Piero Portalupi - Turner Classic Movies

Filmography

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The Statue (1971)

Story of a Woman (1970)

Director of Photography

The Invincible Six (1970)

Director of Photography

House of Cards (1969)

Director of Photography

The Biggest Bundle of Them All (1968)

Director of Photography

And There Came a Man (1968)

Director of Photography

Photos & Videos

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Farewell To Arms, A (1957) -- (Movie Clip) We Tell A Story

Farewell To Arms, A (1957) -- (Movie Clip) We Die Anyway

Biography

Filmography

Cinematography (Feature Film)

The Statue (1971)

Story of a Woman (1970)

Director of Photography

The Invincible Six (1970)

Director of Photography

House of Cards (1969)

Director of Photography

The Biggest Bundle of Them All (1968)

Director of Photography

And There Came a Man (1968)

Director of Photography

The Agony and the Ecstasy (1965)

2nd unit Photographer

The Cardinal (1963)

2nd unit Camera

Cleopatra (1963)

2nd unit Photographer

The Wastrel (1963)

Director of Photography

The Loves of Salammbo (1962)

Director of Photography

Director of Photography

Neapolitan Carousel (1961)

Director of Photography

Francis of Assisi (1961)

Director of Photography

Carthage in Flames (1961)

Director of Photography

Neapolitan Carousel (1961)

Director Of Photography

A Farewell to Arms (1957)

Director Of Photography

Bellissima (1951)

Cinematographer

Misc. Crew (Feature Film)

Bellissima (1951)

Cinematography (Short)

Prologue The Artist Who Did Not Want to Paint (1965)

Cinematographer

Life Events

Videos

Farewell To Arms, A (1957) -- (Movie Clip) We Tell A Story Grandeur and literary credentials, Charles Vidor directs and Rock Hudson narrates, roughly from the Hemingway novel, opening producer David O. Selznick’s 1957 production, co-starring Selznick’s wife, Jennifer Jones, Kurt Kasznar, Franco Interlenghi and Leopold Trieste introduced, in A Farewell To Arms.

Farewell To Arms, A (1957) -- (Movie Clip) We Die Anyway Vittorio De Sica as the almost-smarmy Rinaldi conducts his American ambulance driver friend Frederic (Rock Hudson), back at the base in the Italian Alps after leave, to meet the new English nurses, especially Miss Barkley (Jennifer Jones), in David O. Selznick’s production, from Hemingway, A Farewell To Arms, 1957.

Farewell To Arms, A (1957) -- (Movie Clip) Promise You'll Come Back Leaving their base (Charles Vidor directing on location, in the eastern Italian Alps near Venzone), ambulance driver Frederic (Rock Hudson) is desperate to see British nurse Catherine (Jennifer Jones) after their torrid one-night liaison, in the 1957 version of Hemingway’s A Farewell To Arms, produced by Jones’ husband, David Selznick.

Farewell To Arms, A (1957) -- (Movie Clip) I've Come Back To Catherine Something like fidelity to the Hemingway novel, via Laurence Stallings’ play and Ben Hecht’s script, of the second encounter between American WWI ambulance driver Frederic Henry (Rock Hudson) and Brit nurse Catherine (Jennifer Jones), who spoke earlier of her fianceè, killed in action, in A Farewell To Arms, 1957.

Agony And The Ecstasy, The (1965) -- (Movie Clip) A Source Of Wonder The opening of the documentary prologue, titled The Artist Who Did Not Want To Paint, produced by writer Vincenzo Labella, screened by 20th Century Fox at premieres worldwide as context for The Agony And The Ecstasy, 1965, starring Charlton Heston and Rex Harrison.

Jessica (1962) -- (Movie Clip) She Loves Her Work As midwife Angie Dickinson (title character) ejects husband Antonio (Angelo Galassi), dowager Maria (Agnes Moorehead) leads village wives to observe her work, in Jean Negulesco's Jessica, 1962.

Jessica (1962) -- (Movie Clip) Caught Me Sleeping Maurice Chevalier (as "Father Antonio") introduces his village in Sicily and the presence, mostly bodily, of Angie Dickinson (title character), an American midwife, in Jessica, 1962.

Bibliography

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