Stewart Stern


Screenwriter

About

Birth Place
New York City, New York, USA
Born
March 22, 1922

Biography

This screenwriter does not have many credits on his resume, but Stewart Stern makes up for quantity with quality. His work shows a particular gift for intimate character studies of alienated people whose quiet suffering suddenly erupts. The native New Yorker worked as a stage actor before serving in the infantry in WWII. Upon return to civilian life, Stern switched his concentration to w...

Notes

Stern served in the infantry in WWII

Biography

This screenwriter does not have many credits on his resume, but Stewart Stern makes up for quantity with quality. His work shows a particular gift for intimate character studies of alienated people whose quiet suffering suddenly erupts. The native New Yorker worked as a stage actor before serving in the infantry in WWII. Upon return to civilian life, Stern switched his concentration to writing. His first film credit was as dialogue director on Anthony Mann's fine, low-budget film noir "Railroaded" (1947). Soon thereafter, Stern began writing for CBS's "Playhouse 90" before earning his first screenwriting credit on Fred Zinnemann's worthy 1951 drama "Teresa" (adapted from his story and co-written with Alfred Hayes).

Stern's next film is perhaps his best-remembered, the quintessential teen "problem" flick, "Rebel Without a Cause" (1955), which rocketed James Dean to his brief stardom and set the look and angst quotient for teens of the era. A respectable Paul Newman drama, "The Rack" (1956, from a Rod Serling teleplay) and then the documentary "The James Dean Story" (1957) followed. Stern helped adapt the 1959 Russell Rouse script for "Thunder in the Sun," before writing one of Tony Curtis' most interesting star vehicles, "The Outsider" (1962), a biopic of a Native American soldier who helped raise the US flag at Iwo Jima during WWII. But his next real hit did not come until 1963 with "The Ugly American," a political drama he adapted from the novel by Eugene Burdick and William J. Lederer.

Five years passed before Stern's next film, Paul Newman's "Rachel, Rachel" (1968), featuring Joanne Woodward's tour-de-force performance as a repressed schoolteacher. His subsequent ventures, however, were not as well appreciated in their day, even though "Summer Wishes, Winter Dreams" (1973), which continued his collaboration with Woodward, was a focused, intelligent drama. Stern's other effort from the period, Dennis Hopper's incredibly bizarre, indulgent and endlessly self-reflexive Western, "The Last Movie" (1971), was not just ignored--it was critically savaged at the time. More recently, its endless barrage of provocative, experimentally presented, if sometimes half-baked, ideas have led to a newfound respect for the film.

Stern's career in features was undoubtedly hurt by the failure of "The Last Movie," but he was able to continue his work in TV. The highly successful NBC miniseries "Sybil" (1976), with Woodward as a psychiatrist treating the sixteen faces of schizophrenic Sally Field, won him an Emmy, and "A Christmas to Remember" (CBS, 1978), though somewhat cloying, was certainly heartfelt. Although Stern has been inactive as a screenwriter since the 1980s, he has proved a lively, intelligent and articulate interview subject in the documentaries "Stelle Emigrante" (1983) and "The Celluloid Closet" (1996).

Life Events

1947

First film credit, dialogue director on "Railroaded"

1951

First screenwriting credit, "Teresa"

1968

Worked on "Rachel, Rachel," the first of four projects with Joanne Woodward

1973

Last feature film credit to date, "Summer Wishes, Winter Dreams"

1976

Wrote TV miniseries "Sybil" (NBC)

