The Taking of Pelham One Two Three


1h 44m 1974
The Taking of Pelham One Two Three

Brief Synopsis

Gunmen hold a New York subway train and its passengers for ransom.

Film Details

Also Known As
Taking of Pelham 1, 2, 3, Taking of Pelham One Two Three, The, pirates du métro
MPAA Rating
Genre
Suspense/Mystery
Action
Crime
Drama
Thriller
Release Date
Oct 1974
Premiere Information
not available
Production Company
Palladium Productions; Palomar Pictures International, Ltd.
Distribution Company
United Artists Corp.
Country
United States

Technical Specs

Duration
1h 44m
Sound
Stereo
Color
Color (Technicolor)
Theatrical Aspect Ratio
2.35 : 1

Synopsis

Four ruthless terrorists take over a New York City subway train and hold the passengers for ransom. They threaten to shoot one each minute until a one million dollar ransom is fully paid.

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The Taking of Pelham One Two Three - Movie Posters
The Taking of Pelham One Two Three - Movie Posters

Videos

Movie Clip

Hosted Intro

Film Details

Also Known As
Taking of Pelham 1, 2, 3, Taking of Pelham One Two Three, The, pirates du métro
MPAA Rating
Genre
Suspense/Mystery
Action
Crime
Drama
Thriller
Release Date
Oct 1974
Premiere Information
not available
Production Company
Palladium Productions; Palomar Pictures International, Ltd.
Distribution Company
United Artists Corp.
Country
United States

Technical Specs

Duration
1h 44m
Sound
Stereo
Color
Color (Technicolor)
Theatrical Aspect Ratio
2.35 : 1

Articles

The Taking of Pelham One, Two, Three (1974)


Thrillers don't get much more thrilling than The Taking of Pelham One, Two, Three (1974). Based on a popular but now mostly forgotten novel by John Godey, the film takes a novel situation and presents it with a sense of style and a dash of humor. Naturalistic performances by such actors as Walter Matthau and Robert Shaw only add to the tension. It was nominated for a Writer's Guild award and has surprised viewers for years who weren't expecting anything more than a routine crime drama.

Like any good thriller, the story of The Taking of Pelham One, Two, Three is direct and to the point. Four identically clothed men get aboard the subway leaving the Pelham station at 1:23 (thus the film's title). Soon they've taken control of one car with its assortment of riders while demanding that the city of New York give them $1 million or they'll start killing hostages. Transit officer Walter Matthau must deal with their clever, ruthless leader (Robert Shaw). The hijackers are all named after colors (Mr. Brown, Mr. Green, etc.) which apparently inspired Quentin Tarantino's similar plot device in Reservoir Dogs (1992).

New York's Transit Authority initially wouldn't allow the film to be made on actual subways because of the fear of copycat crimes. Mayor Lindsay got involved and the Authority finally gave permission but still required the studio to buy anti-hijacking insurance though there were never any attempts. The credits have a disclaimer that the Transit Authority didn't give advice or information for use in the film. (A 1998 TV remake was filmed in a poorly disguised Toronto, which obviously looked quite strange to people familiar with the real NYC subway.) One story has it that the film was originally advertised with splashy posters in actual subway stations until riders complained.

When The Taking of Pelham One, Two, Three appeared, Walter Matthau was in the midst of an action film spree (he'd seen real action during World War II while serving in the Army Air Corps); Matthau played a criminal mastermind in Charley Varrick and a harassed detective in The Laughing Policeman (both 1973), then a drunk at the wrong place at the wrong time in Earthquake (1974). Heart bypass surgery in 1976 probably stopped any further plans for physically demanding action roles. Co-star Robert Shaw (as the devious Mr. Blue) was at the top of his popularity. A former Shakespearean actor, Shaw made an impression in the enormous hit The Sting (1973) and would shortly play the unforgettable Captain Quint in Jaws (1975).

A couple of trivia notes: Making a small appearance in the film as a college student is Lucy Saroyan, daughter of playwright and novelist William Saroyan. Lucy was also Matthau's stepdaughter since her mother was Matthau's wife from 1959 to his death. But there's an even odder connection. Another small part - a receptionist this time - is played by Michelle Matthow. According to Matthau's son Charles, "Matthow" was Walter's real last name (the "Matuschanskayasky" that's sometimes listed in film reference works as the actor's real last name was actually a Matthau prank that found its way into print). Michelle Matthow's only other film credit is another Matthau film The Odd Couple II (1998). So are Matthow and Matthau any relation? Turns out that they are: Michelle is Matthau's niece, the daughter of Matthau's brother Henry who never changed his name and ran a supply store in Manhattan for 46 years.

Producer: Gabriel Katzka, Stephen F. Kesten (associate producer), Edgar J. Scherick
Director: Joseph Sargent
Screenplay: John Godey (novel), Peter Stone
Art Direction: Gene Rudolf
Cinematography: Owen Roizman
Costume Design: Anna Hill Johnstone
Film Editing: Gerald B. Greenberg, Robert Q. Lovett
Original Music: David Shire
Principal Cast: Walter Matthau (Lt. Garber), Robert Shaw (Blue), Martin Balsam (Green), Hector Elizondo (Grey), Earl Hindman (Brown), James Broderick (Denny Doyle), Jerry Stiller (Lt. Rico Patrone), Kenneth McMillan (Borough Commander), Dick O'Neill (Frank Correll).
C-105m. Letterboxed.

