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When Worlds Collide (1951) -- (Movie Clip) Most Frightening Discovery Producer George Pal goes biblical with the opening, ubiquitous Paul Frees narration and Rudolph Maté directing, through a backdrop that looks like the Hale telescope at Mount Palomar, CA, described as an imaginary South African observatory, we meet Hayden Rorke (later known as Dr Bellows on TV’s I Dream Of Jeannie) as Bronson, with aides, describing grim findings, in When World’s Collide, 1951.
When Worlds Collide (1951) -- (Movie Clip) The End Of The World Playboy international courier Randall (Richard Derr) headed to New York from South Africa, handcuffed to secret scientific data he knows little about, is pleased to be collected by fetching Joyce (Barbara Rush), daughter of his recipient, John Ridgely the customs chief, James Seay the hustling reporter, in producer George Pal’s When World’s Collide, 1951.
When Worlds Collide (1951) -- (Movie Clip) The World Prays More momentous narration from Paul Frees, as world opinion has coalesced around predictions that planet Zyra, then a star, will overwhelm earth, Randall and Joyce (Richard Derr, Barbara Rush) in the control center with her scientist father (Larry Keating) and John Hoyt as the disabled unstable financier Stanton, the escape rocket ready, as producer George Pal lets loose the SFX, in When World’s Collide, 1951.
Meet John Doe -- (Movie Clip) Opening, Streamlined Opening titles followed by a searing exercise in newsroom house-cleaning, featuring Ann (Barbara Stanwyck) pleading with Connell (James Gleason) in Frank Capra's Meet John Doe, 1941.
Our Relations (1936) -- (Movie Clip) We Can Be Millionaires Anytime Stan and Oliver are playing their ne’er-do-well sailor twin brothers, in a San Francisco beer garden, consulting about how to get their money back from their shipmate who was supposed to invest on their behalf, as they’ve picked up some girls, early in Our Relations, 1936.
Our Relations (1936) -- (Movie Clip) You Overstuffed Casanova! Stan and Oliver have bumbled into the same joint where their dimwit sailor twin brothers (whom they think are dead) left a mess, their wives (Betty Healy, Daphne Pollard) thinking them unfaithful, and their twins’ thieving shipmate (James Finlayson) baffled, in Our Relations, 1936.
Meet John Doe (1941) -- (Movie Clip) It's Worth Living For! Significant SPOILER here, as “John Doe” (Gary Cooper) contemplates jumping after all, power broker Norton (Edward Arnold) and his men offering cynical advice, and Ann (Barbara Stanwyck) breaks down in a desperate last attempt, nearing the climax of Frank Capra’s Meet John Doe, 1941.
Meet John Doe (1941) -- (Movie Clip) Tear Down All The Fences! "John Doe" (Gary Cooper) delivers his first radio address, written by Ann (Barbara Stanwyck), who invented his persona, to an audience including his pal "the colonel" (Walter Brennan), editor Connell (James Gleason) and evil magnate Norton (Edward Arnold) in Frank Capra's Meet John Doe, 1941.
Meet John Doe (1941) -- (Movie Clip) Matter of Principle! Vagrant Gary Cooper, having agreed to become the fictional and suicidal "John Doe," dines with pal "The Colonel" (Walter Brennan) as journalists Ann (Barbara Stanwyck) and Connell (James Gleason) plan their campaign, in Frank Capra's Meet John Doe, 1941.
Two Girls And A Sailor (1944) -- (Movie Clip) A Love Like Ours MGM features Harry James and his Music Makers, then June Allyson and Gloria DeHaven as the feuding Deyo sisters with a tune by Alberta Nichols and Mann Holiner, wondering which guy (Van Johnson!) has been sending the orchids, in Two Girls And A Sailor, 1944.
Two Girls And A Sailor (1944) -- (Movie Clip) Save Your Dough, Sailor Not knowing sailor Johnny (Van Johnson) is a zillionaire or that he's the secret admirer of her singing-partner sister Jean (Gloria DeHaven), Patsy (June Allyson) explains things, during an apparently routine party for servicemen at their apartment, in MGM's Two Girls And A Sailor, 1944.
Her Highness And The Bellboy (1945) -- (Movie Clip) She Wants To Go Native With Agnes Moorehead as her counsel the countess, Hedy Lamarr, a Hungarian princess, arrives at her New York hotel, Ludwig Stossel as "Pufi," and soon confesses her true purpose, unconcerned about the ubiquitous Baron Zoltan (Carl Esmond), in Her Highness And the Bellboy, 1945.

Bibliography