Témoin


Biography

Filmography

 

Sound (Feature Film)

Jules and Jim (1962)
Sound

Life Events

Videos

Movie Clip

Hollow Triumph (1948) -- (Movie Clip) Maybe I'd Be Good For You Context is complex, Paul Henreid with Joan Bennett, he’s the ex-con look-alike of her psychiatrist boss with whom she was having an affair, but now she’s dating him instead, and doesn’t know why he’s decided to throw her over, in Hollow Triumph, 1948.
Thing From Another World, The (1951) -- (Movie Clip) Super Carrot The whole gang, led by doctors Carrington (Robert Cornthwaite) and Stern (Edouard Franz), reporter Scotty (Douglas Spencer) following, examines the severed arm of The Thing From Another World, 1951.
Madame Bovary (1949) -- (Movie Clip) Monstrous She May Be Through Vincente Minnelli's narrative device, author Gustave Flaubert (James Mason) from his trial for his novel's moral infractions, introduces his characters, chiefly Charles Bovary (Van Heflin) and Emma (Jennifer Jones), from the 1949 MGM version of Madame Bovary.
Jazz Singer, The (1953) -- (Movie Clip) Temple Sinai Korean War vet Jerry (Danny Thomas) arrives at his Philadelphia temple for Rosh Hashanah, his father (Eduard Franz) officiating and mother (Mildred Dunnock) admiring, opening Warner Bros.' 1953 re-make of The Jazz Singer, directed by Michael Curtiz.
Indian Fighter, The -- (Movie Clip) Big Mouth Tail end of the credits and vaguely provocative introduction of Onahti (Elsa Martinelli in her Hollywood debut), Johnny Hawks (Kirk Douglas) meets Grey Wolf (Harry Landers) and Red Cloud (Eduard Franz), in The Indian Fighter, 1955.
Indian Fighter, The -- (Movie Clip) Hot Lead For Gold Having just won the freedom of hostage Todd (Walter Matthau) by beating up an Indian, Frontier scout Johnny Hawks (Kirk Douglas) escorts him back to the fort, in The Indian Fighter, 1955, directed by Andre de Toth.
Johnny Got His Gun (1971) -- (Movie Clip) De-Cerebrated Individual Dr. Tillery (Eduard Franz) and colleagues crowd over the as-yet inanimate Joe Bonham (Timothy Bottoms) from his point of view, in the first scene from Dalton Trumbo's Johnny Got His Gun, 1971.

Bibliography