Larry Clark


Director, Photographer

About

Birth Place
Tulsa, Oklahoma, USA

Biography

Outlaw photographer-turned-filmmaker Larry Clark influenced the likes of Martin Scorsese, Francis Ford Coppola and Gus Van Sant long before he directed a picture. Inspired by his seminal photo essay, "Tulsa" (1971), they stole shamelessly in creating respectively "Taxi Driver" (1976), "Rumble Fish" (1983) and "Drugstore Cowboy" (1989), acknowledging their debt to Clark's realistic portra...

Bibliography

"Heroin"
Larry Clark, Thea Westreich (1999)
"The River Phoenix Book"
Larry Clark (1994)
"The Perfect Childhood"
Larry Clark (1993)
"Teenage Lust"
Larry Clark (1983)

Biography

Outlaw photographer-turned-filmmaker Larry Clark influenced the likes of Martin Scorsese, Francis Ford Coppola and Gus Van Sant long before he directed a picture. Inspired by his seminal photo essay, "Tulsa" (1971), they stole shamelessly in creating respectively "Taxi Driver" (1976), "Rumble Fish" (1983) and "Drugstore Cowboy" (1989), acknowledging their debt to Clark's realistic portrayal of the Tulsa drug and street milieu of the 1960s and early 70s. Clark was injecting amphetamines at the age of 16 and, after a tour of Vietnam, returned to his boyhood home to record its seamier side, snapping photographs off and on from 1962 to 1971. He shocked with pictures of penises protruding from pants and needles hanging from junkies' arms, but his own wild ways were responsible for his distinctive oeuvre and also contributed to his slow growth as an artist. Drug addiction and alcoholism got in the way as did several brushes with the law, including a 19-month prison stay for shooting a man in the arm during a card game.

As a child, Clark had once had his picture taken with Walt Disney, but Miramax, a division of Disney, would have to create an independent company (Excalibur) to distribute his debut film "Kids" (1995) in order to distance it from the parent studio. Called everything from "a masterpiece" to "nihilistic pornography," it bore a far greater resemblance to "A Clockwork Orange" (1971) than to "Pocahontas" (1995) and proved Clark had not lost his power to shock. Armed with a script penned by a then-19-year old Harmony Korine, the director zeroed in on "kidspeak" and teenage culture, following a group 90s youths throughout the course of one NYC day as the specter of AIDS hovered over them. A telling portrait of children growing up without proper parental guidance, "Kids" is utterly matter-of-fact, brutal and nonjudgmental about its sexual frankness and violence. Clark was able to gain his charges' trust, drawing phenomenal performances from nonactors, particularly his stars Leo Fitzpatrick, Justin Pierce and Chloe Sevigny, all of whom have gone on to acting careers.

Clark returned to the streets of Tulsa for "Another Day in Paradise" (1998), based on the book by Eddie Little. More conventional and arguably more satisfying than his debut film, it was a bit raw and unflinching for some tastes but found an audience ready to respond to its gritty aesthetic. Featuring an emotionally engaging Melanie Griffith in an uncharacteristic, deglamorized role and a sometimes over-the-top James Woods, this more traditional narrative seemed to spring directly from the director's Midwestern background and experience of the renegade life, depicting a surrogate family brought together by drugs and crime and its eventual unraveling. Natasha Gregson Wagner registered sympathetically in the most tragic role, but the real revelation was Vincent Kartheiser as Bobbie, previously only in children's films.

Clark's downbeat but surprisingly warm slice of life on the edge proved an anomaly. His third feature was "Bully" (2001), an affecting and disturbingly nihilistic portrait of contemporary teenagers in southern Florida. Inspired by a true story, the film depicted the antisocial behavior of the tyrannical Bobby Kent who was eventually murdered by his best friend. Clark displayed a taut control over the material and elicited strong performances from his cast (including Brad Renfro, Rachel Miner and Nick Stahl) and the film earned considerable critical acclaim.

Life Events

1959

Began shooting drugs as a 16-year old (date approximate)

1962

Photographed Oklahoma drug culture for first documentary book "Tulsa" (1971), cited as inlfuence or inspiration for films by directors Martin Scorsese ("Taxi Driver" 1976), Francis Ford Coppola ("Rumble Fish" 1983) and Gus Van Sant ("Drugstore Cowboy" 1989)

1976

Convicted of assault and battery after shooting a man in the arm during a card game; served 19 months in prison; of the shooting, he said, "I was doing speed; it seemed like the right thing to do"

1983

Issued second book of photographs, "Teenage Lust"; also wrote text; had received an NEA grant in the 1970s for the book

1989

Met Harmony Korine in San Francisco, California; the two corresponded and later hooked up in NYC

1995

Feature directing debut, "Kids", scripted by Korine

1998

Made second feature, "Another Day in Paradise"; first credit as producer; story revolved around a pair of drug-abusing scam artists who take a young couple under their wing and form a surrogate family

1998

Checked into a rehab center for treatment for heroin and alcohol addiction

2001

Directed third film "Bully", based on true story of a Florida teenager who murdered his best friend; also had cameo role as the father of one of the teens involved in the murder

2002

Helmed the feature "Ken Park" which focuses on several Californian skateboarders and their tormented home lives

2006

Helmed the feature "Wassup Rockers," about a group of Latino teenagers in South Central Los Angeles

Family

Matt Clark
Son
Born c. 1983.

Bibliography

"Heroin"
Larry Clark, Thea Westreich (1999)
"The River Phoenix Book"
Larry Clark (1994)
"The Perfect Childhood"
Larry Clark (1993)
"Teenage Lust"
Larry Clark (1983)
"Tulsa"
Larry Clark (1971)