Paul Maslansky


Producer

About

Birth Place
New York City, New York, USA
Born
November 23, 1933

Biography

A veteran Hollywood producer, Paul Maslansky has ha an eclectic career. He entered showbiz as a trumpet player with a number of bands in his native Manhattan. After a sojourn in radio advertising sales, Maslansky moved to Europe where her served as an assistant director and later production manager on European films, including Carol Reed's "The Running Man" (1963). He subsequently produc...

Family & Companions

Sally Maslansky
Wife
Married in 1986.

Notes

The concept for the "Police Academy" films came when Maslansky, overseeing production on the 1983 feature "The Right Stuff", noticed that uniformed police cadets--used in the staging of the John Glenn tickertape parade scene--came in every size, color, age and shape and would make ideal characters for a new genre of comedy. The first film was produced for $4.5 million and grossed $82 million domestically and more than $140 worldwide. (Source: THE HOLLYWOOD REPORTER, March 10, 1989)

Biography

A veteran Hollywood producer, Paul Maslansky has ha an eclectic career. He entered showbiz as a trumpet player with a number of bands in his native Manhattan. After a sojourn in radio advertising sales, Maslansky moved to Europe where her served as an assistant director and later production manager on European films, including Carol Reed's "The Running Man" (1963). He subsequently produced the first Italo-Soviet co-production, Mikhail Kalatozov's "The Red Tent" (1971), and the first joint US-USSR film venture, George Cukor's "The Blue Bird" (1976). But American audiences are probably most aware of his low-brow but extremely successful "Police Academy" franchise which has spawned six sequels and two TV versions. Returning to Moscow, Maslansky co-produced a rare prestige picture, Fred Schepisi's adaptation of John le Carre's "The Russia House" (1990), which teamed Sean Connery and Michelle Pfeiffer. Maslansky also has made occasional forays into American TV. In addition to an animated and live-action version of "Police Academy: The Series" (syndicated, 1989 and 1997 respectively), he oversaw the Emmy-nominated biographical miniseries "King" (NBC, 1978), featuring Paul Winfield and Cicely Tyson.

Filmography

 

Director (Feature Film)

Sugar Hill (1974)
Director

Writer (Feature Film)

Castle of the Living Dead (1964)
Screenwriter

Producer (Feature Film)

Fluke (1995)
Producer
Police Academy 7: Mission to Moscow (1994)
Producer
Cop And A Half (1993)
Producer
The Russia House (1990)
Producer
Ski Patrol (1990)
Executive Producer
Honeymoon Academy (1990)
Executive Producer
Police Academy 6: City Under Siege (1989)
Producer
Police Academy 5: Assignment Miami Beach (1988)
Producer
Police Academy 4: Citizens on Patrol (1987)
Producer
Police Academy 3: Back in Training (1986)
Producer
Return to Oz (1985)
Producer
Police Academy 2: Their First Assignment (1985)
Producer
Police Academy (1984)
Producer
The Salamander (1983)
Producer
Love Child (1982)
Producer
When You Comin' Back, Red Ryder? (1979)
Coproducer
Hot Stuff (1979)
Executive Producer
Circle Of Iron (1979)
Producer
The Villain (1979)
Executive Producer
Scavenger Hunt (1979)
Coproducer
Damnation Alley (1977)
Producer
The Blue Bird (1976)
Producer
Race With The Devil (1975)
Executive Producer
Hard Times (1975)
Executive Producer
The Gun and the Pulpit (1974)
Producer
Sudden Terror (1971)
Producer
The Red Tent (1970)
Producer
The She Beast (1966)
Producer
Castle of the Living Dead (1964)
Producer

Film Production - Main (Feature Film)

The Long Ships (1964)
Assistant to the prod
Jason and the Argonauts (1963)
Production Manager

Producer (Special)

My Dissident Mom (1987)
Executive Producer

Producer (TV Mini-Series)

King (1978)
Producer

Life Events

1959

Produced first project, a live jazz concert starring Jimmy Witherspoon (date approximate)

1959

Worked in Europe as production manager

1959

Sold AM radio advertising space in Kansas City and worked for a band

1962

Initial film credit, assistant director on "The Counterfeit Traitor", directed by George Seaton

