Rudolph Mate
About
Biography
Biography
Distinguished cinematographer of Hungarian parentage who began his career in Germany in the 1920s. Mate shot several films for Carl Theodor Dreyer, notably the dream-like masterpiece "Vampyr" (1932), before moving to Hollywood in 1934. His expressionist sensibility redeemed several lesser films, like Tay Garnett's "Professional Soldier" (1935), as well as making significant contributions to classics such as Charles Vidor's "Gilda" (1946). Mate turned to directing in 1947, with results ranging from the highly competent to the forgettable; his most famous directorial effort is the riveting 1949 noir standard "D.O.A."
Filmography
Director (Feature Film)
Cinematography (Feature Film)
Film Production - Main (Feature Film)
Director (Special)
Life Events
1921
To Vienna, then Berlin
1927
To Paris as director of photography, beginning with the second of several films for Carl Dreyer, "La passion de Jeanne d'Arc/The Passion of Joan of Arc"
1931
Co-directing debut (with Jean Bertin), "Le costaud des P.T.T."
1934
Final French film as cinematographer, Fritz Lang's "Liliom"
1934
To Hollywood; signed contract with Fox
1934
First film as cinematogrpaher in US, "Nada mas que una mujer" (Spanish language version of Louis King's "Pursued," directed by Harry Lachman)
1935
First US English language film as cinematographer, "Dressed to Thrill"
1942
Succeeded Gregg Toland as head of photography for Goldwyn
1947
US co-directing debut (with Don Hartman), "It Had to Be You" (also co-photographer)
1949
Solo directing debut, "The Dark Past"
1963
Last solo directing credit, "Aliki--My Love"; also co-directed film, "Il Re Dei Sette Mari", with Primo Zeglio