La Bamba
Brief Synopsis
Cast & Crew
Luis Valdez
Howard Huntsberry
Noble Willingham
Dyana Ortelli
John Quade
Eddie Frias
Film Details
Technical Specs
Synopsis
The story of rock 'n' roll performer Ritchie Valens, who died in a plane crash in 1959, along with Buddy Holly and the Big Bopper.
Director
Luis Valdez
Cast
Howard Huntsberry
Noble Willingham
Dyana Ortelli
John Quade
Eddie Frias
Joni Indursky
Daniel Valdez
Sam Anderson
Joe Pantoliano
Rosanna Locke
Elizabeth Peña
Thom Pintello
Hunter Payne
Marshall Crenshaw
Kati Valdez
Diane Rodriguez
Art Koustik
Danielle Von Zerneck
Stephen Lee
Brian Setzer
Brian Russell
Allen Burry
Lettie Ibarra
Rosanna Desoto
Mike Moroff
Kim Sebastian
Esai Morales
Sean Moloney
Felipe Cantu
Andy Griggs
Lou Diamond Phillips
Maggie Gwinn
Stephen Schmidt
Jeffrey Alan Chandler
Gloria Balcorta
Tony Genaro
Ernesto Hernandez
Barb Jittner
Rick Dees
Maryann Tanedo
Geoffrey Rivas
Allison Robinson White
Joe Miller
Crew
Alana Ackley
Alana Ackley
Todd Adair
Joseph Lopez Alvez
E Anderson
Leroy Anderson
Albert Aquino
Richard Arrington
Von Babasin
Bob Bailey
Lavern Baker
James Beaumont
Steve Beckham
Jeffrey James Bell
Stuart Benjamin
Steve Berlin
Chuck Berry
Robert A Blackwell
Alan C. Blomquist
Bo Diddley
Michael Bodanrczuk
Bill Borden
Janet Brady
Rosemary Brandenburg
Don Brochu
Arthur Brooks
Richard Brooks
Jane Brown
Jerry Butler
Jerry Butler
Jerry Capehart
Misty Carey
Tyran Carlo
R Carr
Marcy Carriker
Yvonne Cervantes
Herman B Chaney
Manuel G Chavez
Dick Clark
Eddie Cochran
Chuck Colwell
Jeffrey Conroy
Alicia Craft
Marshall Crenshaw
Marshall Crenshaw
Vincent Cresciman
Vincent Cresciman
Don Davis
Howard Davis
Richard Davis
Steve M Davison
Steve M Davison
Tim A Davison
Miguel Delgado
Andy Dickerman
David Diehl
Willie Dixon
Tom Donovan
Marylou Eales
Sam Emerson
Lori Eschler
Eduardo H. Esparza
Phil Esparza
Ann Farina
Johnny Farina
Santo Farina
Ben Feldthouse
Stephen J Fisher
Jim Fox
Dick Friedman
Claude Fullerton
Craig Garfield
Rex Garvin
Don Gehman
Priscila Giraldo
Priscila Giraldo
Miles Goodman
Jerry Gordon
Mark S Gordon
Berry Gordy
Gwen Gordy
Liz'beth Gower
Richard Graves
Adam Greenberg
Greta Gregorian
Taylor Hackford
Warren Hamilton
Otto Harbach
Darryl Harmon
Darrell Hein
Freddie Hice
Buddy Holly
Howard Huntsberry
Jeff Jones
Darwin Joston
Fred Judkins
Sheldon Kahn
Shannon Kane
Michael Katleman
Sheldon M Katz
Bob Keene
Roger Kelton
Jerome Kern
Linda Kiffe
Josh King
Rick Kline
Jono Kouzouyan
Robert Kuhn
Joe Lanzl
Jerri Lauridsen
Randlett King Lawrence
Marisa Leal
Jerry Leiber
Walter Lester
Little Richard
Gary Littlefield
Marco Lopez
Junie Lowry-johnson
Thomas Luehrsen
John Marascalco
Lennie Martin
James Matheny
Tom Mccarthy
Eugene Mcdaniel
Kerry Lyn Mckissick
Beverly Mendheim
Lisa Meyers
Donald O Mitchell
J Mitchell
Rick Morton
George Motola
Bill Myer
Wayne Nelson
Kevin O'connell
Alan Oliney
Jimmy Ortega
Gary Parker
Olga Perez
Dan Perri
Norman Petty
Jim Pewter
Jim Picciolo
Fulton Picetti
John Pierce
Vance Piper
Paul Power
Ted Quillin
Alan Rice
J P Richardson
Janet Roberts
Gil Rocha
Joseph Rock
Ronnie Rondell
Thomas Rosales Jr.
