Les Blank
About
Biography
Filmography
Family & Companions
Biography
Highly acclaimed, maverick auteur of off-beat documentaries ranging from "Garlic is as Good as Ten Mothers" (1980, a cultural-folk history of the magic herb), to "In Heaven There Is no Beer?" (1984, on Polish polka dancing), to "Werner Herzog Eats His Shoe" (1980, the result of the eponymous German director's losing a bet with his former assistant, Errol Morris).
Blank's best known work is the feature-length "Burden of Dreams" (1982), an extraordinary account of the production of Herzog's "Fitzcarraldo" (1982). His career has been the subject of major retrospectives at the Museum of Modern Art in New York (1979), the National Film Theatre in London (1982) and the Cinematheque Francaise in Paris (1986). In 1990 the American Film Institute honored Blank with the Maya Deren award for outstanding lifetime achievement by an independent filmmaker.
Combining obsessions with music and food, Blank gives his movies a taste and feel that few commercial filmmakers can match. He's not above cooking up a mess of red beans and rice behind the screen to enhance the experience. He reminds us that movies can be used to celebrate life.
Filmography
Director (Feature Film)
Cast (Feature Film)
Cinematography (Feature Film)
Writer (Feature Film)
Producer (Feature Film)
Editing (Feature Film)
Misc. Crew (Feature Film)
Director (Special)
Producer (Special)
Film Production - Main (Special)
Misc. Crew (Special)
Director (Short)
Life Events
1962
Made industrials for Holly Farms Poultry, Archway Cookies, National Wildlife Federation, educational films and TV films
1964
Made first film, "Dizzy Gillespie" (for TV)
1967
First independently produced film, "God Respects Us When We Work but Loves Us When We Dance" (20 mins; on first Los Angeles "love-in")
1967
Founded Flower Films
1974
First feature-length film, "A Poem is a Naked Person" (72 mins; unreleased; on country-rock performer Leon Russell)
1976
Received Guggenheim Fellowship
1979
Subject of retrospective at Museum of Modern Art, New York
1982
Subject of retrospective at National Film Theatre, London
1984
Subject of retrospective at Cineteca Nacional, Mexico City
1984
Louis B Mayer filmmaker-in-residence, Dartmouth; directing fellow, Sundance Institute
1986
Subject of retrospective at Cinematheque-Francaise, Paris
1990
Subject of retrospective at Independent Film Week, Augsberg, West Germany
1991
Began teaching film at University of California, Berkeley