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Photos & Videos

Tarzan, the Ape Man (1932) - Movie Posters
The Bad Seed - Lobby Card Set
Cat Ballou - Movie Poster

Biography

Filmography

 

Cast (Feature Film)

Las Vegas Nights--"The Last Frontier Town" (1941)

Life Events

Photo Collections

Tarzan, the Ape Man (1932) - Movie Posters
Here are a variety of original-release American movie posters for MGM's Tarzan, the Ape Man (1932), starring Johnny Weissmuller.
The Bad Seed - Lobby Card Set
Here is a set of Lobby Cards from The Bad Seed (1956), directed by Mervyn LeRoy. Lobby Cards were 11" x 14" posters that came in sets of 8. As the name implies, they were most often displayed in movie theater lobbies, to advertise current or coming attractions.
Cat Ballou - Movie Poster
Here is the American One-Sheet Movie Poster for Cat Ballou (1965), starring Jane Fonda and Lee Marvin. One-sheets measured 27x41 inches, and were the poster style most commonly used in theaters.
Attack of the 50 Foot Woman - Lobby Cards
Here are some Lobby Cards from Attack of the 50 Foot Woman (1958). Lobby Cards were 11" x 14" posters that came in sets of 8. As the name implies, they were most often displayed in movie theater lobbies, to advertise current or coming attractions.
Jesse James - Movie Posters
Jesse James - Movie Posters
Drums Across the River - Behind-the-Scenes Photos
Drums Across the River - Behind-the-Scenes Photos
First Men IN the Moon - Lobby Cards
Here are a few lobby cards from First Men IN the Moon (1964). Lobby Cards were 11" x 14" posters that came in sets of 8. As the name implies, they were most often displayed in movie theater lobbies, to advertise current or coming attractions.
Cat Ballou- Pressbook
Here is the campaign book (pressbook) for Cat Ballou (1965), starring Jane Fonda and Lee Marvin. Pressbooks were sent to exhibitors and theater owners to aid them in publicizing the film's run in their theater.

Videos

Movie Clip

Seance On A Wet Afternoon (1964) -- (Movie Clip) See You In A Tick Director Bryan Forbes looks to be having a good time, shooting and editing his producer and star Richard Attenborough, as Londoner Billy, manipulated by his mentally ill wife into kidnapping affluent Amanda (Judith Donner) in a scheme to prove her powers as a psychic, in Seance On A Wet Afternoon, 1964.
Seance On A Wet Afternoon (1964) -- (Movie Clip) It's A Young Face Opening sequence, director Bryan Forbes presents medium Myra (Kim Stanley) at work, her husband Billy (Richard Attenborough, also the producer) not seen, camera by Gerry Turpin, on location in London's Wimbledon district, in Seance On A Wet Afternoon, 1964.
Why Be Good? (1929) -- (Movie Clip) Boiler Room In the third consecutive Manhattan party scene opening the picture, this time at a nautically-themed night club where Prohibition is openly flaunted, flapper Pert (Colleen Moore) with hustling Jimmy (Louis Natheaux), spotted by blue-blood Peabody (Neil Hamilton) and pals, in Why Be Good?, 1929.
Blessed Event (1932) -- (Movie Clip) The Devil In Southampton Columnist Moxley (Ned Sparks) returns from vacation to chew out his substitute (Lee Tracy as Alvin Roberts) for printing outrageous society gossip, Miss Stevens (Ruth Donnelly) steering clear, when the editor Miller (Walter Walker) arrives with a surprise ruling, in director Roy Del Ruth’s Blessed Event, 1932, from Warner Bros.
Wet Parade, The (1932) -- (Movie Clip) Four Years More! Election day 1916, Southern author Roger (Neil Hamilton) arrives in New York, greeted by Democrats "Pow" Tarleton (Walter Huston), his son Kip (Robert Young) and newsman friend Jerry (Wallace Ford), when surprising news arrives from California, in The Wet Parade, 1932.
Things to Come (1936) -- (Movie Clip) Stand to Arms The citizens of "Everytown" are both warned and reassured as they prepare for attack, while Cabal (Raymond Massey) and wife (Sophie Stewart) muse about their future in H.G. Wells Things to Come, 1936.
Things to Come (1936) -- (Movie Clip) Opening, 1940, War The ominous credit and opening sequence from Things to Come, 1936, from H.G. Wells' screenplay and novel, produced by Alexander Korda and directed by famed production designer William Cameron Menzies.
Blondie Johnson (1933) -- (Movie Clip) In The Back Room Of A Drug Store Opening with some emotional wallop and Depression evocation, title character Joan Blondell, in her first starring part at Warner Bros., bounces off the welfare agency staff (Charles Dow Clark, Naomi Childers) then rushes home where a family friend (Sam Godfrey) has bad news, in Blondie Johnson, 1933.
Lady For A Day (1933) -- (Movie Clip) In Your Own Vernacular We’ve just met Guy Kibbee as “Judge” Blake, engaged in a pool hustle (Irving Bacon the dupe) when Shakespeare (Nat Pendleton) arrives, representing Dave the Dude (Warren William), to recruit him as a stand-in husband for dolled-up Apple Annie (May Robson), with Ned Sparks as Happy and Glenda Farrell as Missouri, in Frank Capra’s Lady For A Day, 1933, from a Damon Runyon story.
Lady For A Day (1933) -- (Movie Clip) She Thinks I'm In High Society Dave (Warren William) and crew (Ned Sparks, Nat Pendleton) drop in on Annie (May Robson) who's in a panic over her daughter's visit, in Frank Capra's Lady For A Day, 1933.
Every Which Way But Loose (1978) -- (Movie Clip) You Sure Sing Pretty With pal Orville (Geoffrey Lewis), shooting in the Palomino Club on Lankershim Blvd., trucker Philo (Clint Eastwood) likes the new act Lynn Halsey Taylor (Sondra Locke, introduced by Mel Tillis, her own vocal on a Neil Diamond song), in Every Which Way But Loose, 1978.
One Sunday Afternoon (1933) -- (Movie Clip) All The Girls Were Kinda Crazy About Me At a turn-of-the-century amusement park, in flashback, bachelors Hugo and Biff (Neil Hamilton, Gary Cooper) have a loose appointment to meet the girls they will later marry, local belle Virginia (Fay Wray) and shy friend Amy (Frances Fuller), in One Sunday Afternoon, 1933.

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Bibliography