Sunday in New York


1h 45m 1964
Sunday in New York

Brief Synopsis

A philandering pilot gets real moral, real fast when his sister contemplates a premarital fling.

Film Details

Genre
Comedy
Adaptation
Release Date
Jan 1964
Premiere Information
Boston opening: 5 Feb 1964
Production Company
Seven Arts Productions
Distribution Company
Metro-Goldwyn-Mayer, Inc.
Country
United States
Screenplay Information
Based on the play Sunday in New York by Norman Krasna (New York, 29 Nov 1961).

Technical Specs

Duration
1h 45m
Sound
Mono (Westrex Recording System)
Color
Color (Metrocolor)

Synopsis

Airline pilot Adam Tyler's plans to spend a romantic weekend in his New York apartment with Mona Harris are interrupted by the unexpected arrival of his sister Eileen, who has just quarreled with her fiancé, Russ Wilson, because she refuses to sleep with him before marriage. After assuring Eileen that she has done the proper thing and advising her to remain a virgin, Adam persuades Mona to accompany him on his next flight. His assignment is changed at the last minute, however, and he is unable to reach Mona, who is stranded in a strange city. Meanwhile, Eileen finds evidence of her brother's double standard, and when she meets Philadelphia newspaperman Mike Mitchell on a Fifth Avenue bus, she becomes determined to seduce him. Mike respects her virtue and is reluctant to comply, even though both of them soon realize they are falling in love. After getting caught in a downpour, they take refuge in Adam's apartment and are surprised by the arrival of a forgiving Russ, who mistakes Mike for Eileen's brother. Upon his return Adam is introduced as his own co-pilot but goes along with the masquerade, even though he suspects the truth. The situation is resolved later that evening: Mike and Eileen admit their love; Russ, believing that Eileen has been unfaithful to him, admits defeat; and Adam decides it will be easier to marry Mona than to arrange illicit meetings with her.

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Sunday in New York - Movie Poster
Sunday in New York - Movie Poster

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Trailer

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Film Details

Genre
Comedy
Adaptation
Release Date
Jan 1964
Premiere Information
Boston opening: 5 Feb 1964
Production Company
Seven Arts Productions
Distribution Company
Metro-Goldwyn-Mayer, Inc.
Country
United States
Screenplay Information
Based on the play Sunday in New York by Norman Krasna (New York, 29 Nov 1961).

Technical Specs

Duration
1h 45m
Sound
Mono (Westrex Recording System)
Color
Color (Metrocolor)

Articles

Sunday in New York


"In the fullest sense of the word, Norman Krasna represents the screenwriter as auteur," wrote film historian Patrick McGilligan. "For the most part, Krasna wrote original plays and screenplays without the benefit (or hindrance) of a collaborator, and his stories and the peculiar themes that have preoccupied him derive from his own rags-to-riches experiences." Although he wrote a few dramas, Krasna specialized in comedy; specifically, the comedy of confused or mistaken identities. A winner of the Writers Guild of America's prestigious Laurel award in 1960 for the body of his work, he has met with great success as both a playwright and screenwriter. On some occasions, he has combined the two skills by adapting one of his stage hits for the screen, as he did with Sunday in New York (1964).

This sex comedy, written just before the sexual revolution swept the country, is slightly risque yet moralistic, so that its young heroine - played on film by Jane Fonda - flirts with the idea of premarital sex yet remains a virgin at story's end. Fonda plays a 22-year-old from Albany, N.Y., who visits her womanizing brother (Cliff Robertson) in the big city and, although engaged to another man, carries on a flirtation with a stranger (Rod Taylor) she meets on a bus. "If there weren't such a thing as a young woman's virtue, Norman Krasna would surely have invented it," wrote The New York Times. Krasna's script gave Fonda one of her best early opportunities, providing her for the first time with a chance to play sophisticated comedy. The title tune from Sunday in New York, written by Carroll Coates and Peter Nero and sung by Mel Torme, was nominated for a Golden Globe as Best Song.

