Galleries And Museums Some years after her last scene, Barbara Stanwyck (title character), still residing in industrial Central Mass., takes in sewing (Lillian Yarbo her maid/assistant), grumbles that her estranged successful New York husband sends books for the birthday of her daughter, who has grown up to be Anne Shirley, bringing her teacher (Ann Shoemaker) home to visit, in Stella Dallas, 1937.

Our Betters (1933) -- (Movie Clip) That Ridiculous Snob American Bessie (Anita Louise) with push-back for Fleming (Charles Starrett), visiting London where her sister is socialite Lady Pearl (Constance Bennett), instructing minion Thornton (Grant Mitchell) on maneuvers, in George Cukor's Our Betters, 1933, from the Somerset Maugham play.

His Family Tree -- (Movie Clip) My Dear Mr. Irishman Irish Murphy (James Barton) arrives in Iowa, meeting his granddaughter (Marjorie Gateson), his politician-son's P-R man (Addison Randall), his daughter in-law (Margaret Callahan), who's been pretending he doesn't exist, and the campaign manager (Herman Bing), in His Family Tree, 1935.

His Family Tree -- (Movie Clip) A Desolate Space From the opening scene, James Barton, by then a modest Vaudeville legend, as County Kerry pub owner "Patrick Murphy," making good his promise to cross to the pond to find out why his son's letters have stopped arriving, in His Family Tree, 1935.

Nana (1934) -- (Movie Clip) You Are An Actress! Nana (Anna Sten) and her girlfriends (Mae Clarke and Muriel Kirkland) meet the impresario Gaston Grenier (Richard Bennett) in Samuel Goldwyn's Nana, 1934, from the Emile Zola novel.

Nana (1934) -- (Movie Clip) Poor Soldier! Nana (Anna Sten) and her cohorts Mimi (Muriel Kirkland) and Satin (Mae Clarke) topple a drunken soldier (Hardie Albright) in a Parisian cafe in Samuel Goldwyn's Nana, 1934.

Bibliography

By using this site, you agree to our updated Privacy Policy and our Terms of Use