Stefan Czapsky


Director Of Photography

Biography

German-born cinematographer was raised in the American Midwest and learned his craft in American independent films of the 1970s and early 80s. Czapsky worked his way up the ranks to become an award-winning director of photography after amassing credits as a camera assistant, gaffer, key grip, and chief electrician. These early assignments encompassed projects as diverse as Larry Cohen's ...

Biography

German-born cinematographer was raised in the American Midwest and learned his craft in American independent films of the 1970s and early 80s. Czapsky worked his way up the ranks to become an award-winning director of photography after amassing credits as a camera assistant, gaffer, key grip, and chief electrician. These early assignments encompassed projects as diverse as Larry Cohen's cult thriller "God Told Me To/Demon" (1976), John Sayles' period teen drama "Baby, It's You" (1983), and Bertrand Tavernier's "'Round Midnight" (1986). Early collaborations with such highly regarded filmmakers led to increasingly high profile assignments.

Czapsky's first credit as a director of photography was an obscure Bruce Dern-starrer about a mid-life crisis ("On the Edge" 1985) but his second, "The Thin Blue Line," was an acclaimed and (relatively) widely seen crime docudrama from oddball documentarian Errol Morris. Czapsky's work here was remarkably assured, segueing smoothly between straightforward interview footage and dreamy recreations of crime scenes shot from various angles and at different speeds. Czapsky worked on a so-so horror sequel ("Child's Play 2" 1990) before entering the big leagues with a beautifully realized fantasy--Tim Burton's "Edward Scissorhands" (1990). He memorably rendered sunny scenes of suburban surrealism as well as those of Gothic grandiloquence. Czapsky continued to work in the latter mode on Burton's lavish sequel "Batman Returns" while opting for a more ordinary yet still luminous look for the romantic fantasy "Prelude to a Kiss" (both 1992). He reteamed with Morris for the eccentric documentary cum biopic "A Brief History of Time" (1992) and found his greatest acclaim on another Burton project, the loving biopic "Ed Wood" (1994), filmed in glorious black-and-white.

Filmography

 

Cast (Feature Film)

Lightning Over Water (1980)

Cinematography (Feature Film)

Max (2015)
Director Of Photography
Fighting (2009)
Director Of Photography
Blades of Glory (2007)
Director Of Photography
Bulletproof Monk (2003)
Director Of Photography
Matilda (1996)
Director Of Photography
Ed Wood (1994)
Director Of Photography
Prelude to a Kiss (1992)
Director Of Photography
Batman Returns (1992)
Director Of Photography
A Brief History of Time (1992)
Director Of Photography
The Dark Wind (1991)
Director Of Photography
Flashback (1990)
Director Of Photography
Edward Scissorhands (1990)
Director Of Photography
Bright Angel (1990)
Director Of Photography
Child's Play 2 (1990)
Director Of Photography
Fear, Anxiety, and Depression (1989)
Director Of Photography
Last Exit to Brooklyn (1989)
Director Of Photography
Sons (1989)
Director Of Photography
The Thin Blue Line (1988)
Director Of Photography
Vampire's Kiss (1988)
Director Of Photography
On the Edge (1986)
Cinematographer
Sitting Ducks (1980)
Camera Assistant
God Told Me To (1976)
Camera Assistant

Film Production - Lighting/Electrical (Feature Film)

The Big Blue (1988)
Chief Electrician (New York)

Film Production - Main (Feature Film)

D.O.A. (1988)
Photography
Round Midnight (1986)
Gaffer
Baby, It's You (1983)
Gaffer

Misc. Crew (Feature Film)

Fighting (2009)
Dp/Cinematographer
Prelude to a Kiss (1992)
Dp/Cinematographer
A Brief History of Time (1992)
Other
Batman Returns (1992)
Dp/Cinematographer
The Thin Blue Line (1988)
Dp/Cinematographer

Life Events

1976

Feature debut, camera assistant on "God Told Me To", a cult horror film from writer-director Larry Cohen

1979

Appeared in Nicholas Ray and Wim Wenders' "Lightning Over Water"

1983

Served as a gaffer on John Sayles' "Baby, It's You"

1985

Debut as a cinematographer, "On the Edge"

1987

Served as a key grip on Sayles' "Matewan"

1988

Provided additional photography for the remake of the noir classic "D.O.A."

1988

First noteworthy credit as director of photography, Errol Morris acclaimed docudrama, "The Thin Blue Line"

1988

Served as chief electrician on the NY unit of Luc Besson's "The Big Blue"

1990

First collaboration with filmmaker Tim Burton as director of photography on "Edward Scissorhands"

1992

Collaborated with Morris again as cinematographer for "A Brief History of Time", an unconventional biopic of physicist Stephen Hawking

1994

Acclaimed for his black-and-white imagery in Burton's biopic "Ed Wood"

Bibliography