Ma, He's Making Eyes at Me


60m 1940

Film Details

Also Known As
Fashions for Sale
Genre
Comedy
Musical
Release Date
Mar 15, 1940
Premiere Information
not available
Production Company
Universal Pictures Co.
Distribution Company
Universal Pictures Co.
Country
United States

Technical Specs

Duration
60m
Film Length
7 reels

Synopsis

When the exclusive woman's shop owned by C. J. Woodbury experiences a business slump, C. J. fires Tommy Shaw, his press agent, for offending a customer. While waiting in the unemployment line, Tommy meets aspiring actress Connie Curtiss, who confides her dream of owning a Woodbury gown. Inspired by Connie's confession, Tommy proposes a Miss Manhattan contest to publicize an inexpensive line of Woodbury designs. C. J. approves of Tommy's idea and hires Connie to be "Miss Manhattan," the average working girl. The campaign is a huge success and Tommy becomes so involved in his work that he ignores Connie's affection for him. Running out of publicity angles, Tommy decides to marry "Miss Manhattan" to "Mr. Manhattan" and hires Joe Porter for the job. To boost the sale of wedding accessories, Tommy decides to hold the ceremony during the Woodbury musical revue, but as the show proceeds, Tommy has second thoughts and decides to marry Connie himself. Joe, fearful of losing his benefits, protests, and as a result, the two come to blows. Tommy, the winner, then carries Connie onto the stage and they have a double wedding as C. J. decides to marry Minerva, his fiancée of thirty years.

Film Details

Also Known As
Fashions for Sale
Genre
Comedy
Musical
Release Date
Mar 15, 1940
Premiere Information
not available
Production Company
Universal Pictures Co.
Distribution Company
Universal Pictures Co.
Country
United States

Technical Specs

Duration
60m
Film Length
7 reels

Quotes

Trivia

Notes

The working title of this picture was Fashions for Sale. It was then retitled Ma, He's Making Eyes at Me to become part of Universal's series based on popular songs. Story writer Ed Sullivan was a columnist for the New York Daily News. Although the film print credits Charles Grayson and Edmund Hartmann with screenplay, a production chart in Hollywood Reporter attributes the screenplay to Harry Clork and Paul Gerard Smith. The extent of Clork's and Smith's participation in the film has not been confirmed.