Adam Greenberg


Director Of Photography

About

Birth Place
Poland

Biography

Talented Polish-born cinematographer, raised in Tel Aviv, who became one of Israel's most respected directors of photography before being courted by Hollywood. Greenberg worked for three years as a newsreel cameraman in Israel and also racked up credits on over 150 Israeli TV-movies and commercials. A prolific artist, Greenberg worked on many features in the 1970s, most notably with dire...

Biography

Talented Polish-born cinematographer, raised in Tel Aviv, who became one of Israel's most respected directors of photography before being courted by Hollywood. Greenberg worked for three years as a newsreel cameraman in Israel and also racked up credits on over 150 Israeli TV-movies and commercials. A prolific artist, Greenberg worked on many features in the 1970s, most notably with director Moshe Mizrahi, several of which ("I Love You Rosa" 1972, "The House on Chelouche Street" 1973) were nominated for Best Foreign Film Oscars.

Greenberg gradually moved from intimate dramas toward more action-oriented fare, which suited him well when Hollywood came calling. Although he had worked on the routine US-produced Western, "Madron" (1970), which was shot in Israel, his first notable American film was Sam Fuller's expansive, hard-hitting and poetic war drama "The Big Red One" (1980). That same year he would also work with Boaz Davidson, an Israeli colleague from several past films, on "Seed of Innocence." Greenberg's Hollywood breakthrough, though, came with the exciting sci-fi actioner, "The Terminator" (1984), whose cinematography evoked both the dark, steamy violence of film noir and the coldly riveting grimness of high-tech fantasy. Greenberg and director James Cameron would team again for an excellent and more elaborate sequel, "Terminator 2: Judgment Day" (1991). Other work, meanwhile, has shown a flair for the slick imagery suited to modern screen horror, as with Kathryn Bigelow's striking "Near Dark" (1987) and the gentler fantasies of "Ghost" (1990).

Greenberg has also continued to work in drama ("La Bamba" 1987) and farce ("Three Men and a Baby" 1987). Indeed, his 90s work has suggested a move to milder fare, especially comedy, shooting the blockbusters "Sister Act" (1992) and "Dave" (1993). He returned to the action genre with "Eraser" (1996), Barry Levinson's sci-fi-themed "Sphere" (1997) and the Jackie Chan-Chris Tucker vehicle "Rush Hour" (1998).

Filmography

 

Cast (Feature Film)

Cinematographer Style (2006)

Cinematography (Feature Film)

Snakes on a Plane (2006)
Director Of Photography
The Big Red One: The Reconstruction (2005)
Director Of Photography
The Santa Clause 2 (2002)
Director Of Photography
Collateral Damage (2002)
Director Of Photography
Inspector Gadget (1999)
Director Of Photography
Sphere (1998)
Director Of Photography
Rush Hour (1998)
Director Of Photography
Eraser (1996)
Director Of Photography
First Knight (1995)
Director Of Photography
Junior (1994)
Director Of Photography
Renaissance Man (1994)
Director Of Photography
North (1994)
Director Of Photography
Blake Edwards' Son of the Pink Panther (1993)
Director Of Photography (Main Title Sequence)
Dave (1993)
Director Of Photography
Sister Act (1992)
Director Of Photography
Toys (1992)
Director Of Photography
Terminator 2: Judgment Day (1991)
Director Of Photography
Terminator 2: Judgment Day (Director's Cut) (1991)
Director Of Photography
Ghost (1990)
Director Of Photography
3 Men and a Little Lady (1990)
Director Of Photography
Love Hurts (1990)
Director Of Photography
Worth Winning (1989)
Director Of Photography
Turner & Hooch (1989)
Director Of Photography
Spellbinder (1988)
Director Of Photography
Alien Nation (1988)
Director Of Photography
Three Men and a Baby (1987)
Director Of Photography
Near Dark (1987)
Director Of Photography
A Walk on the Moon (1987)
Director Of Photography
La Bamba (1987)
Director Of Photography
Jocks (1986)
Director Of Photography
Wisdom (1986)
Director Of Photography
The Ladies Club (1986)
Director Of Photography
Iron Eagle (1986)
Director Of Photography
The Ambassador (1985)
Director Of Photography
Once Bitten (1985)
Director Of Photography
Private Resort (1985)
Director Of Photography
War and Love (1985)
Director Of Photography
Safari 3000 (1984)
Director Of Photography
The Terminator (1984)
Director Of Photography
Over The Brooklyn Bridge (1984)
Director Of Photography
10 To Midnight (1983)
Director Of Photography
Sapiches (1982)
Cinematographer
Remembrance of Love (1982)
Director Of Photography
Paradise (1982)
Director Of Photography
The Last American Virgin (1982)
Director Of Photography
Seed of Innocence (1981)
Director Of Photography
Breathless (1980)
Director Of Photography
Mary And Joseph (1979)
Director Of Photography
Yotzim Kavua (1979)
Director Of Photography
Uranium Conspiracy (1978)
Cinematographer
Entebbe: Operation Thunderbolt (1977)
Director Of Photography
The Passover Plot (1976)
Cinematographer
Diamonds (1975)
Director Of Photography
Michael Sheli (1975)
Cinematographer
Abu el Banat (1973)
Cinematographer
Abu el Banat (1973)
Director Of Photography
The House on Chelouche Street (1973)
Cinematographer
Ani Ohev Otach Rosa (1972)
Director Of Photography
Ani Ohev Otach Rosa (1972)
Cinematographer
Peeping Toms (1972)
Cinematographer
Madron (1970)
Director of Photography

