John De Cuir
About
Biography
Biography
After studying at the Chouinard Art School, John De Cuir joined Universal in the late 1930s and by the middle of the 40s, he was designing sets. In 1949, he signed with 20th Century Fox where he worked on productions noted for their elaborate sets. At home with dramatic material (e.g., "The House on Telegraph Hill" 1951) and musicals ("There's No Business Like Show Business" 1954), De Cuir earned a total of 11 Oscar nominations, winning three: for his Siamese palace in "The King and I" (1956), the sumptuous Egypt of "Cleopatra" (1963), and a recreation of turn-of-the-century Yonkers, NY, in "Hello, Dolly!" (1969). His son, John De Cuir Jr is also a production designer.
Filmography
Art Director (Feature Film)
Art Department (Feature Film)
Production Designer (Feature Film)
Life Events
1938
Joined Universal
1947
Feature debut as art director, "Brute Force"
1949
Joined Twentieth Century Fox
1965
Served as production designer on Carol Reed's "The Agony and the Ecstasy"
1978
First foray into TV, "Ziegfeld: The Man and His Women"
1986
Last film credit to date, "Legal Eagles"