Gillo Pontecorvo


Director

About

Also Known As
Gilberto Pontecorvo
Birth Place
Pisa, IT
Born
November 19, 1919
Died
October 12, 2006

Biography

A leftist filmmaker, Gillo Pontecorvo worked as a foreign correspondent in Paris, as an assistant to Yves Allegret, and a documentarian before gaining attention with the Academy Award nominated, grim concentration camp melodrama "Kapo" (1960).His most evocative and perhaps best-known film remains "The Battle of Algiers" (1966), a gripping account of the 1954 Algerian rebellion against Fr...

Notes

On his first fictional film, "The Wide Blue Road/La Grande Strada Azzura" (released for the first time in the USA in 2001), Pontecorvo was quoted by The New York Times (June 3, 2001): "I was so sad that it didn't turn out the way I wanted. I wanted to shoot it in black and white, and I felt Alida [Valli] was too exquisite to play the wife of a fisherman, and I felt it had too much melodrama. But [Roberto] Rossellini told me: 'Don't be stupid! This is only your first film. It's not that bad. There will be more.'"

Biography

A leftist filmmaker, Gillo Pontecorvo worked as a foreign correspondent in Paris, as an assistant to Yves Allegret, and a documentarian before gaining attention with the Academy Award nominated, grim concentration camp melodrama "Kapo" (1960).

His most evocative and perhaps best-known film remains "The Battle of Algiers" (1966), a gripping account of the 1954 Algerian rebellion against French rule. A landmark political drama, "The Battle of Algiers" was shot in a grainy, neo-documentary style and featured non-professional actors, and won the Golden Lion at the Venice Film Festival as well as receiving a Best Foreign-Language Oscar nomination. When it was widely released in the USA in 1969, Pontecorvo netted dual Academy Award nods for his direction and as co-author of its original screenplay. Over time, though, and through its championing by director Jonathan Demme, Pontecorvo's first fictional work, "The Wide Blue Road/La Grande Strada Azzurra" (1957) has undergone re-evaluation and is now considered a forerunner of the New Wave, especially in its social and political themes. That film received its belated US premiere in 2001.

Pontecorvo's only subsequent feature of note was "Burn!/Queimada!" (1969), another critique of colonialism set in 19th-century Antilles. Perhaps because of its upscale production values and star cast--which included Marlon Brando--the film lacked the edge of Pontecorvo's earlier work. He made a one-shot return to features a decade later with "Ogro/Operation Ogre" (1979) and continued to create shorts into the 1990s.

Life Events

1953

Directed first documentary, "Missione Timiriazev"

1957

Wrote and directed first fictional film, "La Grande Stada Azzura/The Wide Blue Road", featuring Yves Montand; film released theatrically in USA for first time in 2001

1960

Garnered international attention for the concentration camp drama "Kapo"

1966

Helmed best-known film, "The Battle of Algiers", which depicted the 1954 Algerian uprising; earned a Best Foreign Language Academy Award nomination in 1967; two years later received Best Director and Best Original Screenplay Oscar nominations

1969

Directed "Burn!", starring Marlon Brando ; last feature for a decade

1979

Made one-shot return to feature films with "Ogro/Operation Ogre"

1992

Replaced Guglielmo Biraghi as head of the Venice Film Festival

1997

Directed two short films

Videos

Movie Clip

Battle Of Algiers (1966) -- (Movie Clip) By Means Of Terror And Violence Director Gillo Pontecorvo’s recreation of the French colonial authorities’ crackdown in January, 1957, featuring Jean Martin, the only professional actor in the film, as Col. Mathieu, arriving then lecturing his troops, in Battle Of Algiers, 1966.
Battle of Algiers (1966) -- (Movie Clip) General Strike French colonial authorities launch their response to a general strike in the Casbah ghetto in Algiers, in January, 1957, in director Gillo Pontecorvo's Battle of Algiers, 1966.
Kapo (1960) -- (Movie Clip) You'll Forget Everything French teenager Edith (Susan Strasberg), now posing as a common thief so her Nazi captors won't realize she's Jewish, is comforted by fellow prisoners Sofia (Didi Perego) and Terese (Emmanuelle Riva), en route to a concentration camp, in Gillo Pontecorvo's Kapo, 1960.
Kapo (1960) -- (Movie Clip) Your Name Is Now Nicole Smuggled by fellow prisoners to a helpful infirmary doctor somewhere in Nazi Germany, French Jewish teenager Edith (Susan Strasberg) adopts the identity of a deceased thief, early in Gillo Pontecorvo's Kapo, 1960.
Kapo (1960) -- (Movie Clip) It's No Use Being Healthy In a concentration camp for political prisoners and criminals, women prepare for examination by Nazi officials, hoping to appear healthy enough to be worth saving, Susan Strasberg as French teen Edith, whose captors don't know she's Jewish, in Gillo Pontecorvo's Kapo, 1960.
Kapo (1960) -- (Movie Clip) Nothing Can Happen To Us Opening Jewish Italian director Gillo Pontecorvo's second feature, Paris the setting early in the Nazi occupation, American Susan Strasberg as Jewish teen Edith, seeing her parents captured by German guards, in Kapo, 1960.

Trailer

Family

Bruno Pontecorvo
Brother
Scientist.

Bibliography

Notes

On his first fictional film, "The Wide Blue Road/La Grande Strada Azzura" (released for the first time in the USA in 2001), Pontecorvo was quoted by The New York Times (June 3, 2001): "I was so sad that it didn't turn out the way I wanted. I wanted to shoot it in black and white, and I felt Alida [Valli] was too exquisite to play the wife of a fisherman, and I felt it had too much melodrama. But [Roberto] Rossellini told me: 'Don't be stupid! This is only your first film. It's not that bad. There will be more.'"