1964

First film as producer (also writer), "Il castello dei morti vivi/Castle of the Living Dead"

1967

Covered war in Israel for CBS film unit

1974

Initial TV production, the ABC movie "The Gun and the Pulpit"

1976

Was one of the producers of the ill-fated US-USSR co-production "The Blue Bird", directed by George Cukor

1978

Produced the Emmy-nominated TV miniseries, "King" (NBC)

1984

Had hit with "Police Academy" which spawned seven sequels and two television adaptations

1989

Served as creative supervisor and executive producer of the syndicated an animated "Police Academy: The Series"

1990

Abandoned low-brow comedies to co-produce Fred Schepisi's "The Russia House"

1997

Revived "Police Academy: The Series" as a syndicated live action show

Videos

Movie Clip

Castle Of The Living Dead, The -- (Movie Clip) No Life Was Safe The opening both arty and low-rent, in Napoleonic France, leading to a theater troupe in which Dart (Luciano Pigozzi) is fake-hanged by Bruno (Jacques Stany), geeky Donald Sutherland loving it, in the French-Italian Castle Of The Living Dead, 1964, from minor-legend director Michael Reeves.
Castle Of The Living Dead, The -- (Movie Clip) Behind The Monsters Actors Bruno (Jacques Stany), Laura (Gaia Germani), short Nick (Antonio De Martino) and new recruit Eric (Philippe Leroy) find a weird bird and weirder old lady (Donald Sutherland, his second cameo) en route to an iffy gig, in the Italian-French co-production Castle Of The Living Dead, 1964.
Deathline (a.k.a. Raw Meat) -- (Movie Clip) History Richardson (Clive Swift) is pleased to fill in Calhoun (Donald Pleasence) and Rogers (Norman Rossington) on the history of the Russell Square tube station in Deathline (a.k.a. Raw Meat), 1973.
Sugar Hill -- (Movie Clip) Zombies Baron Samedi's (Don Pedro Colley) zombies are in a relative hurry to help out Sugar (Marki Bey) and Mama Maitresse (Zara Cully) in Sugar Hill, 1974.
Sugar Hill -- (Movie Clip) Uppity Something like a pro-forma girl-fight takes a bigoted turn as Celeste (Betty Anne Rees) assaults Sugar (Marki Bey) in Sugar Hill, 1974.
Sugar Hill -- (Movie Clip) Tank Watson Baron Samedi (Don Pedro Colley) goes hard-hat to lure gangster Tank Watson (Rick Hagood) into the clutches of Sugar's (Marki Bey) angry zombies in Sugar Hill, 1974.
Sugar Hill -- (Movie Clip) Open "Supernatural Voodoo Woman" by "The Originals" is the tune behind the opening credits for the blaxploitation zombie film Sugar Hill, 1974, starring Marki Bey.
Sugar Hill -- (Movie Clip) Meet Morgan Sugar (Marki Bey) is more in command than Morgan (Robert Quarry) or his moll Celeste (Betty Anne Rees) realize as she plots revenge in Sugar Hill, 1974.
Sugar Hill -- (Movie Clip) Mama Maitresse Sugar (Marki Bey) turns to Mama Maitresse (Zara Cully) seeking supernatural revenge for her murdered lover in director Paul Maslansky's Sugar Hill, 1974.
Sugar Hill -- (Movie Clip) Baron Samedi Baron Samedi (Don Pedro Colley) strikes a pose for a thunderous entrance before Sugar (Marki Bey) and Mama Maitresse (Zara Cully) in Sugar Hill, 1974.

Trailer

Family

Sam Maslansky
Son
Adopted 17-son old Romanian orphan in October 1990.

Companions

Sally Maslansky
Wife
Married in 1986.

Bibliography

Notes

The concept for the "Police Academy" films came when Maslansky, overseeing production on the 1983 feature "The Right Stuff", noticed that uniformed police cadets--used in the staging of the John Glenn tickertape parade scene--came in every size, color, age and shape and would make ideal characters for a new genre of comedy. The first film was produced for $4.5 million and grossed $82 million domestically and more than $140 worldwide. (Source: THE HOLLYWOOD REPORTER, March 10, 1989)