By Lang Thompson

The Taking Of Pelham One, Two, Three (1974)

The Taking of Pelham One, Two, Three (1974)

Thrillers don't get much more thrilling than The Taking of Pelham One, Two, Three (1974). Based on a popular but now mostly forgotten novel by John Godey, the film takes a novel situation and presents it with a sense of style and a dash of humor. Naturalistic performances by such actors as Walter Matthau and Robert Shaw only add to the tension. It was nominated for a Writer's Guild award and has surprised viewers for years who weren't expecting anything more than a routine crime drama. Like any good thriller, the story of The Taking of Pelham One, Two, Three is direct and to the point. Four identically clothed men get aboard the subway leaving the Pelham station at 1:23 (thus the film's title). Soon they've taken control of one car with its assortment of riders while demanding that the city of New York give them $1 million or they'll start killing hostages. Transit officer Walter Matthau must deal with their clever, ruthless leader (Robert Shaw). The hijackers are all named after colors (Mr. Brown, Mr. Green, etc.) which apparently inspired Quentin Tarantino's similar plot device in Reservoir Dogs (1992). New York's Transit Authority initially wouldn't allow the film to be made on actual subways because of the fear of copycat crimes. Mayor Lindsay got involved and the Authority finally gave permission but still required the studio to buy anti-hijacking insurance though there were never any attempts. The credits have a disclaimer that the Transit Authority didn't give advice or information for use in the film. (A 1998 TV remake was filmed in a poorly disguised Toronto, which obviously looked quite strange to people familiar with the real NYC subway.) One story has it that the film was originally advertised with splashy posters in actual subway stations until riders complained. When The Taking of Pelham One, Two, Three appeared, Walter Matthau was in the midst of an action film spree (he'd seen real action during World War II while serving in the Army Air Corps); Matthau played a criminal mastermind in Charley Varrick and a harassed detective in The Laughing Policeman (both 1973), then a drunk at the wrong place at the wrong time in Earthquake (1974). Heart bypass surgery in 1976 probably stopped any further plans for physically demanding action roles. Co-star Robert Shaw (as the devious Mr. Blue) was at the top of his popularity. A former Shakespearean actor, Shaw made an impression in the enormous hit The Sting (1973) and would shortly play the unforgettable Captain Quint in Jaws (1975). A couple of trivia notes: Making a small appearance in the film as a college student is Lucy Saroyan, daughter of playwright and novelist William Saroyan. Lucy was also Matthau's stepdaughter since her mother was Matthau's wife from 1959 to his death. But there's an even odder connection. Another small part - a receptionist this time - is played by Michelle Matthow. According to Matthau's son Charles, "Matthow" was Walter's real last name (the "Matuschanskayasky" that's sometimes listed in film reference works as the actor's real last name was actually a Matthau prank that found its way into print). Michelle Matthow's only other film credit is another Matthau film The Odd Couple II (1998). So are Matthow and Matthau any relation? Turns out that they are: Michelle is Matthau's niece, the daughter of Matthau's brother Henry who never changed his name and ran a supply store in Manhattan for 46 years. Producer: Gabriel Katzka, Stephen F. Kesten (associate producer), Edgar J. Scherick Director: Joseph Sargent Screenplay: John Godey (novel), Peter Stone Art Direction: Gene Rudolf Cinematography: Owen Roizman Costume Design: Anna Hill Johnstone Film Editing: Gerald B. Greenberg, Robert Q. Lovett Original Music: David Shire Principal Cast: Walter Matthau (Lt. Garber), Robert Shaw (Blue), Martin Balsam (Green), Hector Elizondo (Grey), Earl Hindman (Brown), James Broderick (Denny Doyle), Jerry Stiller (Lt. Rico Patrone), Kenneth McMillan (Borough Commander), Dick O'Neill (Frank Correll). C-105m. Letterboxed. By Lang Thompson

Quotes

We're trying to run a city, not a goddamned democracy!
- Deputy Mayor
I once had a man shot for talking to me like that.
- Mr. Blue
Yeah, well, that's the difference between you and me. I've always done my own killing.
- Mr. Gray
Ladies and gentlemen, it might interest you to know that the City of New York has agreed to pay for your release.
- Mr. Blue
Excuse me, sir. Do you mind telling me how much you're getting?
- Old Man
What's it to you, sir?
- Mr. Blue
A man likes to know his worth.
- Old Man
One million dollars.
- Mr. Blue
That's not so good.
- Old Man
Now then ladies and gentlemen, nobody's going to get hurt if you follow orders and obey my commands!
- Mr. Blue
Man, that's what they said in Vietnam, and I still got my ass shot full of lead.
- Pimp
The Africans used to pay me five thousand.
- Mr. Blue
Five thousand a month? Geez...
- Mr. Green
For leading a battalion.
- Mr. Blue
What the hell'd you get out of that for?
- Mr. Green
Because the market dried up.
- Mr. Blue

Trivia

Walter Matthau says "gesundheit" three times during the movie.

The Transit Authority (TA) of New York at first refused to allow the film to be shot on the actual New York subway. They feared it would lead to imitative crime (it didn't, but their position was shown to be reasonable when the later film Money Train (1995) apparently did). Associate producer Stephen F. Kesten was equally adamant that no other city's subway could be credibly used (and he was apparently right: see the goofs entry for the remake Taking of Pelham One Two Three, The (1998) (TV)). The TA finally did cooperate after Mayor John V. Lindsay intervened, but they required United Artists to buy anti-hijacking insurance at a cost of $75,000 in addition to paying $275,000 for the use of the subway.

Walter Matthau had not been on the New York subway in many years at the time this movie was made even though he was born and raised in New York.

Filmed mostly in the tunnels leading to the decommissioned IND Court St. station in Brooklyn. The station itself served as Grand Central and 28th St.

Ever since the release of the film, no number 6 train has ever been scheduled to leave Pelham Bay Park at either 13:23 or 01:23.

Miscellaneous Notes

Released in United States Fall October 1974

Released in United States on Video January 10, 1989

Released in United States on Video January 10, 1989

Released in United States Fall October 1974