Film Production - Lighting/Electrical (Feature Film)

Sphere (1998)
Lighting

Film Production - Main (Feature Film)

Belfer (1977)
Photography

Misc. Crew (Feature Film)

The Santa Clause 2 (2002)
Dp/Cinematographer
Sphere (1998)
Dp/Cinematographer
First Knight (1995)
Dp/Cinematographer
Junior (1994)
Dp/Cinematographer
Dave (1993)
Other
Blake Edwards' Son of the Pink Panther (1993)
Dp/Cinematographer
Sister Act (1992)
Dp/Cinematographer
Terminator 2: Judgment Day (1991)
Dp/Cinematographer
Ghost (1990)
Dp/Cinematographer
3 Men and a Little Lady (1990)
Other
Turner & Hooch (1989)
Dp/Cinematographer
Three Men and a Baby (1987)
Dp/Cinematographer
10 To Midnight (1983)
Other
Breathless (1980)
Dp/Cinematographer
Yotzim Kavua (1979)
Dp/Cinematographer

Cinematography (TV Mini-Series)

A Woman Called Golda (1982)
Director Of Photography

Life Events

1970

Earliest film credits included the cinematography on the US-produced feature shot in Israel, "Madron"

1972

Collaborated with director Moshe Mizrahi on several films beginning with "Ani Ohev Otach Rosa/I Love You Rosa"

1975

Began collaborating with director Menahem Golan; earliest work together included the film, "Diamonds"

1979

Worked with director Boaz Davidson in both Israel and the USA; earliest collaborations included "Yotzim Kavua"

1980

Began working in the USA full-time

1984

Breakthrough hit film in the USA, "The Terminator", starring Arnold Schwarzenegger

1991

Received an Oscar nomination for his work on the feature, "Terminator 2: Judgment Day"

1993

Shot the political comedy "Dave", helmed by Ivan Reitman

1994

Reteamed with Reitman and star Schwarzenegger for "Junior"

1995

Served as director of photography on "First Knight"

1997

Created the underwater look for Barry Levinson's sci-fi flick "Sphere"

1998

Shot the Jackie Chan-Chris Tucker vehicle "Rush Hour"

Videos

Movie Clip

Near Dark (1987) -- (Movie Clip) That's A Pretty Name Early scenes, young cowboy Caleb (Adrian Pasdar) abandons his friends to pursue new-in-town Mae (Jenny Wright), who expresses some moderately weird thoughts, in Kathryn Bigelow's "vampire Western," Near Dark, 1987.
Near Dark (1987) -- (Movie Clip) He Looks Sick Caleb (Adrian Pasdar) staggering toward his Oklahoma farm home after being bitten by a cute vampire-ish girl, gets within view of his father and sister (Tim Thomerson, Marcie Leeds) before the dreaded R-V appears, early in Kathryn Bigelow's Near Dark, 1987.
Near Dark (1987) -- (Movie Clip) We'll Give Him A Week Coming to in the R-V after being bitten by Mae (Jenny Wright) then captured, Caleb (Adrian Pasdar) meets the relatively gracious ad-hoc vampire family, Severen, Jesse, Diamondback and Homer (Bill Paxton, Lance Henriksen, Jenette Goldstein, Joshua Miller), in Kathryn Bigelow's Near Dark, 1987.
Near Dark (1987) -- (Movie Clip) What Are You On? Allowed by his vampire captors to walk free, bitten Caleb (Adrian Pasdar) reaches the bus station, having a hard time getting help from the ticket seller (Ed Corbett) and the sheriff's deputy (Troy Evans), in Kathryn Bigelow's Near Dark, 1987.
La Bamba -- (Movie Clip) We Belong Together Following a meaningful chat with producer Bob (Joe Pantoliano), Ritchie (Lou Diamond Phillips) performs "We Belong Together," while director Luis Valdez does a montage featuring brother Bob (Esai Morales) in La Bamba, 1987.
La Bamba -- (Movie Clip) Rattlesnake David Hidalgo fronting Los Lobos for the recording and Lou Diamond Phillips (as Ritchie Valens) with his nailed-on lip-synch for the fateful performance of the title song in director Luis Valdez' La Bamba, 1987.
La Bamba -- (Movie Clip) Open, Who Do You Love? The dream from which Ritchie (Lou Diamond Phillips) awakens and the Valenzuelas at work in the fields come from Director Luis Valdez' imagination, but the Bo Diddley song under the credits is contemporary, in La Bamba, 1987

Trailer

Bibliography