Yellow Submarine
Brief Synopsis
Cast & Crew
George Dunning
John Clive
Geoffrey Hughes
Peter Batten
Paul Angelus
Dick Emery
Film Details
Technical Specs
Synopsis
On a peaceful day in the happy kingdom of Pepperland, a concert by Sergeant Pepper's Lonely Hearts Club Band is interrupted by an invasion of the Blue Meanies, a horde of music-hating ogres who drain their victims of color with Splotch Guns and render them immobile by pelting them on their heads with huge green apples. Old Fred, the conductor of the band, escapes to the Lord Mayor, who sends him for help in a yellow submarine. Upon arriving in Liverpool, Old Fred encounters Ringo and recruits the other Beatles (John, Paul, and George) to help save Pepperland. Setting off in the yellow submarine, the five adventurers embark on a "modyssey" that carries them through many strange realms: the sea of time, the sea of science, the sea of monsters, the sea of green, and the sea of holes. After picking up the little Nowhere Man, they are propelled by an enormous sneeze through the sea of holes into occupied Pepperland. Disguising themselves as one of the Meanies' giant Apple Bonkers, they infiltrate a compound where all the musical instruments have been stored. Now armed with songs and love, they rout the Blue Meanies in a battle royal and convert them into peaceful citizens, thereby restoring life, color, music, and love to Pepperland.
Director
George Dunning
Cast
John Clive
Geoffrey Hughes
Peter Batten
Paul Angelus
Dick Emery
Lance Percival
Crew
Dennis Abey
Jenny Aldridge
Apple Films
Ray Aragon
Peter Arthy
Alan Ball
Robert Balser
Brian J. Bishop
Jennie Brisbane
Al Brodax
Al Brodax
Susan Brown
Arthur Button
Chris Cannter
John Challis
John Coates
Hester Coblentz
Don Cohen
Jeff Collins
Ian Cowen
Rich Cox
John Cramer
Diane Crowther
Tony Cuthbert
Malcolm Dakin
Rich Dalkin
Jack Daniels
Alison Devere
Malcolm Draper
Paul Driessen
Heinz Edelmann
David Elvin
Pam Ford
Alan Foster
Paul Francis
Peter Franklin
Margaret Geddes
Susan Gibbons
Abe Goodman
Ian Gordon
Alan Gray
Caird Green
Clare Greenford
Tom Halley
George Harrison
Gordon Harrison
Gordon Harrison
Tony Haynes
Jim Hiltz
Dick Horn
Janet Hosie
Arthur Humberstone
Dennis Hunt
Sally Hyman
Diane Jackson
Charles Jenkins
Muriel Jennings
Anne Jolliffe
Helen Jones
Norman Kauffman
Jon Kramer
John Lennon
Ian Letts
Ted Lewis
Dave Livesey
Malcolm Livesey
Reg Lodge
Jeff Loynes
George Martin
Corona Mayer
Paul Mccartney
Millicent Mcmillan
Jack Mendelsohn
Christopher Miles
Lee Minoff
Lee Minoff
Terry Moesker
Lawrence Moorcroft
Rex Neville
Ray Newman
Graham Orrin
Ted Percival
Ted Pettingell
Mike Pocock
Gil Potter
Jerry Potterton
Eldrick Radage
Vev Roberts
Ken Rolls
Dick Sawyer
Erich Segal
Martina Selway
Mary Ellen Stewart
Mike Stewart
Torquil Stewart
Jack Stokes
Hugh Strain
John Williams
Richard Wodyinski
Film Details
Technical Specs
Articles
Up Periscope Yellow: The Making of the Beatles' Yellow Submarine
Limelight Editions is very pleased to announce publication of the minute-by-minute, drink-by-drink, pop-by-pop, snort-by-snort, behind-the-scenes madcap memoir of the making of this animation classic, by the film's producer and co-writer, Al Brodax: UP PERISCOPE YELLOW: The Making of The Beatles Yellow Submarine.
Mr. Brodax, blessed with the chutzpah and humor of a man Brooklyn born, in UP PERISCOPE YELLOW takes the reader along for a wild ride, flying without wings or a safety net, with eleven months, one million dollars, two continents, an old Royal typewriter and dozens of inkers, artists, and latent ne'er do wells. Two hundred thirty-two souls in all produced a dozen pregnancies, three marriages and one motion picture, revolving in a world sometimes resembling a circus, other times an episode of the Pink Panther. In this setting Al Brodax managed to pull off a cinematic feat and produce a timeless celluloid canvas filled with the magic of the sixties and the musical genius of the world's darlings, The Beatles.