Stan Ross
Jane E Russell
Tanya Russell
Carlos Santana
Carlos Santana
Pola Schreiber
Craig Scott
Winfield Scott
Sylvia Sensiper
Brian Setzer
R J Sharp
Sharon Sheeley
Joel Shryack
Joel Sill
Sindee Levin Small
Huey P Smith
Curt Sobel
Carrie Stein
Charles M Stewart
Mike Stoller
Danny L Swanson
Garry Talent
John Taylor
Robert John Teitelbaum
The Platters
Billy Tilghman
Susumu Tokunow
Patricia Tooke
Peter Tothpal
Daniel Valdez
Daniel Valdez
Daniel Valdez
Kinan Valdez
Luis Valdez
Ritchie Valens
Sylvia Vega-vasquez
Joseph Verscharen
Janet Vogel
Todd Weisman
S Weiss
Terry Weldon
Mark R Wescott
Lee America West
Sunny West
Tim Wienckowski
Jack Yanekian
Videos
Movie Clip
Film Details
Technical Specs
Articles
La Bamba
From start to finish, the amazing success of Ritchie Valens lasted for about eight months. During that time he had three Top 10 hits: "La Bamba", "Come On, Let's Go" and "Donna". It all ended with horrible abruptness when the small plane Valens was in went down in an Iowa cornfield with tour mates Buddy Holly and J.P. "The Big Bopper" Richardson on February 3, 1959.
Just as Ritchie Valens shattered traditions by being the first Chicano to break into the pop music charts, the film version of his life did things a different way. La Bamba's release, which included 64 Spanish-dubbed and 13 Spanish-subtitled prints across 30 cities nationwide, was the biggest of its kind at the time. Prior to that, Spanish-speaking Latinos would have to wait months for dubbed or subtitled prints produced for European and Latin American markets to come to their neighborhood theaters. For the first time, U.S. Spanish-and English-speaking populations would see the movie at the same time.
Ritchie Valens' family didn't work in the fields, as depicted in La Bamba, but director Luis Valdez's did, and it influenced him deeply. In 1965, Valdez founded El Tetra Compassion, a theatrical group rooted in Chicano experience and the cultural wing (at that time) of the United Farm Workers union. Valdez produced the hugely successful Zoot Suit (1981) on stage before it was made into a film. He became the first Chicano playwright to present a play on Broadway and continued breaking new ground with his films.
It wasn't easy to do a biopic on someone who had achieved relative sainthood in the nearly 30 years since his death. Valdez had trouble finding anything at all controversial about Valens, except through his brother, Bob (Esai Morales), who reluctantly admitted that they fought and blamed himself. Valdez used the brothers' difficult relationship and Bob's pain that Ritchie's father, who raised them both, was not his biological father as the underlying conflict in a story that wouldn't have much drama otherwise. Mario Barrera quotes Valdez in Chicanos and Film: Representation and Resistance, edited by Chon A. Noriega: "Ritchie represents the spirit of the fifties, the dream of everyman being able to cry out from his guts and rise to the top. His half-brother Bob was riddled with insecurity and he couldn't free himself to pursue his dreams Ñ he was all caught up in self-doubt."
Valdez's projects have always involved the myth and mystery of Chicano culture, and La Bamba is no exception: "'When I first pitched the idea for the screenplay, I told Taylor [Hackford] about...all the symbolism. He loved it. But [the mythic elements are] not overemphasized. It's part of the film's structure," says Valdez (Chicanos and Film: Representation and Resistance).
Through the image of the snake, first shown in the film's opening shot and again when Ritchie and Bob visit the Tijuana curandero, who skins one and tells Ritchie the story of creation, Valdez offers references to the Aztec sky serpent, Quetzalcoatl, and its evil opposite--Tezcatlipoca, the envious and corrupting influence that eventually destroys Quetzalcoatl. This mythology frames the painful conflict between Ritchie and Bob: the success of the one seems unstoppable, except by the other, who can't get out of his own way. In Valdez's telling of Valens' tragic end, it is Bob who essentially kills his brother when he accidentally tears off the curandero's protective talisman Valens wears around his neck. Valens seems to feel what fate is coming his way throughout the film. From his reoccurring, grainy nightmare of a plane exploding over a junior high playground (which did actually kill Valens' childhood friend), to his intense fear of flying, Valens is stalked by premonition.
The music of La Bamba is performed memorably by Los Lobos, with some admirable lip-synching by Phillips. The film, which was considered a small indie production, did well among critics. Carlos Santana and Miles Goodman received the 1988 BMI Film Music Award and the film was nominated for a Golden Globe for Best Motion Picture Drama.
