Eiji Yoshikawa - Turner Classic Movies

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Samurai 1: Musashi Miyamoto (1954)

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Samurai 1: Musashi Miyamoto (1955) -- (Movie Clip) Miyamoto Village

Samurai 2: Duel At Ichijoji Temple -- (Movie Clip) Duel With Old Baiken

Biography

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Samurai 1: Musashi Miyamoto (1954)

Source Material (From Novel)

Life Events

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Samurai 1: Musashi Miyamoto (1955) -- (Movie Clip) Miyamoto Village Brisk opening to the first film in Hiroshi Inagaki's famous trilogy, introducing Toshiro Mifune as the historical figure of the title, Rentaro Mikuni his sidekick, in Samurai 1: Musashi Miyamoto, 1955.

Samurai 2: Duel At Ichijoji Temple -- (Movie Clip) Duel With Old Baiken Just into the opening scene, solo samurai Musashi (Toshiro Mifune) awaits a big fight with a guy (Eijiro Tono), who turns out to be a big-name samurai himself, early in the second film in Hiroshi Inagaki's trilogy, Samurai 2: Duel At Ichijoji Temple, 1956.

Samurai 2: Duel At Ichijoji Temple -- (Movie Clip) Kyoto City Scene between the two female protagonists who have never met, Otsu (Kaoru Yachigusa) selling fans on a Kyoto bridge, hoping to meet her lost samurai lover, and Akemi (Mariko Okada) who has been vying for his affections, in Hiroshi Inagaki's Samurai 2: Duel At Ichijoji Temple, 1956.

Samurai 1: Musashi Miyamoto (1955) -- (Movie Clip) Battle Of Sekigahara Aspiring Samurai's Takeso (Toshiro Mifune) and Matahachi (Rentaro Mikuni) are not-much visible but their side is getting wiped out, big scene from director Hiroshi Inagaki in Samurai 1: Musashi Miyamoto, 1955.

Samurai 1: Musashi Miyamoto (1955) -- (Movie Clip) He's Always Been Ruthless Convalescing wanna-be samurai Matahachi (Rentaro Mikuni) misbehaving with his host Akemi (Mariko Odada), who turns out to be more interested in his virile buddy Takeso (Toshiro Mifune), in director Hiroshi Inagaki's Samurai 1: Musashi Miyamoto, 1955.

Samurai 2:Duel At Ichijoji Temple (1955) -- (Movie Clip) I Polish The Souls Semi-fugitive Musashi (Toshiro Mifune) is turned away by sword repairman Kogure (Machiko Kitagawa), who turns out to have been bluffing anyway, in the second film in Hiroshi Inagaki's trilogy, Samurai 2: Duel At Ichijoji Temple, 1956.

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