Born on March 8, 1924 in Dublin, Ireland, he became a leading man at the famous Abbey Theatre in the early '40s and relocated to the United States shortly after World War II. His first roles were small bits as a police officer in two RKO quickies: Dick Tracy's Dilemma and Dick Tracy Meets Gruesome (both 1947). He eventually graduated to more prestigious pictures like The Glass Menagerie (1950), Les Miserables (1952) and John Ford's The Quiet Man (1952).
After a few more supporting roles in quality pictures: Niagara (1953); the sci-fi chiller Them! (1954); and for John Ford again in The Long Gay Line (1955), McClory turned to television. He kept busy for several years with guest roles in a variety of popular shows: Bonanza, Wagon Train, Rawhide, Gunsmoke, The Outer Limits (1964) and countless others. By the mid-'60s, McClory became slightly more heavy-set, and began tossing off variations of jovial, "oirish" blarney for, yet again John Ford in Cheyenne Autumn (1964); and in a string of Disney pictures: Follow Me, Boys! (1966, his best role, a moving performance as the alcoholic father whose behavior alienates his son, played by a 15-year old Kurt Russell); The Happiest Millionaire (1967), and The Gnome-Mobile (1967), before he returned to television. His final role was in John Huston's acclaimed Irish opus The Dead (1987). He is survived by his wife, Peggy Webber McClory.
by Michael T. Toole