Producers: Bill Borden, Taylor Hackford
Director: Luis Valdez
Screenplay: Luis Valdez
Cinematography: Adam Greenberg
Music: Miles Goodman, Carlos Santana
Film Editing: Don Brochu, Sheldon Kahn
Cast: Lou Diamond Phillips (Ritchie Valens), Esai Morales (Bob Morales), Rosana DeSoto (Connie Valenzuela), Elizabeth Pena (Rosie Morales), Danielle von Zerneck (Donna Ludwig), Joe Pantoliano (Bob Keene), Rick Dees (Ted Quillen), Marshall Crenshaw (Buddy Holly), Howard Huntsberry (Jackie Wilson), Brian Setzer (Eddie Cochran), Daniel Valdez (Lelo), Felipe Cantu (Curandero), Eddie Frias (Chino), Mike Moroff (Mexican Ed), Geoffrey Rivas (Rudy).
C-108m. Letterboxed.
by Emily Soares
La Bamba
Noble Willingham (1931-2004)
Born on August 31, 1931 in Mineola, Texas, Willingham was educated at North Texas State University where he earned a degree in Economics. He later taught government and economics at a high school in Houston, leaving his life-long dreams of becoming an actor on hold until the opportunity presented itself. Such an opportunity happened when in late 1970, Peter Bogdonovich was doing some on-location shooting in south Texas for The Last Picture Show (1971); at the urging of some friends, he audition and won a small role in the picture. From there, Willingham slowly began to find work in some prominent films, including Bogdonovich's Paper Moon (1973), and Roman Polanski's Chinatown (1974). Around this time, Willingham kept busy with many guest appearances on a variety of popular shows: Bonanza, Gunsmoke, The Waltons, The Mary Tyler Moore Show, The Rockford Files and several others.
Critics didn't take notice of his acting abilities until he landed the role of Leroy Mason, the soulless plant manager who stares down Sally Field in Norma Rae (1979). Few could forget him screaming at her, "Lady, I want you off the premises now!" with unapologetic malice. It may have not been a likable character, but after this stint, better roles came along, most notably the corrupt Dr. Fenster in Robert Redford's prison drama Brubaker (1980); and the evil sheriff in the thriller The Howling (1981).
By the late '80s, Willingham was an in-demand character actor, and he scored in three hit films: a border patrol sergeant - a great straight man to Cheech Marin - in the ethnic comedy Born in East L.A.; his wonderfully avuncular performance as General Taylor, the military brass who was sympathetic to an unorthodox disc jockey in Saigon, played by Robin Williams in Good Morning, Vietnam (both 1987); and his good 'ole boy villainy in the Rutger Hauer action flick Blind Fury (1988). His performances in these films proved that if nothing else, Willingham was a solid backup player who was adept at both comedy and drama.
His best remembered role will no doubt be his six year run as the genial barkeep C.D. Parker opposite Chuck Norris in the popular adventure series Walker, Texas Ranger (1993-99). However, film reviewers raved over his tortured performance as a foul-mouthed, bigoted boat salesman who suffers a traffic downfall in the little seen, but searing indie drama The Corndog Man (1998); the role earned Willingham a nomination for Best Actor at the Independent Spirit Awards and it showed that this ably supporting performer had enough charisma and talent to hold his own in a lead role.
In 2000, Willingham tried his hand at politics when he unsuccessfully tried to unseat Democrat Max Dandlin in a congressional campaign in east Texas. After the experience, Willingham returned to acting filming Blind Horizon with Val Kilmer in 2003. The movie is to be released later this year. Willingham is survived by his wife, Patti Ross Willingham; a son, John Ross McGlohen; two daughters, Stari Willingham and Meghan McGlohen; and a grandson.
by Michael T. Toole
Noble Willingham (1931-2004)
Quotes
Trivia
Miscellaneous Notes
Released in United States May 14, 1987
Released in United States October 1997
Released in United States on Video January 21, 1988
Released in United States Summer July 24, 1987
Shown at Los Angeles International Latino Film Festival (10th Anniversary Screening) October 15-19, 1997.
Shown at Seattle Film Festival May 14, 1987.
Began shooting June 16, 1986.
Previewed in New York City July 17, 1987.
Spanish language version available
Released in United States on Video January 21, 1988
Released in United States May 14, 1987 (Shown at Seattle Film Festival May 14, 1987.)
Released in United States Summer July 24, 1987
Released in United States October 1997 (Shown at Los Angeles International Latino Film Festival (10th Anniversary Screening) October 15-19, 1997.)