Yellow Submarine was a study in firsts - initiating production without a complete storyboard or script, a feature-length film using characters from living role models - and ingenious uses of rotoscoping, photography and layering. The artwork was brilliant in this pre-computer age, hand-drawn and embellished with watercolor inks of experimental, psychedelic colors, a timeless, painstaking exertion of human energy.
Among the many characters who appear repeatedly throughout UP PERISCOPE YELLOW are The Beatles, George Martin, Brian Epstein, and screenplay co-writer, Erich Segal, fresh off the Yale campus where he was teaching Greek and Latin literature, and soon destined for success in Hollywood with Love Story.
UP PERISCOPE YELLOW: The Making of The Beatles Yellow Submarine is currently available from most major book store chains and specialty book shops everywhere.
Up Periscope Yellow: The Making of the Beatles' Yellow Submarine
Quotes
Oh! Frankenstein!- Old Fred
Yeah, I used to go out with his sister.- Ringo
His sister?- Old Fred
Yeah, Phyllis.- Ringo
If I spoke prose you'd all find out / I don't know what I talk about.- Jeremy Hillary Boob, PhD.
Senile delinquents.- Paul
Now whatever you do, don't touch that button!- Old Fred
Which button?- Ringo
That button.- Old Fred
This button?- Ringo
Aaaahhhhh!- Ringo
That was the panic button.- Old Fred
It appears to be a group of fellas.- John
Trivia
When the producers approached the Beatles about this film, the group, which hated the TV cartoon show of them, agreed to it only as a easy way of completing their movie contract. As such, they contributed only a few old songs and four quickly produced numbers, Only a Northern Song, Hey Bulldog, All Together Now, and It's All Too Much. However, when they saw the finished film, they were so impressed by it that they decided to appear in a short live action epilogue to the film.
Peter Batten (I) was a deserter from the British Army at the time of the creation of the film. In the final weeks of production, he was arrested for desertion, and Paul Angelis had to finish voicing the part of George.
At the end, the live-action Beatles show their souvenirs. George has the motor, Paul has a little "love" and Ringo has the "hole" in his pocket. In live-action, Paul is the one who has "love". This is strange because in animation, John has it.
The three-dimensional effect for the animated smokestacks just before the "Eleanor Rigby" sequence was accidental. The animators can't recall how they did it, and many have tried to recreate the effect.
The 'Hey Bulldog' sequence, was deleted from the American version of the film, for almost 30 years.
Notes
Released in Great Britain in 1968.
Miscellaneous Notes
Special Award by the 1968 National Society of Film Critics for Feature-Length Animation.
Voted One of the Year's Ten Best English-language Films by the 1968 National Board of Review.
Released in United States Summer July 18, 1968
Wide Release in United States November 13, 1968
Re-released in United States September 3, 1999
Re-released in United States July 8, 2018
Released in United States March 1977
Released in United States September 1999
Released in United States 2008
Released in United States June 2009
Released in United States 2012
Shown at CMJ FilmFest in New York City (Worldwide Plaza) September 15-18, 1999.
Shown at CineVegas Film Festival (Under the Neon) June 10-15, 2009.
Wide Release in United States November 13, 1968
Re-released in United States September 3, 1999 (Nuart; Los Angeles)
Re-released in United States July 8, 2018
Released in United States March 1977 (Shown at FILMEX: Los Angeles International Film Exposition (The Mighty Musical Movie Marathon) March 9-27, 1977.)
Released in United States Summer July 18, 1968
Released in United States September 1999 (Shown at CMJ FilmFest in New York City (Worldwide Plaza) September 15-18, 1999.)
Released in United States 2008 (Shown at AFI/Los Angeles International Film Festival October 30-November 9, 2008.)
Released in United States June 2009 (Shown at CineVegas Film Festival (Under the Neon) June 10-15, 2009.)
Released in USA on video.
Released in United States 2012 (Special Events/Restored Print)
Special awards to Allan King's Warrendale and Eugene S. Jones's A Face of War for feature-length documentary and to Yellow Submarine for feature-length animation.