Rafe Newhouse - Turner Classic Movies

Filmography

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Where's Jack? (1969)

Point Blank (1967)

Death Scream (1975)

Assistant Editor

Point Blank (1967)

Assistant to the prod

Photos & Videos

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Point Blank (1967) -- (Movie Clip) Open, How Did I Get Here?

Point Blank (1967) -- (Movie Clip) I'm Glad You're Not Dead

Biography

Filmography

Writer (Feature Film)

Where's Jack? (1969)

Point Blank (1967)

Editing (Feature Film)

Death Scream (1975)

Assistant Editor

Film Production - Main (Feature Film)

Point Blank (1967)

Assistant to the prod

Life Events

Videos

Point Blank (1967) -- (Movie Clip) Open, How Did I Get Here? The opening, which has been noted to have apparent French New Wave influences, of director John Boorman's acclaimed Point Blank, 1967, in which Walker (Lee Marvin) wakes up recalling the caper staged with his wife (Sharon Acker) and buddy (John Vernon).

Point Blank (1967) -- (Movie Clip) I'm Glad You're Not Dead Lots of sound and editing flash as Walker (Lee Marvin, speaking not a word) finds his wife Lynne (Sharon Acker), who sided with his robbery partner who double-crossed and shot him, in an early scene from John Boorman's revenge-thriller Point Blank, 1967.

Point Blank (1967) -- (Movie Clip) Battle Of Alcatraz The second part of the opening of John Boorman's Point Blank, 1967, in which Walker (Lee Marvin), shot by his partner in crime, wakes up at abandoned Alcatraz as the credits roll, then appears on a tourist boat, shadowed by a mysterious Keenan Wynn.

Point Blank (1967) -- (Movie Clip) Men Everywhere Walker (Lee Marvin) and Chris (Angie Dickinson), the sister of his late wife who betrayed him in a robbery scheme, casing the Huntley House (still operating, much gentrified) in Santa Monica, stalking the bad guys in John Boorman's Point Blank, 1967.

Point Blank (1967) -- (Movie Clip) He Makes My Flesh Crawl Vengeful Walker (Lee Marvin), after his wife, who betrayed him along with his crime partner Reese, committed suicide, invades the San Francisco apartment of her sister Chris (Angie Dickinson, her first scene), who has also come under Reese’s influence, in John Boorman’s byzantine Point Blank, 1967.

Bibliography

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