Videos

Movie Clip

Rack, The (1956) -- (Movie Clip) Traitor We don’t know what’s up with just-returned Korean War POW Ed (Paul Newman), except that he’s afraid of his family, and doesn’t want to leave the hospital, as he takes in the entertainment (Debbie Reynolds in MGM’s The Affairs Of Dobie Gillis), and fellow patient Lee Marvin gives us a clue, in MGM’s The Rack, 1956.
Rack, The (1956) -- (Movie Clip) He Made A Strategic Withdrawal Now in a San Francisco hotel after a big fight with his career-military father, who found out he’s being court-martialed for cooperating with the enemy, just-returned Korean War POW Ed (Paul Newman), who considers himself guilty, gets a first visit from his defense attorney, Edmond O’Brien, in MGM’s The Rack, 1956.
Rack, The (1956) -- (Movie Clip) I Didn't Want You To See Me Like This First direct meeting between Anne Francis as widowed sister-in-law Aggie, Walter Pidgeon as career-military dad Col. Hall Sr. and Paul Newman as Korean War POW Capt. Hall, on the day of his return to California, so traumatized he forgets his brother was Killed In Action, in The Rack, 1956, from a Rod Serling teleplay.
Rack, The (1956) -- (Movie Clip) Where Are Your Ribbons? Reluctant JAG prosecutor (Wendell Corey as Maj. Moulton) conducts his first conference with his defendant, Paul Newman as highly decorated returning Korean War POW Capt. Hall, charged with collaborating with the enemy, his guilt or innocence not yet revealed, shooting on location at The Presidio, in MGM’s The Rack, 1956.
Rack, The (1956) -- (Movie Clip) He Was Killed Over There Opening, with Walter Pidgeon and Anne Francis, not long after they appeared as father and daughter in Forbidden Planet, also for MGM, they’re war-widow and father-in-law, not quite greeting POW Paul Newman, returning from Korea, in The Rack, 1956, from a Rod Serling teleplay.
Summer Wishes, Winter Dreams (1973) -- (Movie Clip) Fairy Dust Walking uptown on 5th Avenue, Rita (Joanne Woodward) reminiscing with her mother (Sylvia Sidney), who has a health scare, en route to a Bergman film, in the Bergman-esque Summer Wishes, Winter Dreams, 1973.
Summer Wishes, Winter Dreams (1973) -- (Movie Clip) Better Or Worse It's not made clear until well into this scene that Rita (Joanne Woodward) is married to her optometrist Harry (Martin Balsam), early in Summer Wishes, Winter Dreams, 1973, directed by Gilbert Cates, from Steward Stern's original screenplay.
Rebel Without a Cause (1955) -- (Movie Clip) Why Do We Do This? Getting ready for their "chickie-run," Jim (James Dean) and Buzz (Corey Allen) converse, ebullient Judy (Natalie Wood) cheering both on, in Nicholas Ray's Rebel Without A Cause, 1955.
Rebel Without a Cause (1955) -- (Movie Clip) Don't Call Me That! New kid Jim (James Dean), shadowed by worshipful Plato (Sal Mineo), is taunted into a "game" with switchblades by Buzz (Corey Allen, with Natalie Wood, Dennis Hopper, Nick Adams in his posse), shot outside the Griffith Park Observatory, in Nicholas Ray's Rebel Without A Cause, 1955.
Rebel Without a Cause (1955) -- (Movie Clip) Tearing Me Apart! New in town, Intoxicated teen Jim (James Dean) with his parents (Jim Backus, Ann Doran), summoned to the jail from a party, juvenile counselor Framek (Edward Platt) and a hard wooden desk, early in Nicholas Ray's Rebel Without A Cause, 1955.
Rebel Without a Cause (1955) -- (Movie Clip) I Go With The Kids Jim (James Dean) conning his parents (Ann Doran, Jim Backus) then off for the first day of school in their new town, meeting Judy (Natalie Wood) whom he's seen at the police station, in Nicholas Ray's Rebel Without A Cause, 1955.
Rebel Without A Cause (1955) -- (Movie Clip) When You Have To Be A Man Director Nicholas Ray's gaudy scene of paternal inadequacy, as Jim (James Dean), who's been challenged to a death-defying car race, seeks advice from his aproned father (Jim Backus), in Rebel Without A Cause, 1955.

Trailer

Family

Frances Kay
Mother
Actor. Studied acting at the American Academy of Dramatic Arts and, through the connection with her brother-in-law Adolph Zukor, played supporting roles in a number of silent films and Broadway musicals; Kay's career ended because her mother thought acting a sinful public exhibition.
Adolph Zukor
Uncle
Film studio executive, producer. Was married to Stern's mother's elder sister.

Bibliography

Notes

Stern served in the infantry in WWII