Krasna (1909-1984) was once hailed as "the Boy Wonder of Hollywood." By the time he was 25, he had had two plays produced on Broadway and had received an Oscar nomination for his original story for The Richest Girl in the World (1934). In addition to writing, he also produced and directed movies. He wrote the original story for Fritz Lang's Fury (1936) and the story and screenplay for Alfred Hitchcock's only non-mystery comedy, Mr. and Mrs. Smith (1941). Krasna received an Academy Award for the original screenplay of Princess O'Rourke (1943), which he also directed. His many other film-writing credits include Bachelor Mother (1939), White Christmas (1954) and Let's Make Love (1960).

Producer: Everett Freeman
Director: Peter Tewksbury
Screenplay: Norman Krasna, from his play
Art Direction: Edward C. Carfagno, George W. Davis
Cinematography: Leo Tover
Costume Design: Orry-Kelly
Editing: Fredric Steinkamp
Original Music: Peter Nero
Principal Cast: Cliff Robertson (Adam Tyler), Jane Fonda (Eileen Tyler), Rod Taylor (Mike Mitchell), Robert Culp (Russ Wilson), Jo Morrow (Mona Harris), Jim Backus (Flight Dispatcher), Peter Nero (Himself)
C-105m. Closed captioning.

by Roger Fristoe
Sunday In New York

Sunday in New York

"In the fullest sense of the word, Norman Krasna represents the screenwriter as auteur," wrote film historian Patrick McGilligan. "For the most part, Krasna wrote original plays and screenplays without the benefit (or hindrance) of a collaborator, and his stories and the peculiar themes that have preoccupied him derive from his own rags-to-riches experiences." Although he wrote a few dramas, Krasna specialized in comedy; specifically, the comedy of confused or mistaken identities. A winner of the Writers Guild of America's prestigious Laurel award in 1960 for the body of his work, he has met with great success as both a playwright and screenwriter. On some occasions, he has combined the two skills by adapting one of his stage hits for the screen, as he did with Sunday in New York (1964). This sex comedy, written just before the sexual revolution swept the country, is slightly risque yet moralistic, so that its young heroine - played on film by Jane Fonda - flirts with the idea of premarital sex yet remains a virgin at story's end. Fonda plays a 22-year-old from Albany, N.Y., who visits her womanizing brother (Cliff Robertson) in the big city and, although engaged to another man, carries on a flirtation with a stranger (Rod Taylor) she meets on a bus. "If there weren't such a thing as a young woman's virtue, Norman Krasna would surely have invented it," wrote The New York Times. Krasna's script gave Fonda one of her best early opportunities, providing her for the first time with a chance to play sophisticated comedy. The title tune from Sunday in New York, written by Carroll Coates and Peter Nero and sung by Mel Torme, was nominated for a Golden Globe as Best Song. Krasna (1909-1984) was once hailed as "the Boy Wonder of Hollywood." By the time he was 25, he had had two plays produced on Broadway and had received an Oscar nomination for his original story for The Richest Girl in the World (1934). In addition to writing, he also produced and directed movies. He wrote the original story for Fritz Lang's Fury (1936) and the story and screenplay for Alfred Hitchcock's only non-mystery comedy, Mr. and Mrs. Smith (1941). Krasna received an Academy Award for the original screenplay of Princess O'Rourke (1943), which he also directed. His many other film-writing credits include Bachelor Mother (1939), White Christmas (1954) and Let's Make Love (1960). Producer: Everett Freeman Director: Peter Tewksbury Screenplay: Norman Krasna, from his play Art Direction: Edward C. Carfagno, George W. Davis Cinematography: Leo Tover Costume Design: Orry-Kelly Editing: Fredric Steinkamp Original Music: Peter Nero Principal Cast: Cliff Robertson (Adam Tyler), Jane Fonda (Eileen Tyler), Rod Taylor (Mike Mitchell), Robert Culp (Russ Wilson), Jo Morrow (Mona Harris), Jim Backus (Flight Dispatcher), Peter Nero (Himself) C-105m. Closed captioning. by Roger Fristoe

Quotes

Trivia

Notes

Location scenes filmed in New York City.

Miscellaneous Notes

Released in United States 1963

Released in United States 1963