Angelo Scalanghe


Biography

Filmography

 

Cinematography (Feature Film)

The Slave of Carthage (1910)
Camera

Life Events

Videos

Movie Clip

When Worlds Collide (1951) -- (Movie Clip) Most Frightening Discovery Producer George Pal goes biblical with the opening, ubiquitous Paul Frees narration and Rudolph Maté directing, through a backdrop that looks like the Hale telescope at Mount Palomar, CA, described as an imaginary South African observatory, we meet Hayden Rorke (later known as Dr Bellows on TV’s I Dream Of Jeannie) as Bronson, with aides, describing grim findings, in When World’s Collide, 1951.
When Worlds Collide (1951) -- (Movie Clip) The End Of The World Playboy international courier Randall (Richard Derr) headed to New York from South Africa, handcuffed to secret scientific data he knows little about, is pleased to be collected by fetching Joyce (Barbara Rush), daughter of his recipient, John Ridgely the customs chief, James Seay the hustling reporter, in producer George Pal’s When World’s Collide, 1951.
When Worlds Collide (1951) -- (Movie Clip) The World Prays More momentous narration from Paul Frees, as world opinion has coalesced around predictions that planet Zyra, then a star, will overwhelm earth, Randall and Joyce (Richard Derr, Barbara Rush) in the control center with her scientist father (Larry Keating) and John Hoyt as the disabled unstable financier Stanton, the escape rocket ready, as producer George Pal lets loose the SFX, in When World’s Collide, 1951.
Joan Of Arc (1948) -- (Movie Clip) The Devil Has No Part Joan (Ingrid Bergman) with her displeased mother (Selena Royle), when Sir Robert (George Coulouris) arrives with news confirming her visions, and a curate (David Bond) finds her righteous, in Victor Fleming's Joan Of Arc, 1948.
Joan Of Arc (1948) -- (Movie Clip) God Bothers Very Little Ingrid Bergman (title character) with supporters (Richard Derr, Ray Teal), not fooled by an impostor (Richard Ney), dazzles the court by detecting the real Dauphin (Jose Ferrer), in Joan Of Arc, 1948, from the Maxwell Anderson play.

Bibliography