Maya Deren


Filmmaker, Theorist

About

Also Known As
Eleanora Deren, Eleanora Derenkowsky
Birth Place
Ukraine
Born
April 29, 1917
Died
October 13, 1961
Cause of Death
Multiple Brain Hemorrhage

Biography

Leading American avant-garde filmmaker sometimes referred to as the "mother of the Underground film." In the US from the early 20s, Deren was intending to write a book about dance and accompanying Katherine Dunham on a national tour when she met Czech documentarian Alexander Hammid, who in 1942 became her second husband. Her first film, the surrealistic "Meshes of the Afternoon" (1943, 1...

Family & Companions

Alexander Hammid
Husband
Filmmaker. Second husband; photographed and appeared in several of Deren's films, including "Meshes of the Afternoon" and "At Land"; married 1942.
Teijo Ito
Husband
Composer. Third husband; composed a musical score which was added onto Deren's film "Meshes of the Afternoon"; also did the score for her "The Very Eye of Night".

Bibliography

"The Divine Horseman: The Living God of Haiti"
Maya Deren (1953)
"An Anagram of Ideas on Art, Form, and Film"
Maya Deren (1946)
"Points of Resistance"
Lauren Rabinovitz
"The Legend of Maya Deren: A Document Biography and Collected Works"
Millicent Hodson, Catrina Neiman, Veve Amasasa Clark and Francine Bailey

Biography

Leading American avant-garde filmmaker sometimes referred to as the "mother of the Underground film." In the US from the early 20s, Deren was intending to write a book about dance and accompanying Katherine Dunham on a national tour when she met Czech documentarian Alexander Hammid, who in 1942 became her second husband. Her first film, the surrealistic "Meshes of the Afternoon" (1943, 18 minutes) was a landmark in the history of American cinema, a psychosexually-themed "trance film" co-directed with Hammid. A striking beauty, Deren played the lead herself -- that of a young girl who claims to have been sexually molested, but one is not sure if the molestation is real or the result of a dream. The theme of dream vs. reality would play handily in Deren's future works as well. In her next work, "At Land" (1944, 15 minutes), Deren continued her subjectivist filmic odysseys and brought to the fore her concern with the manipulation of space and time, a recurrent preoccupation which resurfaced in "Ritual in Transfigured Time" (1946, 16 minutes), a formally daring exploration of dance and ritual.

Deren also lectured extensively and helped establish New York's "underground" film circuit, setting up avant-garde screening venues which gave birth to independent distribution houses such as Amos Vogel's Cinema 16. An insightful and articulate writer, she authored "The Divine Horseman: The Living God of Haiti" (1953), the result of a trip to Haiti which was to be the basis of a film, and the seminal "An Anagram of Ideas on Art, Form and Film" (1946). A documentary on her life and legacy, "Invocation Maya Deren" was released in 1987.

Filmography

 

Director (Feature Film)

Divine Horsemen (1977)
Director
Out-Takes From Maya Deren's Study in Choreography For Camera (1975)
Director
Meditation on Violence (1948)
Director
A Study in Choreography For Camera (1945)
Director

Cinematography (Feature Film)

Divine Horsemen (1977)
Cinematographer

Writer (Feature Film)

Out-Takes From Maya Deren's Study in Choreography For Camera (1975)
Screenwriter
Meditation on Violence (1948)
Screenplay
A Study in Choreography For Camera (1945)
Screenwriter

Producer (Feature Film)

Out-Takes From Maya Deren's Study in Choreography For Camera (1975)
Producer
Meditation on Violence (1948)
Producer
A Study in Choreography For Camera (1945)
Producer

Editing (Feature Film)

Meditation on Violence (1948)
Editor
A Study in Choreography For Camera (1945)
Editor

Music (Feature Film)

Invocation Maya Deren (1987)
Song Performer ("The Man I Love")
Meditation on Violence (1948)
Music

Film Production - Main (Feature Film)

Out-Takes From Maya Deren's Study in Choreography For Camera (1975)
Photography
Meditation on Violence (1948)
Photography
A Study in Choreography For Camera (1945)
Photography

Misc. Crew (Feature Film)

Invocation Maya Deren (1987)
Other
Meditation on Violence (1948)
Sound

Director (Short)

Witch's Cradle (1961)
Director
The Very Eye of Night (1958)
Director
Meshes of the Afternoon (1944)
Director

Cast (Short)

Meshes of the Afternoon (1944)

Writer (Short)

Witch's Cradle (1961)
Screenwriter
Meshes of the Afternoon (1944)
Screenplay

Producer (Short)

Witch's Cradle (1961)
Producer
The Very Eye of Night (1958)
Producer
Meshes of the Afternoon (1944)
Producer

Editing (Short)

Witch's Cradle (1961)
Editor
The Very Eye of Night (1958)
Editor
Meshes of the Afternoon (1944)
Editor

Film Production - Main (Short)

Witch's Cradle (1961)
Photography
The Very Eye of Night (1958)
Photography
Meshes of the Afternoon (1944)
Photography

Misc. Crew (Short)

The Very Eye of Night (1958)
Other

Life Events

1922

Immigrated with family to USA

1943

Made film directing debut, "Meshes of the Afternoon" (16mm, 18 mins)

1958

Last completed film, "The Very Eye of Night"

1961

Release of uncompleted film, "Witch's Cradle" (which Deren had worked on intermittently since 1943)

1975

Assembly of compilation film, "Out-takes from 'A Study in Choreography for the Camera'"

Family

Alexander Deren
Father
Psychiatrist. Director, State Institute for the Feeble-Minded in Syracuse, New York.

Companions

Alexander Hammid
Husband
Filmmaker. Second husband; photographed and appeared in several of Deren's films, including "Meshes of the Afternoon" and "At Land"; married 1942.
Teijo Ito
Husband
Composer. Third husband; composed a musical score which was added onto Deren's film "Meshes of the Afternoon"; also did the score for her "The Very Eye of Night".

Bibliography

"The Divine Horseman: The Living God of Haiti"
Maya Deren (1953)
"An Anagram of Ideas on Art, Form, and Film"
Maya Deren (1946)
"Points of Resistance"
Lauren Rabinovitz
"The Legend of Maya Deren: A Document Biography and Collected Works"
Millicent Hodson, Catrina Neiman, Veve Amasasa Clark and Francine Bailey